The New York Times Book Review - Janna Levin
In the historically accurate version Dava Sobel tells in her careful and detailed style, the past is neither sanitized nor embellished. Guided by a historian's sacred principles, she lets the story emerge from the thorough research she documents. Sobel does not condemn or excuse or flatter or even analyze the characters. She does not interpret the past through the lens of the present. She barely interprets the past at all. Even her language emulates the phrasing of the sources, as though modernizing her account would distract readers, reminding them of the interloper who stands between them and sheer documentation. The result is a far more accurate telling, of course, and a much subtler one.
Publishers Weekly
★ 10/03/2016
Acclaimed science writer Sobel (A More Perfect Heaven) casts much-needed light on the brilliant and determined women behind two historic revolutions in astronomy: one scientific, one professional. In the mid-18th century, astronomers employed human “computers” to scan glass photographic plates and perform calculations. Only the Harvard College Observatory, directed by professor Edward Pickering, hired both men and women as computers. The women there—including Williamina Fleming, Antonia Maury, Henrietta Leavitt, Annie Jump Cannon, and Cecilia Payne—earned far less than their male counterparts but were eager for the work. As Sobel explains, it was the only way they could do science. Their research led to both the creation of a catalogue of stars still in use today and groundbreaking discoveries in stellar composition, motion, evolution, and a reliable way to calculate interstellar distances. Sobel knows how to tell an engaging story, and this one flows smoothly, with just enough explication of the science. She also reveals the long hours the women worked and their constant search for funding as well as their triumphs of discovery and the eventual acknowledgment of their achievements by their peers and public. With grace, clarity, and a flair for characterization, Sobel places these early women astronomers in the wider historical context of their field for the very first time. Agent: Michael Carlisle, InkWell. (Dec.)
From the Publisher
Named one of the best books of the month by Flavorwire, Bustle, Harper’s Bazaar, Real Simple, Refinery29, Men’s Journal, BBC, and The National Book Review
“Ms. Sobel writes with an eye for a telling detail and an ear for an elegant turn of phrase. . . . [The Glass Universe is] a joy to read.” —The Wall Street Journal
“Sobel lucidly captures the intricate, interdependent constellation of people it took to unlock mysteries of the stars . . . The Glass Universe positively glows.” —NPR
“An elegant historical tale…[from] the master storyteller of astronomy.” –The Boston Globe
"Sobel mixes discussions of the most abstruse topics with telling glimpses of her subjects’ lives, in the process showing how scientific and social progress often go hand in hand." –The New Yorker
"A peerless intellectual biography. The Glass Universe shines and twinkles as brightly as the stars themselves. –The Economist
“At once an exhaustive and detailed account of a breakthrough moment in the world of science, as well as a compelling portrait of pioneering women who contributed as much to the progress of female empowerment as they did to the global understanding of both astronomy and photography.” —Harper’s Bazaar
"[Sobel] traces a remarkable line in American female achievement…[and] captures the stalwart spirit of Pickering’s female finds." —USA Today
“Sobel has distinguished herself with lucid books about scientists and their discoveries . . . [She] vividly captures how her brilliant and ambitious protagonists charted the skies, and found personal fulfillment in triumphant discovery.” —The National Book Review
“A fascinating and inspiring tale of . . . female pioneers who have been shamefully overlooked.” —Real Simple
"Sobel shines a light on seven 19th- and 20th-century women astronomers who began as 'human computers,' interpreting data at Harvard Observatory, then went on to dazzle...An inspiring look at celestial pioneers." —People
"An astronomically large topic generously explored." —O, The Oprah Magazine
"It takes a talented writer to interweave professional achievement with personal insight. By the time I finished The Glass Universe, Dava Sobel's wonderful, meticulous account, it had moved me to tears...Unforgettable." —Sue Nelson, Nature
"A compelling read and a welcome reminder that American women have long desired to reach for the stars.” —Bookpage
"Sensitive, exacting, and lit with the wonder of discovery." —Elizabeth Kolbert, Pulitzer Prize-winning author of The Sixth Extinction
"This is intellectual history at its finest. Dava Sobel is extraordinarily accomplished at uncovering the hidden stories of science." —Geraldine Brooks, New York Times bestselling author of The Secret Chord and Pulitzer Prize-winning author of March
“[Sobel] soars higher than ever before...[continuing] her streak of luminous science writing with this fascinating, witty, and most elegant history...The Glass Universe is a feast for those eager to absorb forgotten stories of resolute American women who expanded human knowledge." —Booklist, Starred Review
"Sobel knows how to tell an engaging story...With grace, clarity, and a flair for characterization, [she] places these early women astronomers in the wider historical context of their field for the very first time." —Publishers Weekly, Starred Review
Praise for The Planets
"[The Planets] lets us fall in love with the heavens all over again." —The New York Times Book Review
"[Sobel] has outdone her extraordinary talent for keeping readers enthralled. . . . A splendid and enticing book." —San Francisco Chronicle
"An incantatory serenade to the Solar System." —Entertainment Weekly
Praise for Galileo's Daughter
"Sobel is a master storyteller. . . . She brings a great scientist to life." —The New York Times Book Review
Praise for Longitude
"This is a gem of a book." —The New York Times
"A simple tale, brilliantly told." —The Washington Post
Praise for A More Perfect Heaven
