[The Emperor's Babe] is Bridget Jones's Diary meets Austin Powers meets The Fall of the Roman Empire.
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The Emperor's Babe
Narrated by Mercedes Snow
Bernardine EvaristoUnabridged — 4 hours, 16 minutes
![The Emperor's Babe](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v11.8.5)
The Emperor's Babe
Narrated by Mercedes Snow
Bernardine EvaristoUnabridged — 4 hours, 16 minutes
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Overview
Contains mature themes.
Editorial Reviews
Employing the same narrative verse style that served her so well in her debut, Lara, British writer Evaristo travels back in time to tell the story of Zuleika, a libidinous but frustrated Sudanese woman who comes of age in a Roman-conquered London in A.D. 211. Spotted at the age of 11 by rich Roman senator Lucius Aurelius Felix, "a man thrice my age and thrice my girth," she lands in the lap of luxury when a wedding quickly takes place. But Felix's lack of libido soon turns the marriage into a prison, and when he begins to travel, jazzy teenager Zuleika hits the social scene in the urban maze that is Londinium and receives some flattering attention from a visiting Roman emperor, Septimus Severus. The two begin a brief but torrid affair until Evaristo wraps up her thin plot by sending Severus off to war as Felix returns to find that the entire community knows about the affair. Plot problems aside, most of this is an excuse for Evaristo to stretch her poetic muscles as she creates a beautiful, passionate African-cum-Roman woman as seen through the imagination of a highly liberated and sexual 21st-century poet. Despite the occasional burst of purple verse, she succeeds admirably in bringing a difficult and treacherous conceit to fruition, liberally indulging in irreverent asides, vivid vernacular speech and clever puns. The generally high quality of the poetry overshadows the failure of the book to develop into a genuine, full-fledged novel. This is a vividly imagined albeit distinctly modern look at a woman's role in Roman times by a talented writer with a fertile mind and a playful spirit. (Apr. 29) Copyright 2001 Cahners Business Information.
Holy Po-Mo, Batman! How about a historical, multicultural, transgender novel-in verse, yet!-about a colony of third-century Africans living in London under the empire (the Roman empire, that is). There are some stories that just can't be told straight, and newcomer Evaristo doesn't bother trying. She lets herself go wild in this account of the fabulous life and celebrated adventures of Zuleika, a Sudanese girl ("Illa Bella Negreeta") whose parents brought her from Khartoum to London-er, make that Londinium-and married her off to a Roman nobleman before she had even come within spitting distance of puberty. Her husband Felix was an old man in his 30s, very rich, and hardly ever in town, and he saw to most of Zuleika's needs, installing her in a gigantic house with an army of servants to attend to her. The problem was that he attended to other matters himself, and left her completely on her own. So she became a club kid in short order, hanging out at the ultra-hip Mount Venus nightclub with all the trannies and fashionistas and even became tight with transvestite goddess Venus herself. Zuleika soon becomes a fixture of the downtown scene, getting her frocks from the best shops and trading adulterous gossips with her girlfriends. Eventually she is spotted at the theater by the Emperor Septimus Severus, who happens to be passing through his British colonies on a kind of goodwill tour, and the two are struck by a thunderbolt. True love at last! And Felix can hardly complain, even if he were of a mind to, since everybody has to stand aside to let the Emperor cut in. Unfortunately for Zuleika, however, the Emperor is a king as well as a lover, and a soldier as well as a king. And soldiers havea way of dying in battle. Truly crazy, lots of fun, and more than slightly perverse: this reads like an episode of Sex and the City written by Ovid.
Product Details
BN ID: | 2940174878181 |
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Publisher: | Tantor Audio |
Publication date: | 08/16/2022 |
Edition description: | Unabridged |
Read an Excerpt
AMO AMAS AMAT
Who do you love? Who do you love,
when the man you married goes off
for months on end, quelling rebellions
at the frontiers, or playing hot-shot senator in Rome;
his flashy villa on the Palatine Hill, home
to another woman, I hear,
one who has borne him offspring.
My days are spent roaming this house,
its vast mosaic walls full of the scenes on Olympus,
for my husband loves melodrama.
They say his mistress is an actress,
a flaxen-Fra¬ ulein type, from Germania Superior.
Oh, everyone envied me, Illa Bella Negreeta!
born in the back of a shop on Gracechurch Street
who got hitched to a Roman nobleman,
whose parents sailed out of Khartoum on a barge,
no burnished throne, no poop of beaten gold,
but packed with vomiting brats
and cows releasing warm turds
on to their bare feet. Thus perfumed,
they made it to Londinium on a donkey,
with only a thin purse and a fat dream.
Here in the drizzle of this wild west town
Dad wandered the streets looking for work,
but there was no room at the inn,
so he set up shop on the kerb
and sold sweet cakes which Mum made.
(He's told me this story a mille times.)
Now he owns several shops, selling everything
from vino to shoes, veggies to tools,
and he employs all sorts to work in them,
a Syrian, Tunisian, Jew, Persian,
hopefuls just off the olive barge from Gaul,
in fact anyone who'll work for pebbles.
When Felix came after me, Dad was in ecstasy,
father-in-law to Lucius Aurelius Felix, no less.
