NOVEMBER 2022 - AudioFile
Peter Ganim, Suehyla El-Attar Young, and Fajer Al-Kaisi perform this critically acclaimed National Book Award finalist. Using fantastical elements and touches of the absurd, the short story collection features Afghan and Afghan American characters who are all dealing with the long-lasting devastation of America’s war on terror. Young narrates stories centered around women who are navigating complex familial relationships, creating an intimate feel for each of the stories. Al-Kaisi and Ganim perform stories predominantly about the experiences of male protagonists—their connections to their culture, their search for community, and the challenges they face immigrating to the U.S. Each narrator captures the stories’ multifaceted characters, making each story more captivating than the last. K.D.W. © AudioFile 2022, Portland, Maine
From the Publisher
Praise for The Haunting of Hajji Hotak and Other Stories
LONGLISTED FOR THE STORY PRIZE
"The Haunting of Hajji Hotak and Other Stories is an endlessly inventive and moving collection, the work of a thrilling and capacious young talent. These stories surprise and charm and haunt in equal measure, while challenging the world as we think we know it. Jamil Jan Kochai is the real deal."
—Jess Walter, author of Beautiful Ruins
“Jamil Jan Kochai is a once-in-a-generation talent.”
—Karan Mahajan, author of The Association of Small Bombs
"The Haunting of Hajji Hotak and Other Stories is beyond brilliant. These stories build and amass, individually and collectively, open then close as if the fingers and palm of some great power making a fist... There is so much range and breadth and depth in this collection. Here we have humor and rage and style in spades, with storytelling as inventive as it is enthralling. One of the best books I’ve read in a long time."
—Tommy Orange, author of There, There
“[A] profound and visceral short-story collection…More than almost any other work of fiction I’ve read in the post-9/11 era, Kochai’s collection lays bare the surrealism that colors nearly every interaction between one of history’s most powerful empires and the people it considers disposable…The result is a dark literary impeachment, a fable in which the emperor is missing not clothes but a conscience.”
—The Atlantic
"A remarkable collection…seamed with sharp wit, and often hilarious…Kochai is a thrillingly gifted writer, and this collection is a pleasure to read, filled with stories at once funny and profoundly serious, formally daring, and complex in their apprehension of the contradictory yet overlapping worlds of their characters."
—Claire Messud, Harper's Magazine
“[Kochai’s] short fiction defies expectations – readers’ expectations of what a story should look like, and the story of a nation often told reductively and exclusively through media headlines.”
—The Guardian
"A brilliant, crazy quilt exploring filial devotion, religious beliefs, family, history and the effects of endless war."
—San Francisco Chronicle
“The Haunting of Hajji Hotak is a book of shape-shifting. Kochai constantly experiments with form and voice, deftly stepping between photorealism and fantasy to create a vivid, surreal short-story collection that is both a modern parable of American imperialism and a testament to Kochai’s skill as a writer…As Afghanistan fades into the background of American discourse, Kochai’s voice is essential. We may not wish to see what we have wrought; Kochai, it seems, will ensure we do not forget.”
—Vox
"Lighthearted yet powerful and oftentimes funny, The Haunting of Hajji Hotak is an incredible work of deep empathy and care, with witty writing and sharp stories that take unpredictable turns."
—Chicago Review of Books
“[A] captivating collection…in turns amusing and devastating, the stories are rich with vivid scenes and distinct narrative voices…the range of framing and styles keeps the reader on their toes and delivers emotional impact in one hard-hitting entry after another. Readers won’t want to miss this.”
—Publisher's Weekly (starred)
"Kochai has a gift for knowing what makes the engine of a story turn over and go, what formal choices might deliver a narrative in such a way as to coax a reader to endure a set of experiences that, whatever their frequent delights— and the stories are uncommonly full of them— are rooted in sorrow, loss, and rage."