"Ms. Sobel is an elegant stylist, a riveting and efficient storyteller, a writer who can bring the dustiest of subjects to full-blooded life." —The New York Times
"Lively, inventive . . . a masterly specimen of close-range cultural history."—The Wall Street Journal
Library Journal
10/15/2016
When we think of computers, we usually think of devices that perform processes to store and process data. In the mid-19th century, the Harvard College Observatory began employing women as computers to calculate distances and interpret spatial data. Award-winning science journalist Sobel (Longitude; Galileo's Daughter) tells their story. Relying on letters, memoirs, and diaries, she describes their significant contributions to the emerging discipline of astronomy at a time when stellar photography had begun to have a tremendous impact on how data was gathered and interpreted. Sobel provides details of the persistent work inequities these women confronted. They earned less pay than their male counterparts and were not properly acknowledged through membership in professional societies or with available awards. Sobel's book records the impact of women such as Annie Jump Cannon, who designed a stellar classification system adopted by astronomers across the globe. Though this title isn't intended as a discipline-specific monograph, at times, it bogs readers down in scientific minutiae. VERDICT Readers who enjoyed Sobel's previous work will welcome this new title. It is a terrific catalog to match the exceptional work these women created in the course of their careers.—Faye Chadwell, Oregon State Univ., Corvallis
School Library Journal
04/01/2017
Railroad heiress Anna Draper was introduced to a love of the stars by her husband, Dr. Henry Draper, whose stellar photography was recognized throughout the United States. After his death, Anna Draper wished to continue his work photographing stars and reached out to one of his many prominent scientific colleagues, Edward Pickering, a professor at the Harvard College Observatory. Henry Draper's work reflected the changes in the late 1800s in the field of astronomy as advancements in photography improved the quality of stellar images. As technology progressed, more people were needed to analyze and preserve the images. The Harvard College Observatory expanded their staff (previously only men) to include the wives and other family members of the astronomers working at Harvard; eventually graduates of women's colleges such as Vassar, Radcliffe, and Wellesley were employed as well. The women were originally hired as human calculators, but their roles grew to encompass cataloging the images as well as participating in the astronomical studies conducted by the male astronomers. Over time, the women's contributions to the field of astronomy ranged from identifying new stars to developing a stellar classification system that is still in use today. Relying on primary source materials such as letters and memoirs, Sobel crafts a story that illuminates the crucial role women played in the scientific community. VERDICT Teens interested in astronomy and the recent Hidden Figures will be fascinated by the work and discoveries made by these ambitious and talented women.—Lynn Rashid, Marriotts Ridge High School, Marriottsville, MD
DECEMBER 2016 - AudioFile
While the men searched the stars at night, the women interpreted and made discoveries from the “glass universe” they had recorded. Cassandra Campbell tells the story of these unknown women and their influence on the field of astronomy. Campbell’s gentle, soothing storytelling breathes life into the women, from the early group of astronomers’ wives and daughters in the mid-1800s to the graduates of women’s colleges later in the century and the more recent stories of influential female astronomers. Sobel’s writing is enhanced by the inclusion of excerpts from the personal diaries and letters of some of these exceptional women. Campbell’s smooth and refined reading brings a personal touch to the listening experience. A.G.M. © AudioFile 2016, Portland, Maine
Kirkus Reviews
2016-09-26
Popular science writer Sobel (And the Sun Stood Still, 2016, etc.) continues her project of heralding the many contributions of women to science.If you took an astronomy course in college, you learned a still-current classification system for the stars whose origins stretch back to the 1880s as well as a geography in which a star such as HD 209458—which “made news when modern detection methods located a planet in orbit around it”—finds its place in the star charts. Though the Henry Draper Catalogue bears a man’s name, it was the work of the women he hired as “computers” who did most of the analysis that fueled it. Draper, an astronomer and technologist, funded that work, overseen by a Harvard scientist named Edward Charles Pickering, who thought it ungallant to have women scrambling about in the cold and dark with the telescopes but thought that “women with a knack for figures could be accommodated in the computing room, where they did credit for the profession.” So they did, and Sobel’s heroines, at 25 cents per hour, made signal contributions to observational astronomy. Henrietta Swan Leavitt, for instance, took on the Great Nebula in Orion, discovering hundreds of variables, while the indomitable Williamina Paton Stevens Fleming ran an efficient shop while making enough advances on her own that, largely overlooked in her own country, she was made an honorary member of the Royal Astronomical Society in 1906. Often, even as they made major discoveries, the “computers” of Harvard College Observatory left it to the males who ruled science to bask in their glory. More than recounting and celebrating the lives and work of these distinguished and decidedly unsung women, Sobel also provides insight into how basic science research is now supported, thanks to lessons learned in the military and commercial applications of once-arcane technologies—though, even after World War II and their contributions to it, women found it as difficult as ever to find scientific work. A welcome and engaging work that does honor to Sobel’s subjects.