I was spotted at the baths of Cheapside,
just budding, and my fate was sealed
by a man thricemy age and thrice my girth,
all at sweet eleven - even then Dad
thought I was getting past it.
Then I was sent off to a snooty Roman bitch
called Clarissa for decorum classes,
learnt how to talk, eat and fart,
how to get my amo amas amat right, and ditch
my second-generation plebby creole.
Zuleika accepta est.
Zuleika delicata est.
Zuleika bloody goody-two shoes est.
But I dreamt of creating mosaics,
of remaking my town with bright stones and glass.
But no! Numquam! It's not allowed.
Sure, Felix brings me presents, when he deigns
to come west. I've had Chinese silk, a marble
figurine from Turkey, gold earrings
shaped like dolphins, and I have the deepest
fondness for my husband, of course,
sort of, though he spills over me like dough
and I'm tempted to call Cook mid coitus
to come trim his sides so that he fits me.
Then it's puff and Ciao, baby!
Solitudoh, solitudee, solitudargh!
LONDINIUM TOUR GUIDE (UNOFFICIAL)
One minute it's hopscotch in bare feet,
next you're four foot up in a sedan in case
your pink stockings get dirty. No one
prepared me for marriage. Me and Alba
were the wild girls of Londinium,
sought to discover the secrets
of its hidden hearts, still too young
to withhold more than we revealed,
to join this merry cast of actors.
She was like a rag doll who'd lost its stuffing:
spiky brown hair kept short 'cos of nits;
everyone said she was either anorexic
or had worms, but Alba was so busy
chasing the dulcis vita that she just burnt
everything she ate before it turned to fat.
She'd drag me out on dangerous escapades,
we were partners in crime, banditos, renegades
she said there was more to life
than playing with friggin' dolls, like causing
trouble and discovering what grown-ups
did in private without getting caught.
We were gonna steal from the rich,
give to the poor, keep seventy-five per cent
for ourselves and live in one of them mansions
with a thousand slaves feeding us cakes,
all day every day, but until such time ...Herdad
owned the butcher's next door but one.
Mine couldn't care less what I did.
His precious Catullus got the abacus and wax,
I got the sewing kit and tweezers.
He was even bought a ponytail for his curly
little head, so's hefitted in at school
with all those trendy Roman kids.
Bless his sockless feet. Imagine.
Some days we'd tour the tenements
of Aldersgate. He'd trail behind
like a giant sloth, his big muddy eyes
under sleepy hoods ( just like his father's),
and plead with us to slow down;
I'd tell him to futuo-off, you little runt,
leaving him behind as we raced towards
the slums, swarming with immigrants,
freed slaves and factory workers (usual suspects).
We'd play Knock-Down-Ginger, throw stones,
break windows, then leg-it down an alley
outa-sight, arrive home breathless
and itching with flea bites and jigger-foot.
What with the alfresco sewerage running
between paving stones, now
in my neighbourhood, summer evenings
were spiced, trout fried on stalls, fresh
out of the Thames, you could eat air
or run home for supper in the back-a-yard
Dad called an atrium. That's
if the rush-hour traffic allowed, carts
clogged up the main drag to the Forum, unloading
produce from up-country or abroad.
Sometimes, I'd hear a solitary flute through an open
window, and stop ..........breathing.
Later we'd sneak out for the vicarious thrill
of the carnal experience. Like two toms,
we'd prowl the darkened alleys, our noses
sniffing out the devastating odour of sex.
Peeping through candle-lit shutters,
we were amazed at the adult need to strip off
and stick things in each other.
Men and women, women and women,
men and men, multiples of all sorts
groaning in pain. Absolutely fascinatio!
And then we encountered death,
Lucan Africanus, the baker of Fenchurch.
I was the daughter he never had, he said
(though his eyes spelt wife),
gave us fresh bread dipped in honey.
Our thanks? To raid his store one night,
find his great, black, rigor mortis self
in a cloud of flour, two burnt buns for cheeks,
too much yeast in his bowels, emptied
on the floor. That stopped our missions,
for a while. Some nights we'd go to the river,
sit on the beach, look out towards
the marshy islands of Southwark,
and beyond to the jungle that was Britannia,
teeming with spirits and untamed humans.
We'd try to imagine the world beyond the city,
that country a lifetime away that Mum
called home and Dad called prison;
the city of Roma which everyone
went on about as if it were so bloody mirabilis.
We'd talk about the off-duty soldiers
who loitered in our town, everywhere,
they were everywhere, watching for lumps
on our chests, to see if our hips grew away
from our waists, always picking me out,
plucking at me in the market,
Is our little aubergine ready?
'No, I'm not, you stinking pervs,' I'd growl,
skedaddling hotfoot out of their reach.
Sometimes we'd hear grunting
on the beach and imagine some illicit
extramarital action was in progress,
we'd call out in our deepest, gruffest voices,
Hey, polizia! and rock with laughter
'cos we'd interrupted their flipping coitus,
we'd hear them tripping over themselves
as they scuffled off and then everything
changed, I got engaged. I wasn't allowed
out no more, I had to act ladylike
and Alba said it wouldn't be the same
once I'd been elevated.
-from The Emperor's Babe by Bernadine Evaristo, Copyright © May 2002, Viking Press, a member of Penguin Putnam, Inc., used by permission.
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