The Hatred of Music

by Pascal Quignard, Matthew Amos (Translator), Fredrik R?nnb?ck (Translator)

Overview

Throughout Pascal Quignard’s distinguished literary career, music has been a recurring obsession. As a musician he organized the International Festival of Baroque Opera and Theatre at Versailles in the early 1990s, and thus was instrumental in the rediscovery of much forgotten classical music. Yet in 1994 he abruptly renounced all musical activities. The Hatred of Music is Quignard’s masterful exploration of the power of music and what history reveals about the dangers it poses.
 
From prehistoric chants to challenging contemporary compositions, Quignard reflects on music of all kinds and eras. He draws on vast cultural knowledge—the Bible, Greek mythology, early modern history, modern philosophy, the Holocaust, and more—to develop ten accessible treatises on music. In each of these small masterpieces the author exposes music’s potential to manipulate, to mesmerize, to domesticate. Especially disturbing is his scrutiny of the role music played in the concentration camps of Nazi Germany. Quignard’s provocative book takes on particular relevance today, as we find ourselves surrounded by music as never before in history.

Product Details

ISBN-13:	9780300220940
Publisher:	Yale University Press
Publication date:	03/22/2016
Sold by:	Barnes & Noble
Format:	eBook
Pages:	216
File size:	4 MB

About the Author

Pascal Quignard is a French novelist, essayist, critic, translator, and former musician. He is the author of more than sixty books and in 2002 won the Prix Goncourt, France’s top literary prize, for his genre-defying The Roving Shadows. He lives in France. Matthew Amos is visiting professor of French, Bard College. He lives in Brooklyn, NY. Fredrik Rönnbäck has published on Michel Leiris and Georges Bataille and has translated several works by Georges Perec into Swedish. He lives in Sweden.

Table of Contents

First Treatise: The Tears of Saint Peter 1

Second Treatise: It So Happens That Ears Have No Eyelids 71

Third Treatise: On My Death 93

Fourth Treatise: On the Subject of the Bonds Between Sound and Night 95

Fifth Treatise: The Song of the Sirens 109

Sixth Treatise: Louis XI and the Musical Pigs 123

Seventh Treatise: The Hatred of Music 129

Eighth Treatise: Res, Eochaid, Eckhart 157

Ninth Treatise: To Disenchant 163

Tenth Treatise: On the End of the Liaisons 191

Translators' Afterword 201

Editorial Reviews

Quignard’s slender, unnerving volume is quite different in tone from the sober academic books on the theme of music and violence. It hovers in a peculiarly French space between philosophy and fiction, and goes on mysterious lyrical flights, animating scenes from history and myth. . . . [Quignard] wrote ‘The Hatred of Music’ as a cri de cœur.”—Alex Ross, New Yorker

New Yorker - Alex Ross

I love music, but I like to hear both sides of an argument, so I picked up Pascal Quignard’s The Hatred of Music . . . I can’t deny the depth of his thinking, to say nothing of his gift for aphorism . . . As a kind of lyrical discourse on how we hear, The Hatred of Music belongs on the shelf next to Hillel Schwartz’s Making Noise.”—Dan Piepenbring, Paris Review (“Staff Picks”)

Paris Review - Dan Piepenbring

[An] erudite diatribe”—Hal Foster, Bookforum

Bookforum - Hal Foster

Vivid, straightforward . . . Nourished by so much that is old, Quignard’s prose style and his very conception of writing are new . . . [An] invigorating book . . . After reading these pages bristling with ideas and insights, one cannot help but listen to music differently.”—John Taylor, Arts Fuse

Arts Fuse - John Taylor

Ultimately, The Hatred of Music is an appeal for the contemplation of silence. Despite its pique, the text teems with insights into our attention to sound.”—Ron Slate, On the Seawall

On the Seawall - Ron Slate

Just about any reader will be perversely thrilled by the intersections Quignard unearths between the mind and the world of sound.”—Jeanne Bonner, Three Percent

Three Percent - Jeanne Bonner

A masterpiece of renunciation”—Ben Lerner, Artforum

Artforum - Ben Lerner