The Gaze

by Elif Shafak

Overview

'I didn't say anything. I didn't return his smiles. I looked at him in the wide mirror in front of where I was sitting. He grew uncomfortable and avoided my eyes. I hate those who think fat people are stupid.'

An obese woman and her lover, a dwarf, are sick of being stared at wherever they go, and so decide to reverse roles. The man goes out wearing make up and the woman draws a moustache on her face. But while the woman wants to hide away from the world, the man meets the stares from passers-by head on, compiling his 'Dictionary of Gazes' to explore the boundaries between appearance and reality. Intertwined with the story of a bizarre freak-show organized in Istanbul in the 1880s, The Gaze considers the damage which can be inflicted by our simple desire to look at others.

Product Details

ISBN-13:	9780241201916
Publisher:	Penguin UK
Publication date:	05/01/2016
Edition description:	Reissue
Pages:	272
Product dimensions:	5.00(w) x 7.60(h) x 0.80(d)

About the Author

Elif Shafak is an award-winning novelist and the most widely read female writer in Turkey. Critics have acclaimed her as one of the most distinctive voices in contemporary literature in both Turkish and English. Her novels include The Architect's Apprentice, The Forty Rules of Love and The Bastard of Istanbul which was longlisted for the Orange Prize for Fiction. Her books have been translated into more than 30 languages.

Editorial Reviews

Originally published in Turkey in 1999 to wide acclaim, this screwball love story is Shafak's third novel. (Her fifth, The Saint of Incipient Insanities, was published here in 2004.) Loosely organized around a neurotic obese woman and a feisty dwarf, it teems with parallel plots and digressions, freely leaping from modern apartment living in Istanbul to a 19th-century Turkish freak show and fur hunts in 17th-century Siberia. Shafak's prose (ably translated by Freely) follows a humorous, idiosyncratic course, seizing on arresting visual details, such as "a house the color of salted green almonds" and dispensing oddly charming aphorisms: "Love is a corset." (She adds: "In order to understand the value of this you have to be exceedingly fat.") At one moment, a faceless newborn's features are etched on by an anxious aunt; at another, a shipwrecked Russian sailor surprises a shaman in flagrante delicto with an oversized sable. The early parts of the novel can feel maddeningly unfocused for a book about the power of the stare. Later pages home in on an unexpected emotional trauma, and the atmosphere of fantastical levity clears to reveal an urgent, human pain. Shafak probes the many ironies of appearance and perception with entertaining and affecting results. (Oct.) Copyright 2006 Reed Business Information.

Publishers Weekly

From Turkish novelist Shafak (The Saint of Incipient Insanities, 2004, etc.), a richly layered narrative concerning misfits and how society views them. The story of a Victorian-era circus impresario improbably named Keramet Mum" Keske Memis Efendi galvanizes the other dramatis personae in this mishmash. Born the only son in a family of six sisters, Efendi has a transparent face, as if made of wax, and his aunt must literally form his eyes into slits. Because of his suffering in a newly modern society where appearances are of supreme importance, Efendi develops an ability to see what others cannot; he resolves to create a theater of spectacles in the city of Pera under a cherry-colored tent where the ugliest creatures will be displayed. One of his most compelling acts is the hideous Sable-Girl, a half-sable, half-human creature who descends from a lineage of 17th-century Siberian trappers. Meanwhile, the narrative cuts to 1999 in Istanbul's Hayalifener Apartments, where an enormous woman, writing in the first person, recounts her difficulties moving about in society while also living with a man utterly unsuited for her, a dwarf called B-C. Driven by the unwanted attention the couple attracts (they often appear in public incognito), B-C begins to write a Dictionary of Gazes that will demonstrate in entries seemingly unrelated to each other about how everything has to do with seeing and being seen. It will be "like a shaman's cloak of forty patches and a single thread," the dwarf notes, though his girlfriend is skeptical and increasingly anxious as the dictionary absorbs B-C's attention and hinders him from actually seeing her. In the end, the fragments of this imaginative work, riveting inthemselves, resist converging into a cohesive mosaic. A strange, hallucinatory work.

Kirkus Reviews