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Narrated by Raymond Todd
James Fenimore CooperUnabridged — 20 hours, 16 minutes
Narrated by Raymond Todd
James Fenimore CooperUnabridged — 20 hours, 16 minutes
Set during the French and Indian Wars, The Deerslayer vividly captures the violence and rugged beauty of the American frontier. In the wilds of New York, where tensions rage between tribal Indians and white pioneers, a white hunter known as Deerslayer is initiated into the moral codes of wilderness society. When he and his loyal Mohican friend attempt the daring rescue of an Indian maiden, they are caught in the crossfire between a cunning enemy and two merciless white bounty hunters who kill for profit.
A fine combination of romance, adventure, and morality, this classic novel is an eloquent beginning for Cooper's great wilderness saga, the Leatherstocking Tales-and an unforgettable introduction to the famous character who has been said to embody the conscience of America: the noble woodsman Deerslayer.
Packed with vivid description of action and locale, romance and yearning. Todd’s voice is extraordinary, rich and deep. We hear the personality of the characters, with all of their earnestness, shaped by awareness of their stations in life.”
Cooper is the greatest artist in the domain of romantic fiction in America.”
How did they sound—the people who, long ago, lived at or beyond the edge of the settled world? Raymond Todd answers this question as well as an audio performer can: by varying accents, pace, and inflection to convey both character types and individuals like Natty Bumpo and Chingachgook. The results are plausible and entertaining.”
James Fenimore Cooper was the first great American novelist.”
James Fenimore Cooper was the first great American novelist.”—A. B. Guthrie
How did they sound--the people who, long ago, lived at or beyond the edge of the settled world? Raymond Todd answers this question as well as an audio performer can: by varying accents, pace, and inflection to convey both character types and individuals like Natty Bumpo and Chingachgook. The results are plausible and entertaining. Todd enlivens the outdated qualities of Cooper’s novel, specifically, excessive soliloquizing on the part of all characters--especially Bumpo--and Cooper’s oft-cited views on red and white "gifts." Nonetheless, the novel remains valuable in providing a glimpse of a long-vanished world. T.J.W. © AudioFile 2002, Portland, Maine
| BN ID: | 2940169749441 |
|---|---|
| Publisher: | Blackstone Audio, Inc. |
| Publication date: | 01/01/2006 |
| Series: | Leatherstocking Tales , #1 |
| Edition description: | Unabridged |
From the Introduction by Leslie A. Fiedler
In 1789, the year James Fenimore Cooper was born, the thirteen North Americancade he enjoyed a leisured existence as a gentleman farmer on inherited lands in both Cooperstown and Westchester County. Popular legend holds that Cooper turned to writing when his wife jokingly suggested that he attempt a novel, but it is now known thatme a gentleman farmer and householder. The one thing he still needed was a proper wife, which he was lucky enough to find in Susan DeLancey. She, as he already knew, came from a family richer and more securely upper class than his own and, as he learned, was also an affable, intelligent woman who was fond of reading. Cooper was content with this, yet at first he did not join her when she was busy with her books but indulged in the male pastimes of hunting and hiking in the nearby hills.
After Susan had given birth to four daughters, to whom she at first read and then taught to read to each other, Cooper would stay close enough to wherever they were reading to hear them. Surely some of the erotic and sentimental passages read in the voices of those he loved must have moved him deeply. But there is no record of any positive responses on his part. A single negative one, however, is recorded in almost everything that has ever been written about him.
One time, those accounts tell us, annoyed by the ineptitude of the text being read, he cried out, “Why do you waste time and money reading trash that anybody who can spell his own name could write better. Even me!” To this Susan is said to have answered–jokingly, according to some–“Why don’t you give it a try?I’d love to see you try.” Cooper responded that he would and, surprisingly enough, did, finally producing a full-length imitation of Jane Austen. When it was in print he would tell anyone who would listen that he was now a professional writer who would write fifty more books–and sell them. This almost no one believed he would do, and many wished he would not even try.
Though Cooper was aware that neither the critics nor the general reader were interested in any more Jane Austen clones, he felt he had to keep on writing because the family inheritance on which he had been living had begun to shrink, and at the same time it had become much more expensive to feed, clothe, and educate his growing daughters. What he really wanted to write was another book that saw the world through female eyes and talked about it in a female voice. In fact, he continued for a little while to experiment with transvestite fiction, even publishing two such short stories under the female pseudonym of Jane Morgan.
From the Trade Paperback edition.
