The House of Dead Maids: A Chilling Prelude to "Wuthering Heights"
160
The House of Dead Maids: A Chilling Prelude to "Wuthering Heights"
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Overview
Young Tabby Aykroyd has been brought to the dusty mansion of Seldom House to be nursemaid to a foundling boy. He is a savage little creature, but the Yorkshire moors harbor far worse, as Tabby soon discovers. Why do scores of dead maids and masters haunt Seldom House with a jealous devotion that extends beyond the grave?
As Tabby struggles to escape the evil forces rising out of the land, she watches her young charge choose a different path. Long before he reaches the old farmhouse of Wuthering Heights, the boy who will become Heathcliff has doomed himself and any who try to befriend him.
Product Details
| ISBN-13: | 9781429951227 |
|---|---|
| Publisher: | Henry Holt and Co. (BYR) |
| Publication date: | 09/14/2010 |
| Sold by: | Macmillan |
| Format: | eBook |
| Pages: | 160 |
| Sales rank: | 837,907 |
| Lexile: | 930L (what's this?) |
| File size: | 1 MB |
| Age Range: | 12 - 18 Years |
About the Author
Clare B. Dunkle is the author of the acclaimed Hollow Kingdom trilogy, as well as By These Ten Bones and The Sky Inside. She lives with her family in San Antonio, Texas.
Clare B. Dunkle worked for years as a librarian. She lives with her family in Germany. Her first book, The Hollow Kingdom, won the Mythopoeic Fantasy Award and was named a Publishers Weekly "Flying Start," a Bank Street College of Education Best Book, and a Locus Magazine Best YA Book.
Patrick Arrasmith lives in California. He is the illustrator of The House of Dead Maids.
Read an Excerpt
CHAPTER 1
I was not the first girl she saw, nor the second, and as to why she chose me, I know that now: it was because she did not like me. She sat like a magistrate on the horsehair sofa, examining me for failings. "Stop staring," she snapped. "You'd think I was a world's wonder."
I looked away, thinking my own thoughts. She couldn't stop me from doing that. She had a sweep of thick brown hair tucked up into a bun, and she wore a somber black wool dress. Her hands were soft: lady's hands. Her face was anything but soft. It looked cold and hard and pale, like stone. Like a newly placed tombstone.
"I mustn't take a half-wit, though," she said reluctantly, as if she would like to do it. She seemed to consider idiocy the greatest point in my favor.
"Oh, our Tabby's no half-wit," countered Ma Hutton. "She just has that look. You did say you wanted to see an ugly one, miss."
I stared at the braided rag rug, thinking about the black dress. She was in mourning. For whom? She was a handsome woman and might once have been beautiful.
"Tabby's the best knitter in the school," Ma Hutton was proclaiming. "She can turn out a sock in a day. And handy! She's stronger than she looks, and she sews a pretty buttonhole, miss."
"No scars," interrupted the woman. "You can swear to that, you said. This is of the utmost importance. I cannot bear deformity."
"She hasn't a scar that I recollect," Ma Hutton said slowly, beginning to fidget with her hands. She was wanting to knit, I knew. She hated to put down her knitting. "Tabby hasn't worked in the fields, have you, child? She's done light work."
"No broken bones? I must be positive on this point."
Ma Hutton signed for me to speak.
"I've broken naught, miss," I answered, meeting the woman's gaze as a token I was telling the truth. She winced, and her eyes glittered. When a dog looked like that, people knew to leave it alone.
"No relations, you said," she reminded Ma Hutton, turning away from me.
"None, miss," Ma Hutton assured her. "Tabby doesn't even know where she's from."
Before a kindly soul had brought me to Ma Hutton's knitting school, I had grown up in the kitchens of big houses, polishing boots and running errands. I had been told that my surname was Aykroyd, although I knew no one else who had it. Most likely it had been my mother's name. I could dimly recall a face when I thought of mother, although the face was so young and frightened that it confused me. The one thing I held as a certainty had been dinned into my ears by angry cooks and housekeepers. I had no father at all, quite a failing in a little child.
"She'll do," said the woman. "Tell her to fetch her things."
I hadn't much to take from the room I shared with eight other girls, except an old greatcoat someone had given me out of charity and the pattens, or wooden clogs, which we wore outside in the mud. Then I went to the room where Ma's students sat knitting and bade them good-bye.
