The Daughter's Tale: A Novel

The Daughter's Tale: A Novel

by Armando Lucas Correa

Narrated by Cassandra Campbell

Unabridged — 9 hours, 8 minutes

The Daughter's Tale: A Novel

The Daughter's Tale: A Novel

by Armando Lucas Correa

Narrated by Cassandra Campbell

Unabridged — 9 hours, 8 minutes

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Overview

From the internationally bestselling author of The German Girl, an unforgettable, “searing” (People) saga exploring a hidden piece of World War II history and the lengths a mother will go to protect her children-perfect for fans of Lilac Girls, We Were the Lucky Ones, and The Alice Network.

Seven decades of secrets unravel with the arrival of a box of letters from the distant past, taking readers on a harrowing journey from Nazi-occupied Berlin, to the South of France, to modern-day New York City.

Berlin, 1939. The dreams that Amanda Sternberg and her husband, Julius, had for their daughters are shattered when the Nazis descend on Berlin, burning down their beloved family bookshop and sending Julius to a concentration camp. Desperate to save her children, Amanda flees toward the South of France. Along the way, a refugee ship headed for Cuba offers another chance at escape and there, at the dock, Amanda is forced to make an impossible choice that will haunt her for the rest of her life. Once in Haute-Vienne, her brief respite is inter­rupted by the arrival of Nazi forces, and Amanda finds herself in a labor camp where she must once again make a heroic sacrifice.

New York, 2015. Eighty-year-old Elise Duval receives a call from a woman bearing messages from a time and country that she forced herself to forget. A French Catholic who arrived in New York after World War II, Elise is shocked to discover that the letters were from her mother, written in German during the war. Her mother's words unlock a floodgate of memories, a lifetime of loss un-grieved, and a chance-at last-for closure.

Based on true events and “breathtakingly threaded together from start to finish with the sound of a beating heart” (The New York Times Book Review), The Daughter's Tale is an unforgettable family saga of love, survival, and redemption.

Editorial Reviews

Publishers Weekly

03/11/2019

Impossible choices faced by loving parents lie at the heart of this underwhelming tale by Correa (The German Girl). The story opens in New York City in 2015, when the elderly Elise Duval receives a phone call from a strange woman who had recently been in Cuba and found some letters that belong to Elise. The narrative then jumps back to Berlin, starting in 1933 and continuing through 1947 in France. After Julius Sternberg, a Jewish doctor, dies in a prison camp, his wife Amanda carries out his wishes that the rest of the family leave Germany. The plan is for their two daughters, four-year-old Lina and five-year-old Viera, to live in Cuba with an uncle. Unable to secure the necessary travel documents to accompany them, Amanda will go to an old friend, Claire Duval, in France until it’s safe to bring the girls back. At the last minute, Amanda decides Lina is too young to go and sends Viera alone. Amanda and Lina’s new life in Haute-Vienne with Claire and her daughter, Danielle, turns dangerous when WWII erupts and the Germans arrive in France. Lina and Danielle hide out in an abbey, but in 1944, the Germans come looking for weapons and one of their missing soldiers. While Correa convincingly evokes the perils of occupied France, his characters rarely move beyond being one-dimensional, and the hasty conclusion about how the war ended for Viera and Lina is unsatisfying. Readers interested in WWII fiction have plenty of better options elsewhere. (May)

From the Publisher

"Quite simply, I devoured this book! The Daughter's Tale is immersive, both heartbreaking and redemptive, steeped in harrowing historical events and heroic acts of compassion that will have you reflecting on the best and worst the human heart has to offer. Fans of WW II history and book clubs will find depth and skillful storytelling here, but on a deeper level, searing questions about life, love, and the choices we make in the most impossible of circumstances." —Lisa Wingate, New York Times bestselling author of Before We Were Yours

“A deftly woven novel of women who find the courage to make impossible choices in a terrible time, of sisters split apart by the cruelties of war, of identities lost and found, of families formed and shattered. Through the stories of unique and sympathetic characters, Correa explores the tension between focusing on the present in order to move forward—and the heartbreaking consequences of forgetting who we are. The Daughter’s Tale continues to live on in my imagination long after I reached its redemptive closing scene.” —Kim Van Alkemade, New York Times bestselling author of Bachelor Girl and Orphan #8

“A beautifully rendered tale about sacrifice and resilience, and of a mother’s relentless will to save her daughters in the face of annihilation. Set against one of the most harrowing events committed by the Nazis on a civilian population, this novel is heart-wrenching as it is luminous, proving that familial bonds cannot be shattered by brutality or weakened by distance and time—and that it is in our darkest moments that we find our true strength. Correa’s masterful prose sank deeply into my heart.” —Roxanne Veletzos, bestselling author of The Girl They Left Behind

“Sweeping and searing, The Daughter’s Tale doesn’t shy away from tragedy, but author Armando Lucas Correa’s memorable latest reminds us that it is in the darkest gardens that the brightest seeds of hope are sown.” —Kristin Harmel, international bestselling author of The Room on Rue Amélie

"As he did in The German Girl (2016), but focusing this time on occupied France, Correa offers a gripping and richly detailed account of lives torn apart by war." —Booklist

"A detailed, immersive chronicle of World War II's tragedy, the power of love and the lengths to which a mother will go to save her children when there are no choices left. . . . Correa starkly portrays the many horrors that were visited on an innocent citizenry." —BookPage

"A searing novel." —PEOPLE

“Breathtakingly threaded together from start to finish with the sound of a beating heart.” —The New York Times

Kirkus Reviews

2019-02-17

A Holocaust chronicle touching on survivor's guilt and the force of family ties.

