Table of Contents
Foreword Joseph Vogel, PhD xi
Foreword Karin Merx xv
Acknowledgments xvii
Michael Jackson: A Selected Chronology xix
Part I Art as Life 1
Chapter 1 Introduction: Reading, Writing, and Rewriting Michael Jackson 3
Chapter 2 A Critical Survey of Michael Jackson Studies 9
Chapter 3 On Michael Jackson's Dancing the Dream 19
Chapter 4 Narrative in Michael Jackson's Bad 31
Chapter 5 Identity and Identification in Michael Jackson's Dangerous 41
Chapter 6 "Liberace Has Gone to War": Undressing Michael Jackson's Fashion 49
Chapter 7 "Instrument of Nature": The Voice of Michael Jackson 59
Part II Life as Art 67
Chapter 8 Thoughts on Michael Jackson's Transformations 69
Chapter 9 "Throwing Stones to Hide Your Hands": The Mortal Persona of Michael Jackson 77
Chapter 10 Recontextualizing Michael Jackson's Blackness 87
Chapter 11 History and Michael Jackson's Autobiographical Potency 95
Chapter 12 Michael Jackson and Children Revisited 105
Chapter 13 "Faith, Hope, and Love": The Dangerous Philosophies of Michael Jackson 113
Chapter 14 From Crown to Cross: The Poisoned Chalice of Thriller's Success 119
Part III Art beyond Life 125
Chapter 15 Horcruxes: Michael (Split Seven Ways) Jackson 127
Chapter 16 "Through the Looking Glass": Notes on Michael Jackson and Andy Warhol 141
Chapter 17 Invincible: Michael Jackson's Lost Late Album 147
Chapter 18 Michael Jackson's Obituaries and the Shakespearean Tragic Hero 155
Chapter 19 Moonwalkers: Michael Jackson's Unique Fandom 159
Chapter 20 The Power of the Editor and Michael Jackson's Posthumous Releases 179
Chapter 21 Epilogue: Three Dangerous Philosophies Articles 189
21.1 "The Isle Is Full of Noises": Revisiting the Peter Pan of Pop 189
21.2 Crack Music: Michael Jackson's Invincible 192
21.3 "Heard It on the Grapevine": Are We Losing Michael Jackson All Over Again? 195
Appendices
A.1 From Object to Subject: A Critical Survey on the Representation of Blackness in the Early Modern Period 199
A.2 "With All His Beauteous Race": High-Status Blacks in The Masque of Blackness and The Merchant of Venice 207
A.2.1 Niger, a High-Status Black Character in The Masque of Blackness 212
A.2.2 Morocco, a High-Status Black Character in The Merchant of Venice 219
A.2.3 Gender and the Depictions of Niger and Morocco 223
A.2.4 Conclusion 230
Notes 235
Bibliography 289
Index 341