One of the girls who had been passed over came to whisper with me in the doorway. "She's been here before, that woman," she said. "She took Izzy with her last time."
I said, "I don't remember a girl named Izzy."
"It was years ago, when I was new here. Izzy must be grown now, and run away with a soldier most likely, and miss needs a new girl to beat with her hairbrush. I got a shivery feeling when she talked to me. Didn't you? I wouldn't be you for a thousand pounds."
I returned to the parlor. Money had changed hands while I was gone, a substantial sum by the look of things because Ma Hutton's typical good humor had blossomed into rapture. She went so far as to wax sentimental over me, though I had never been a favorite, and bade me keep my knitting needles and my ball of worsted in its little rag pocket as a parting gift from the school. "And wrap up warm," she counseled, pulling the greatcoat around me. "I don't doubt you'll have a long journey." But where we were going, I hadn't the heart to ask, and no one bothered to say.
We were in April then, but the spring had been cold, and the day was misty, as dark at noon as it had been at dawn. The houses across the street looked gray and insubstantial, shadows rather than stone.
The woman in black pushed me towards an open cart waiting in the lane. Its driver had taken the precaution of bringing a lighted lantern with him, and he swung down from the seat and held up the light to view me. "What have you brought us?" he boomed. "Why, it's a quaint little body, to be sure!"
It isn't that I'm so bad to look at, for my nose is straight and I have all my teeth, but my eyelashes are sparse and pale, and my eyes are no particular color. Add to that my stature, which is very small, and you'll find folks who call me a quaint body yet.
The man who bent over me was long-limbed, with a round face buffeted red by wind and weather. "Pleased to meet you, little maidie," he said, shaking hands. "My name's Arnby. You look a right canny lass. How old would you happen to be?"
"I'm eleven, sir. My name's Tabitha Aykroyd, but people call me Tabby."
"So many years packed in such a tiny frame! I can tell she's got us a good one. Now, listen, little maid. If she gives you any cause for grief," and he nodded towards the woman who stood behind me, "just you come tell me all about it, and I'll soon set her to rights."
This alarmed me, as it seemed an impertinence. I didn't want to start off badly with my new employer. "Please, miss," I said, turning to the woman, "what am I to call you?"
She made no reply, but pushed past me and scrambled awkwardly onto the seat of the cart. Arnby stood by and laughed to see her do it.
"She'd tell you to call her Miss Winter if she could swallow her pride to speak," he said. "But call her the old maid, dearie. Everyone else does."
Our journey took two long, tedious, dreadfully foggy days. The creeping mist swallowed us up and showed neither landmark nor horizon, and often Arnby had to walk ahead and lead the horse by the bridle. It seemed to me that we jolted up and down and went nowhere at all. I tried to knit my sock, but the cart shook so that it made me ill.
"It's wondrous weather," declared Arnby once, climbing back onto his seat. "The season's so late that the ewes have lost lambs, and the planting's only half done. The old earth's tired, that's what, and last year's storms and floods have vexed her. People don't think on the earth enough, and that's what causes the trouble. They plow at her and rip food from her, toss their trash and middens on her, bore mine holes into her, and never a word of thanks do they say."
"Shut up, old fool," snapped Miss Winter.
They were like that the whole journey, silent or quarrelling, and I was sorely puzzled how to take it. At first, I had cast Miss Winter in the role of housekeeper and Arnby as a servant, but seeing him speak so free, I thought he must be the farm steward and she a maid or cook. Soon I didn't know what to think, nor what their relation might be. I couldn't imagine steward and housekeeper taking such a frightful journey together, and that just to fetch home a new maid.
The matter must have weighed on my mind, for as I dozed, I dreamt a strange thing. "Just you try it," I thought I heard Arnby say, and his voice was as soft as silk. "I'll grab you before you take two steps and smash your skull like pie crust. Why else do you think I brought my staff? We don't need you, you know. Not the maids."
I sat up in a great fright at this, sure I'd fallen in with robbers, but the two of them were silent, sitting side by side on the cart bench the same as they always did.
Arnby heard me move and smiled over his shoulder. "The little maidie's been winking," he said. "Did you have good dreams? Take care you don't catch cold." And he reached back to tuck me up warm in some sacking.