In his second novel, Correa (The German Girl, 2016) tells the story of Lina Sternberg, a Jewish girl born in Berlin in 1935 to a heart doctor and his spirited wife, Amanda, owner of a bookshop destroyed by the Nazis. Lina endures terrible suffering and loss during the war but eventually settles in America and starts a new life. She suppresses the painful memories of her early days and almost manages to shed her true identity. The first part of the book, spanning the years 1933 to 1942, focuses on Amanda and her frantic efforts to save Lina and her older sister, Viera, from the Nazi horrors. Viera is shipped off to Cuba, where Amanda's brother lives; Lina and her mother hide out in a French village under the protection of a Christian woman named Claire, but they wind up in a horrific French internment camp. Amanda, however, engineers a daring escape for her daughter, who is reunited with Claire and her daughter, Danielle. Though grim, this part of the narrative is gripping and stirring. The second part is also eventful, but it meanders and lacks focus. Plus, the young Lina (now called Elise), unlike her mother, is not a strong enough character to anchor the action. There is vivid writing, especially in the first part, and some memorable images—for instance, Amanda's talismanic botanical album, filled with hand-painted pictures of plants and flowers. As in The German Girl, the real-life 1939 voyage of the ocean liner St. Louis from Hamburg to Havana figures in the plot; here, the 1944 S.S. massacre of villagers in the tiny French town of Oradour-sur-Glane in the Limoges region also plays a role.

Though it's sometimes involving and insightful, Correa's novel is ultimately too diffuse to have the intended impact.

Product Details

BN ID: 2940171179106
Publisher: Simon & Schuster
Publication date: 05/07/2019
Edition description: Unabridged

Read an Excerpt

Chapter 1 “Is this Ms. Duval? Elise Duval?” The voice on the phone repeated her name while she remained silent. “We were in Cuba recently. My daughter and I have some letters in German that belong to you.”

Elise had always been able to foresee the future. But not today. Today, she could never have predicted.

For an instant, she thought the call must be a mistake. After all, she was French, and had been living in New York for the last seventy years, ever since an uncle on her mother’s side had adopted her at the end of the war. Now, her only living relatives were her daughter, Adele, and her grandson, Etienne. They were her entire world, and everything that came before was shrouded in darkness.

“Ms. Duval?” the woman’s voice said again, gentle but insistent. Fraught with terror, Elise groped for some support, afraid she might faint.

“You can come see me this afternoon,” was all she managed to say before hanging up, neglecting to check first whether she had any appointments, or if she should consult her daughter. She heard the woman’s name, Ida Rosen, and her daughter’s, Anna, but her memory was a blank, closed to the past. She was certain only that she had no wish to verify the credentials of the stranger and her daughter. There was no need to give them her address, because they already had it. The call had not been a mistake. That much she knew.

Elise spent the next few hours trying to imagine what might lie behind their brief conversation. Rosen, she repeated to herself as she searched among the dim shadows of those who had crossed the Atlantic with her after the war.

Only a few hours had passed, and already the call was beginning to fade in her limited, selective memory. “There’s no time to remember,” she used to tell her husband, then her daughter, and now her grandson.

She felt vaguely guilty at having agreed so readily to receive this stranger. She should have asked who had written the letters, why they had ended up in Cuba, what Mrs. Rosen and her daughter were doing there. Instead, she had said nothing.

When the doorbell finally rang, her heart leapt out of her chest. She tried to shut her eyes and prepare herself, taking a deep breath and counting the heartbeats: one, two, three, four, five, six—a trick learned from childhood, one of her only clear memories. She had no idea how long she had spent in her bedroom, dressed in her navy-blue suit, waiting.

It was as if her senses had suddenly been heightened at the sound of the bell. Her hearing became sharper. Now, she could just make out the breathing of the two strangers outside the door waiting to see a weary old widow. But why? She paused with her hand on the lock, hoping against hope this visit was no more than an illusion, something she had dreamed, one of the many crazy notions brought on by the years. She closed her eyes and tried to visualize what would happen, but nothing came.

It was becoming clear to Elise that this meeting wasn’t about the future. Instead, it signified the return of a past she could no longer keep out, a constant shadow ever since the day she had disembarked in the port of New York, when the hand of an uncle who was to become a father rescued her from her oblivion. But he could never bring back her memories, removed by necessity, for the sake of her survival.

She opened the door resolutely. A shaft of light blinded her. The noise of the elevator, a neighbor going downstairs, a dog barking, and the wail of an ambulance siren distracted her for a second. The woman’s smile brought her back to reality.

