The Formal Garden in England

The Formal Garden in England

The Formal Garden in England

The Formal Garden in England

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Overview

First published in 1892, this work by the architect Reginald Theodore Blomfield (1856–1942), illustrated by Francis Inigo Thomas (1865–1950), uses historical evidence to vindicate a classical approach to garden design, in which a house and its surroundings are kept in harmony. It is a response to the work of the gardener and journalist William Robinson (1838–1935), who had written vehemently in favour of romantic, naturalistic gardens. Closely linked to the burgeoning Arts and Crafts movement as secretary to the Art-Workers' Guild under William Morris' presidency, Blomfield had developed a theory of garden design which held that it should be a reflection of architectural order: honest, vernacular simplicity as opposed to the 'wild garden'. Illustrative of the contemporary debate between architects and plantsmen, this instructive text, reissued in its second edition of 1892, captures a moment in this developing relationship in the years before Edwin Lutyens and Gertrude Jekyll gave it new harmony.

Product Details

ISBN-13: 9781108061407
Publisher: Cambridge University Press
Publication date: 08/22/2013
Series: Cambridge Library Collection - Art and Architecture
Pages: 284
Product dimensions: 5.40(w) x 8.40(h) x 0.80(d)

Read an Excerpt


CHAPTER III THE FORMAL GARDEN Continued It has been usual in dealing with gardens to include some account of the numerous Herbals which were published in England in the sixteenth and seventeenth centuries. Strictly speaking, these lie outside the scope of our subject ; the Herbals are little more than catalogues raisonnees of the various fruits and flowers grown in England at the time, with notes on their medicinal qualities, and instructions as to the proper times and methods of planting. This has nothing to do with garden design. As, however, the distinction between garden design, horticulture, and botany was never very clearly made, we give the dates of the principal Herbals. Mr. Hazlitt gives a complete list of the bibliography of gardening, but, as will appear from the titles of the works there mentioned, for the next fifty years after Lawson's book, nearly all the treatises which are not Herbalsdeal with horticulture. The Great Herbal, from the French, was first published in 1516 ; The Little Herbal, from the Latin, in 1525. Gary's Book of the Properties of Herbs, and Macer's Herbal were published about 1540; Ascham's Little Herbal, 1550 ; Turner's Herbal, 1551 to 1568; Lyte's translation of Dodoens's Herbal, 1578 ; John Gerard's Herbal in 1597; John Parkinson's well-known book, Paradisi in Sole Paradisus Terrestris, The Garden of Pleasure, was published in 1629. His Herbal on Theatre of Plants followed in 1640. Gerard had a famous physic garden in Holborn, near Ely Place, overlooking the Fleet. This was one of the earliest of the botanical gardens which reached such a high pitch of perfection in the latter half of the seventeenth century, as, for instance, the well-knownBotanical Garden at Oxford which was founded and presented to the University by the Earl of Dan...

Table of Contents

Preface to second edition; Preface to first edition; 1. The formal method and the landscape gardener; 2. The formal garden in England; 3. The formal garden (cont.); 4. The end of the formal garden and the landscape school; 5. The courts, terraces, walks; 6. Knots, parterres, grass-work, mounts, bowling-greens, theatres; 7. Fish-ponds, pleaching, arbours, galleries, hedges, palisades, groves; 8. Garden architecture; 9. Garden architecture (cont.); 10. Conclusion; Appendices 1–3; Index.
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