The Creator

The Creator

by Gudrun Eva Minervudottir
The Creator

The Creator

by Gudrun Eva Minervudottir

Paperback

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Overview

When Lóa's car gets a puncture out in the countryside, the man who lives nearest proves recalcitrantly helpful. She ends up falling asleep in his armchair and wakes to intense guilt at neglecting her daughter back in Reykjavik, followed by shock at what she finds in her helper's back room - half-finished, life-size silicone women hanging from hooks. Sveinn, her host, is a craftsman; he makes sex dolls. In his workshop Lóa is overcome with a surprising reverence, and acting on a mad notion of salvation, she steals one of the dolls for her troubled daughter Margret. For the first time ever, Lóa finds she is a thief. And worse, when her friends and family greet her plans with incredulity, she finds that there is another more awful theft, beyond her expectations and her understanding. Bereft and adrift, how can Lóa save her daughter from herself and what can she learn from Sveinn's loneliness? Two people who fear responsibility putting themselves in harm's way, Sveinn and Lóa dance a fascinating dance in this striking novel from Iceland's most celebrated young novelist.

Product Details

ISBN-13: 9781846272523
Publisher: Granta Books
Publication date: 11/07/2013
Pages: 288
Product dimensions: 5.70(w) x 7.80(h) x 1.00(d)

About the Author

GUÐRÚN EVA MÍNERVUDÓTTIR, born in 1976, was raised in various villages around Iceland, and spent her youth bartending and studying. A professional writer since the age of 22, she lives in Reykjavik with her husband, film-maker Marteinn Thorsson, and daughter Mínerva Marteinsdóttir. This is her first book to be translated into English.

Read an Excerpt

Friday Evening

Sveinn hung the last ones out to dry: the hooks pierced the back

of the necks. Fortunately the holes would be hidden by silky

soft hair once the heads were added. He placed a ruler between

the ankles: it was important that they dried slightly apart, otherwise

they might handle awkwardly, like apprehensive virgins.

And there they hung, all four of them, all body type number 4.

He straightened himself up, eased the small of his back with a

damp, aching hand and admired their colouring: golden brown,

as though they had wandered naked all summer in the sunshine

shielded only by a fine haze of cloud. The colour mix had

worked perfectly and he made a mental note to write down the

proportions before the numbers faded from memory.

He didn’t consider himself an artist, although others sometimes

gave him that dubious accolade. He was a craftsman, a master

craftsman in his field, yet he didn’t puff himself up over it – for

what is self-satisfaction other than the flip side of stagnation? He

would not be guilty of either. His job was to craft as skilfully as he

could, to create an illusion of human consciousness – shining out

of blue or hazel eyes, floating behind half-closed red lips, framed

in blonde, raven-black or auburn curls – and to let his beautiful

girls go into the world, in the hope that they would bring their

owners joy.

He took off his rubber apron and hung it on a nail by the

door, washed his hands in the cubby-hole off the drying room

and put his watch back on. When he saw that it was well after

eight he realized his stomach was rumbling, his jaw was stiff

and his temples were throbbing unbearably. His finger joints

were on fire and pain ricocheted round his wrists and elbows.

It was the same every time – when his concentration relaxed

his body began to protest.

Leaning heavily against the door frame, he tried to recall

what was in the fridge. It would have been quicker to wander

into the kitchen, open the fridge and scan the contents, but

that was beyond him right then – he needed to let the

tiredness ebb away before he did anything, but at the same

time he knew he couldn’t unwind until he had some food

inside him.

What was there? Minced beef nearing its sell-by date, onions,

potatoes, flatbread, butter. Anything else? Cheese, tuna in oil,

wafer-thin slices of processed smoked lamb in cumbersome

packaging. He didn’t feel like cooking – he thought the knives

and wooden spoons would be so heavy. Heavier than the steel

he used in his girls’ joints. Heavier than lead. It was a wonder the

bases of the boxes he transported them in didn’t give way under

them.

There were a couple of restaurants nearby, but he wasn’t

ready to face people after working so many days on end. He

could get himself flatbread and coffee, but it went against the

grain to let three hundred grams of minced beef go to waste.

No, there was only one thing for it now: to shift himself

from the door frame. Although he longed for nothing more

than to take it with him into the kitchen and to lean against it

while the onions and mince browned in the pan. One foot in

front of the other, it could be done. A pleasant problem compared

to an empty fridge and having to go out to the shops.

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