The Country of the Pointed Firs: And Other Stories

by Sarah Orne Jewett, Willa Cather (Preface by)

Overview

Sarah Orne Jewett's place in American letters was assured when this acclaimed collection of stories about her native state of Maine was first published in 1896. With a Preface by Willa Cather.

Sarah Orne Jewett's crisp style and skillful observation of people and places gives her work lasting appeal.

Product Details

ISBN-13:	9780385092142
Publisher:	Knopf Doubleday Publishing Group
Publication date:	02/11/1954
Edition description:	Reprint
Pages:	320
Product dimensions:	5.19(w) x 7.97(h) x 0.74(d)

About the Author

Sarah Orne Jewett was born in Maine on September 3, 1849, and grew up in the small town of South Berwick where she was to spend the principal part of her life. Ill health prevented her from fulfilling her ambition to become a doctor; she turned to writing instead. Her first story was published when she was 18, and her literary production continued unabated until a crippling carriage accident in 1902 ended her creative career. She died on June 24, 1909, leaving behind a remarkable literary legacy. 

WILLA CATHER was probably born in Virginia in 1873, although her parents did not register the date, and it is probably incorrectly given on her tombstone. Because she is so famous for her Nebraska novels, many people assume she was born there, but Willa Cather was about nine years old when her family moved to a small Nebraska frontier town called Red Cloud that was populated by immigrant Swedes, Bohemians, Germans, Poles, Czechs, and Russians. The oldest of seven children, she was educated at home, studied Latin with a neighbor, and read the English classics in the evening. By the time she went to the University of Nebraska in 1891–where she began by wearing boy’s clothes and cut her hair close to her head–she had decided to be a writer.After graduation she worked for a Lincoln, Nebraska, newspaper, then moved to Pittsburgh and finally to New York City. There she joined McClure’s magazine, a popular muckraking periodical that encouraged the writing of new young authors. After meeting the author Sarah Orne Jewett, she decided to quit journalism and devote herself full time to fiction. Her first novel, Alexander’s Bridge, appeared in serial form in McClure’ s in 1912. But her place in American literature was established with her first Nebraska novel, O Pioneers!, published in 1913, which was followed by her most famous pioneer novel, My Antonia, in 1918. In 1922 she won the Pulitzer Prize for one of her lesser-known books, One of Ours. Death Comes for the Archbishop (1927), her masterpiece, and Shadows on the Rock (1931) also celebrated the pioneer spirit, but in the Southwest and French Canada. Her other novels include The Song of the Lark (1915), The Professor’ s House (1925), My Mortal Enemy (1926), and Lucy Gayheart (1935). She died in 1947.

Read an Excerpt

There was something about the coast town of Dunnet which made it seem more attractive than other maritime villages of eastern Maine. Perhaps it was the simple fact of acquaintance with that neighborhood which made it so attaching, and gave such interest to the rocky shore and dark woods, and the few houses which seemed to be securely wedged and tree-nailed in among the ledges by the Landing. These houses made the most of their seaward view, and there was a gayety and determined floweriness in their bits of garden ground; the small-paned high windows in the peaks of their steep gables were like knowing eyes that watched the harbor and the far sea-line beyond, or looked northward all along the shore and its background of spruces and balsam firs. When one really knows a village like this and its surroundings, it is like becoming acquainted with a single person. The process of falling in love at first sight is as final as it is swift in such a case, but the growth of true friendship may be a lifelong affair.

After a first brief visit made two or three summers before in the course of a yachting cruise, a lover of Dunnet Landing returned to find the unchanged shores of the pointed firs, the same quaintness of the village with its elaborate conventionalities; all that mixture of remoteness, and childish certainty of being the centre of civilization of which her affectionate dreams had told. One evening in June, a single passenger landed upon the steamboat wharf. The tide was high, there was a fine crowd of spectators, and the younger portion of the company followed her with subdued excitement up the narrow street of the salt-aired, white-clapboarded little town.

Table of Contents

Preface by Willa Cather

The Country of the Pointed Firs

The White Heron

The Flight of Betsey Lane

The Dulham Ladies

Going to Shrewsbury

The Only Rose

Miss Tempy’s Watchers

Martha’s Lady

The Guests of Mrs. Timms

The Town Poor

The Hiltons’ Holiday

Aunt Cynthy Dallett

Reading Group Guide

1. The Country of the Pointed Firs is not so much a novel as small episodes strung together. What do you think Jewett was trying to accomplish using this loose structure? What is she saying about New England country life?

2. Consider the narrator's view of the "quaint" village people in the beginning of the novel compared to her view as she leaves Dunnet Landing. How and when did her worldly view change of the small village and villagers?

3. Some critics argue Jewett was simply romanticizing the idealization of the simple life. However, take into account Mrs. Todd's herb gathering, Captain Littlepage's "quirks, " and the narrator's friendship with the inhabitants of Dunnet Landing. Do you feel the core of this novel is romantic, or humanistic and even religious?

4. The work heavily relies on four symbolic contrasts-the funeral, the sea, the outer islands, and the song sparrows. How do these four symbols work and contrast with each other? Are they relaying the theme of the novel, and if so, what exactly is that theme?

5. Consider Captain Littlepage's "spells, " William's inability to function in society, and Joanna's self-exile to Shell-heap Island. Is Jewett commenting on what small town life can do to a person's mind, or is she simply romanticizing life on the sea?

6. Consider the narrator's reaction to Mrs. Todd's tale of Joanna. Do you feel the narrator relates to Joanna, or is she just simply sympathetic to the shunted woman?

7. In Jewett's time, alternative medicine was vehemently looked down upon while many women such as midwives were persecuted for their practices. Yet, Mrs. Toddworks alongside the village doctor, and even prescribes pennyroyal (a known abortive). Is Jewett trying to give respectability to a dying practice, or is she satirizing a "country practice"?

8. The Country of the Pointed Firs is often branded as local-color literature. Do you feel Jewett was nostalgically writing about her beloved Maine, or was she trying to contrast New England with the rest of America and connect the "good old days" with the more fast-paced, industrial America growing around her?

9. In what ways does Jewett defy the prevailing nineteenth-century gender relations, namely the separation of women's and men's lives and women's sphere in the home and public? In what ways does she embrace those views?