Duke Ellington and other jazz bandleaders were hampered by yet another
James J. Petrillo-ordered musician's union strike in 1948, which robbed them of commercial recording opportunities. But nothing prevented
Ellington from having reference recordings made for his own use, such as this 1948 Cornell University concert, which contains all but three songs played that night. This remarkably well-balanced recording showcases
Ellington's usual mix of recent compositions, hits (including ten packed into a medley), tone poems, and obscurities. Among the lesser-known gems performed are
"Paradise" (a lush
Billy Strayhorn ballad feature for baritone saxophonist
Harry Carney) and ill-fated trumpeter
Al Killian in
"You Oughta," while both trombonist
Lawrence Brown and
Carney (on bass clarinet) shine in
"Fantazm," which only briefly remained in the book. There are several memorable performances of
Ellington's hits, including
Kay Davis' wordless vocal in
"Creole Love Call" backed by a clarinet trio (
Jimmy Hamilton,
Russell Procope, and
Harry Carney), plus a sassy trumpet feature for
Ray Nance, the playful miniature
"Dancers in Love" showcasing the pianist with his rhythm section, the brisk brass showcase
"Tootin' Through the Roof," and
"Manhattan Murals," a barely disguised reworking of
Billy Strayhorn's
"Take the 'A' Train." While some of the longer works like
"Reminiscing in Tempo," "Symphomaniac," and
"The Tatooed Bride" were not favorites of
Ellington's musicians, all are well played and worth one's time. The only weak spot is the inevitable medley of hits (to knock out a certain amount of audience requests at once). Wrapping the concert is a lively take of
"How High the Moon" with trombonist
Tyree Glenn switching to vibes, which also features a rousing tenor solo by
Ben Webster, who had returned to
Ellington's band the previous month. Considering the lack of commercial recordings in this period of
Duke,
Cornell University 1948 is a highly valuable recording and warrants enthusiastic attention from
Ellington historians and fans. ~ Ken Dryden
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