—New York Review of Books
"A master class in storytelling, and a beautiful reflection on a people that have endured decades upon decades of tragedy. Stunning, compassionate, flawless."
—Kirkus Reviews
“There’s magic here…in this visceral, timely collection.”
—Booklist
Library Journal
★ 07/01/2022
Following up the Pen/Hemingway finalist 99 Nights in Logar, Kochai offers extraordinary stories embracing Afghanistan and the Afghan diaspora in language that's scathing, sharply whittled, and sometimes absurdist or even surreal. An obsessive video-gaming teenager, resigned to killing fighters onscreen that resemble his father, actually spots him and a now-dead uncle in a game and seeks to rescue them, while U.S.-based husband-and-wife doctors who have returned to Kabul for a year end up stitching together the multiple pulsing pieces of their son delivered by a kidnapper. In a single-sentence tour de force, a woman whose only surviving son is haranguing her for failing to take her pills shuts him out as she recalls her multiple losses in starkly vivid language that cascades painfully down the page. Elsewhere, PhD candidate Dully Abdul Kareem is transformed into a monkey while passing by his mother as she prays for two brothers recently martyred in Afghanistan. Mother and son travel from California to Afghanistan, where Dully eventually leads a revolt, in a story that effectively recapitulates the attempted occupations, insurgencies, and blood feuds that have pervaded the country for over a century while revealing how much family bonds matter. VERDICT An acute and original work bringing all readers closer to Afghanistan.
NOVEMBER 2022 - AudioFile
Peter Ganim, Suehyla El-Attar Young, and Fajer Al-Kaisi perform this critically acclaimed National Book Award finalist. Using fantastical elements and touches of the absurd, the short story collection features Afghan and Afghan American characters who are all dealing with the long-lasting devastation of America’s war on terror. Young narrates stories centered around women who are navigating complex familial relationships, creating an intimate feel for each of the stories. Al-Kaisi and Ganim perform stories predominantly about the experiences of male protagonists—their connections to their culture, their search for community, and the challenges they face immigrating to the U.S. Each narrator captures the stories’ multifaceted characters, making each story more captivating than the last. K.D.W. © AudioFile 2022, Portland, Maine
Kirkus Reviews
★ 2022-05-25
A short story collection full of tragedy, humor, and keen insight.
In his second book, following the excellent novel 99 Nights in Logar (2019), Kochai offers a dozen short stories focusing on the lives of Afghans and Afghan Americans. The collection kicks off with “Playing Metal Gear Solid V: The Phantom Pain,” the story of Mirwais, a young man whose video gaming session turns surreal when he realizes the nonplayer characters he encounters seem to be his father and other relatives in 1980s Afghanistan. The story is told in the second person, lending an urgency to the narrative: “You’ve been shooting at Afghans in Call of Duty for so long that you’ve become oddly immune to the self-loathing you felt when you were first massacring wave after wave of militant fighters who looked just like your father.” In “The Tale of Dully’s Reversion,” the title character, a California student teacher who has lost his religion, finds himself transformed into a monkey when he steps in front of his devout mother’s prayer mat. Following an imam’s advice, his mother takes him to Afghanistan to fast at a martyr’s shrine in the hopes that it will make him human again. Things don’t work out that way, and the story ends in tragedy, though Kochai uses humor throughout, which somehow both leavens and amplifies the sadness. The collection ends with the stunning title story, about a West Sacramento family trying to hold itself together through financial difficulties. Like the first story, it’s told in second person, but the perspective this time is that of a shadowy figure, perhaps a government employee, spying on the family and developing an unexpected fascination with them even after determining they’re not a threat: “You should update your superiors. You should advise them to abort the operation. But you won’t.” Like every other story in this collection, it’s brilliant and written beautifully, with real precision and compassion. Kochai doesn’t make a false move in this book; like his previous one, it’s a master class in storytelling, and a beautiful reflection on a people that have endured decades upon decades of tragedy.
Stunning, compassionate, flawless.
