Publishers Weekly
10/24/2022
This aquatic biography foregrounds the inventiveness of 19th-century seamstress-turned-scientist Jeanne Villepreux-Power (1794–1871). The figure has a successful career dressmaking for socialites in France, but after a move to Sicily, her focus shifts to the Mediterranean’s “enchanting world of saltwater and sand,” where her fascination motivates her to develop glass aquariums to aid her study. Keating draws a clear line between Villepreux-Power’s two occupations: “Chiffon and taffeta shifted into the foam at her feet as she walked in the sand. Pearls and sequins echoed the dappled sunlight on the horizon.” When Villepreux-Power’s observations show that female argonauts grow, rather than find, their shells, text skips the science to emphasize the marine animal’s kindred gift for creation. Mee Nutter’s smooth, animation-style digital art highlights the protagonist’s curiosity with scenes of her at work amid specimen-filled environments. Back matter includes an author’s note and timeline. Ages 4–8. (Oct.)
From the Publisher
"Excellent nonfiction in an interesting and beautiful book that gives readers many points of interest for entry, with detailed pictures to pore over." —School Library Journal
School Library Journal
07/15/2022
Gr 1–4—Meet the inventor of the first aquarium, 19th-century designer Jeanne Villepreux. Born in France, Villepreux trained as a dressmaker and embroiderer, gaining a great deal of respect for her beautiful work, including the wedding dress of a princess. After she married, she and her husband moved to Sicily, where she found herself entranced by the sea life. Seeking to study ocean animals more closely, Villepreux designed a glass box to observe creatures in their native water habitats. With her aquariums, she was able to make some interesting observations about argonauts, a kind of a squid with a shell. Many in the male-dominated scientific community dismissed her; but over time, her work was proven factual and people outside the scientific community found applications for her aquarium. The artwork is colorful and inviting. While the faces of people are cartoonish, other aspects of the illustrations are more realistic, giving the book an intellectual heft. The endpapers are a compelling array of dressmaking tools and ocean life samples that tie the two important pieces of Villepreux's life together. This book will help students connect to different topics—women's studies, inventors, 19th-century innovations, and biography. VERDICT Excellent nonfiction in an interesting and beautiful book that gives readers many points of interest for entry, with detailed pictures to pore over.—Debbie Tanner
Kirkus Reviews
2022-08-17
Science and fashion meet in this portrait of a 19th-century seamstress whose fascination with ocean life led both to multiple discoveries and to the invention of the glass-sided aquarium.
In the wake of Ocean Speaks (2020), illustrated by Katie Hickey, a profile of pioneering oceanographer Marie Tharp, Keating introduces another woman in marine science who was strong minded enough to torpedo sexist expectations. Folding lyrical touches into her measured account, the author follows Jeanne Villepreux as she learns how to use her hands to “transform a pile of nothing into a beautiful…something” in her parents’ dressmaking shop, then goes on to a successful career making high-society gowns in Paris before a move to Sicily (with “her fabric, her scissors, and her new husband”) sparks a second career studying the wildlife in the nearby shallows. Frustrated by the challenge of getting her specimens to hold still while she draws them, she constructs a waterproof glass box—and so becomes the first to discover that argonauts, a type of octopus, don’t steal their delicate shells from other creatures as was widely supposed but manufacture them, likewise “transforming what appeared to be nothing…into a beautiful something.” Nutter’s appropriately flowing illustrations take their smiling, self-possessed subject from ball gowns and formal dances to sandy beaches and work benches. Villepreux herself is White; montage sequences of colleagues worldwide receiving news of her discoveries feature both White and dark-skinned naturalists, including several other women. An afterword with a timeline fills in further detail about both the inventor and her eight-armed subjects. (This book was reviewed digitally.)
A STEM-winder’s delight, awash in affirmation and the joy of discovery. (Picture-book biography. 7-10)
