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The Elusive Sentence: Recovering the Rudiments of Writing
172
by Rita Eulalie Hatfield, Leta Marie Young
Rita Eulalie Hatfield
![The Elusive Sentence: Recovering the Rudiments of Writing](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.8.5)
The Elusive Sentence: Recovering the Rudiments of Writing
172
by Rita Eulalie Hatfield, Leta Marie Young
Rita Eulalie Hatfield
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Overview
Across our nation, many within our educational system complain that America’s children cannot write well. Hatfield and Young assert that the problem lies at the foundation of our pedagogy for writing, that most elementary writing curricula lack rudimentary instruction at the sentence level. The authors introduce a sentence-level writing intervention that explicitly defines the elements found in great sentences. This intervention forms the foundational framework for writing skills acquisition, helping teachers, students, and writers of all ages to understand how to craft well-written sentences and paragraphs. Research supports that the most effective instruction is skills-based and multisensory; therefore, Hatfield and Young also introduce a cognitively differentiated writing model, which uses arts-integrated instruction to enhance learning and memory for other content areas. This writing model is based on best practice and this sentence-level intervention serves as a precursor for mastering the new writing standards for CCSS. It offers novice writers a precise blueprint for what successful writing looks like and clearly defines the elusive sentence.
Product Details
ISBN-13: | 9781475823394 |
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Publisher: | Rowman & Littlefield Publishers, Inc. |
Publication date: | 12/08/2015 |
Pages: | 172 |
Product dimensions: | 6.00(w) x 8.90(h) x 0.40(d) |
About the Author
Both Leta and Eulalie started teaching in a small private school in Fairbanks, Alaska, yet most of their teaching careers were spent in a one-room school house in North Pole, Alaska. Eulalie earned her Master’s in Educational Leadership at Concordia University in Portland, Oregon, and Leta earned her Master’s in Cross Cultural Education at the University of Alaska at Fairbanks. Leta retired from classroom teaching to pursue a life-long passion, a three-year training program in French Classical Dressage, and Eulalie works as a private tutor for an international business couple, teaching their young daughter and traveling with them as needed. Both Leta and Eulalie continue to write and to develop multimodal resources for their cognitively differentiated writing workshop.
Table of Contents
IntroductionPart 1: Language Objective: Sentence-Level Writing InterventionWhy should we teach sentence level writing?Chapter 1The Problem: Inverted Writing PedagogyChapter 2The Solution: Sentence-Level WritingChapter 3Sentence-Level Writing Intervention Elementary Writing PedagogyChapter 4Linguistic & Musical SyntaxAudiation Theory for Music/WritingHow do we teach sentence-level writing?Chapter 5Ingham-Webster-Pudewa MethodDress-UpsSample Writing MatrixSentence Openers & DecorationsPhrase & Clause Manipulation Diagram Basic Report/Essay ModelCritique Model & Super Essay ModelScaffolding Common Core State Standards for WritingChapter 6Writers: Middle School, High School, College, & BeyondAdvanced Stylistic TechniquesChapter 7Sheltered Instruction for WritingPart 2: Content Objective: Cognitively Differentiated LearningWhat is cognitively differentiated learning?Chapter 8Cognitively Differentiated LearningWhy should we teach academic content through arts-integrated experiences?Chapter 9Rationale: Teaching through the ArtsArt & CognitionChapter 10Arts-Integrated Learning Rehearsal Effect Elaboration Effect Generation Effect Enactment EffectProduction Effect Effort After Meaning Effect Emotional Arousal Effect Picture Superiority Effect Chapter 11Arts-Integrated Instruction & CognitionWriting: Cognitive& Physical SkillsCognitively Differentiated Teaching & LearningTeaching & Learning RelationshipCognitively Differentiated Writing ModelWhy should we teach academic content through song?Chapter 12Song as a Teaching Tool Balanced Learningthrough Horizontal Differentiation Chapter 13Operational Definitions Rationale: Teaching Content through SongChapter 14Inherited Dissociated PhilosophyHistorical Background of Mnemonic LearningChapter 15Neuroscience of Music & MemoryMemory & MusicMusic & MnemonicsMnemonics & Diverse LearnersAssumptions & Final Thoughts on Mnemonic SongChapter 16Method & Practice: Putting It All TogetherCognitively Differentiated Writing WheelSample Weekly Outline Pictures of Writing Journals Chapter 17Best Practice for Writing InstructionChapter 18Training Teachers for the New Millennium The Hippocratic Oath for Educators Chapter 19Final Reflection Appendix AArts-Integrated ResourcesAppendix BWriting MatrixAppendix CComposition ChecksheetAppendix D Sample Syllabus for College CourseAppendix EWebster’s Formulas/Chants for Written CommunicationReferencesFrom the B&N Reads Blog
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