Elise motioned for them to come in. Without yet saying a word, she avoided making the slightest gesture that might betray her terror. The girl, Anna, who looked to be twelve years old, came over and hugged her round the waist. She had no idea how to respond. Maybe she should have let her hands drop onto the little girl’s shoulders, or stroked her hair the way she used to do when her own daughter was the same age.

“You’ve got blue eyes,” she said timidly.

What a ridiculous thing to say! I should have said she had beautiful eyes, thought Elise, trying not to notice that they were the same blue, almond-shaped, and hooded eyes as hers, that her profile... No, she told herself fearfully, because it was her own reflection she saw in the face of this strange little girl.

Making an effort, Elise led the pair of them into the living room. Just as she was asking them to sit down, Anna handed her a small, lusterless, ebony box.

Elise carefully opened the box. By the time she finished unfolding the first letter, written in faded ink on a page from a botanical album, her eyes were brimming with tears.

“Does this belong to me?” she whispered, clasping the crucifix around her neck, a charm that had accompanied her ever since she could remember.

“Your eyes,” she repeated, staring at Anna with anguish.

Elise tried to stand up, but could feel her heart failing her. She was losing control over herself, over the life she had so carefully constructed. She could see her own face at a distance, staring at the scene from afar like another witness in the room.

Her palms grew sweaty, the box fell from her grasp, the letters spilling out onto the carpet. A photograph of a family with two little girls with a frightened gaze lay buried among yellowing sheets of paper. Elise saw herself closing her eyes and a stabbing pain in her chest took away her balance. Collapsing onto the faded carpet, she knew it was happening, at last: the final act of forgetting.

Silence, walls of silence all around her. She tried to recall how many times a heart could stop and then start beating again. One... silence. Two... another, even longer pause. Three... the void. The silence between one heartbeat and the next cut her off from the world. She wanted to hear one more. Four. And another. She breathed in as deeply as she could. Five... just one more and she would be safe. Silence. Six!

“Elise!” The shout made her stir. “Elise!”

That name, that name. Elise. It wasn’t her, for she was no one. She did not exist, she had never existed. She had lived a life that didn’t belong to her, had created a family she had deceived, spoke a language that wasn’t hers. All these years spent fleeing from who she truly was. To what end? She was a survivor, and that was not a mistake, nor a misunderstanding.

By the time the paramedics lifted her onto the gurney, she had already forgotten the other woman and her blue-eyed daughter, forgotten the letters written in a strange language, the photograph.

But in the space of forgetting, a memory emerged. Herself, as a little girl, trying to find her way through a thick forest, surrounded by enormous trees that prevented her from seeing the sky. How could she know where she was going, if she couldn’t see the stars? Blood on her cheek, hands, her dress, but not hers. A body lying lifeless on the ground in a gory mess. No helping hand to support her. She could feel the thick, damp air, hear her childish voice stammer: “Mama! Mama!” She was lost, abandoned in the darkness.

In the fog of jumbled memories, she saw it all: the letters, the ebony box, the purple jewel case, a threadbare soccer ball, a wounded soldier. Withered flowers and blurred lines.

It had taken this little girl, Anna, for Elise to discover who she really was, stripping off the mask she had been wearing for seven decades. The past was now rewarding her with this final, unexpected visit, with the image of handwriting on the pages of a familiar book, a book not important because of what it said, but for the hours she had spent tracing the letters and flowers that had been with her every day of her childhood.

Hydrocharis morsus-ranae,” she whispered.

She felt herself floating freely like one of those aquatic plants, its flowers tinged with yellow. She was delirious, but if she could remember, that meant she was still alive. It was time to allow herself to die, but first she had to do something with the pages torn from the mutilated book.

Yet the damage was done; she had no right to ask for forgiveness. She shut her eyes and counted her heartbeats. The silences between them helped drive away the fear. Who had taught her to do that?

“Ready!” she heard.

She felt a weight on her crushed chest. The first electric shock produced palpitations of a kind she had never experienced. She told herself she wasn’t going to let them revive her. She didn’t want to live. As a child, she had been put on an enormous ocean liner, and had never dared to look back. She wasn’t going to look back now.

The second shock brought new warmth, forced her to open her eyes. Tears began to flow, beyond her control. She couldn’t tell if she was alive or not, and that made her weep. Someone took her by the hand and gently stroked her brow.

“Mama!” She heard her daughter’s tearful voice. She was so close that Elise could not distinguish her features.

Would she be able to find the words to explain to Adele, her only daughter, that she had brought her up with a lie?

“Elise, how do you feel? I’m so sorry...” Ida was there as well, clearly distressed by the effect of her visit.

Adele stood silent. She couldn’t understand what this stranger and her daughter were doing here in the hospital with her mother, a dying old woman.

In a language she no longer recognized, Elise heard herself muttering a phrase that came from somewhere beyond: “Mama, verlass mich nicht.” Don’t leave me.

One... silence, two... silence, three... silence, four, five... She took a deep breath, waiting for the next heartbeat.

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