Partway through the second day, we left the horse and cart at a farmhouse and proceeded in a little open boat. Arnby plied the oars vigorously to make progress upriver. I found that mode of travel more interesting at first, for the fog couldn't hold to the surface of the water where the current flowed, but tore into streamers or hung above us like a flimsy ceiling. When I looked to the shore, I could make out a few feet of steep bank here and there, or a line of trailing underbrush. Now and then I caught a glimpse of cliff walls.
But it was very gloomy on the river, with cold drops sliding down our hair and wetting our clothes; I soon was damp through and wished the endless bumping about would end. Then the river narrowed to a stream, shallow but fast, and Arnby had hard work to pole along the bottom. The night drew in, and Miss Winter began to fuss and scold, and I curled up in my greatcoat and tried to sleep to get away from them both.
How it ended I barely knew, but I remember the light shining on a small beach of shingle and Arnby carrying me along, while Miss Winter held the lantern before us and looked like nothing but a white face and a pair of hands with her black dress swallowed up in the night. I didn't want to be held and would have liked to get down, but protesting the point seemed so like their bickering that I did not know how to do it politely, and at the last I felt so tired and unhappy that I did not do it at all.
And that is how I came to my new house, carried in like a wax doll, and a bad business it was then, and a worse business to follow.
CHAPTER 2
I woke from a heavy sleep to the sound of a person shaking down the ashes at the hearth, but when I opened my eyes, I saw only the dense shade of a little cloth room. A moment later, a woman pushed back heavy green folds beside me, and light streamed in and lit up twinkling motes of dust. I was in a curtained bed so large that I could stretch out both arms and not reach its sides, and so high that I had to climb down a wooden stepladder drawn up beside it. I might have hurt myself tumbling over the edge.
"Whose room is this?" I ventured to inquire, awed at my surroundings.
"Chamber for the young maid," muttered my companion. "Come to the hearth. You've got to be measured."
She took a string from around her neck and held it at my collarbone while she bent to check its length to the floor, marking the intervals on it with a chunk of coal. She had a broad, dumpy figure and freckled arms with dimples at the wrists, sparse grizzled hair, gray eyes that studied the world with sour disinterest, and a seamed mouth cinched up tightly like a miser's purse.
"Where is the other girl?" I asked, turning around so she could find the span of my shoulders.
"We got no other girls," she said. "Just the old maid and you."
The morning light shone through a small window set with uneven diamond panes of blue and amber glass, throwing a harlequin pattern onto the wooden floor and brown gritstone walls. In the corner towered a great oak clothes press decorated with puffing faces and roaring animal heads. By the bed, a little table held an earthenware pitcher and washbowl, and next to me at the hearth stood an upright chair, with my garments laid across it to dry. A very old mirror hung by the door. Fashioned into its bead-work frame were fanciful scenes of fighting birds, but the glass was so smoky and streaked that it returned little by way of a reflection.
"I heard the other girl in my sleep," I said. "I heard her get up and wash. See, the other pillow's dented." And I pointed at the bed.
The woman didn't stop to look. She worked her pursed mouth into a frown until she looked like a pug dog. "We got no other girls," she said stubbornly. "Just a few silly village lasses, and they won't come in at this season."
She lapsed into silence, and I held up my arms so that she could measure my waist. When she was finished, she checked her marks, grunted, and straightened up. "Name's Mrs. Sexton," she told me. "I keep the house. Maybe tonight, maybe tomorrow, the master's coming back with a child for you to look after. Till they arrive, you can do as you like." She wrapped the measuring string around her neck and turned to quit the chamber.
"A child!" I said, surprised. "A little one? I'm to be nursemaid?"
"I don't know his age," she muttered. "When you want food, come to the kitchen." And with that, she was gone.
After washing and dressing, I ventured out to find the kitchen, a harder task than it would seem. I went down the dark passage outside the bedchamber and found a little back staircase, but it led into a part of the house that wasn't used. I wandered there for some time from room to room, trying locked doors.
If I liked, I could look ahead in my tale and declare that the house felt sinister, but all I knew at the time was that I didn't like it. It was large and labyrinthine, and, owing to its harsh setting, very poorly lit. The wind was its most active visitor, prowling about ceaselessly, rattling the casements and sobbing in the chimneys; thus, the stone walls were strong and thick, and the windows small and few. Fortunate was that chamber which held a double casement of clear lights. Most held, as mine did, a few small panes of amber glass. The corridors might as well have been passages in a crypt, for they had no windows at all.
I could believe that the house had no maids, as dirty as the chambers were. A froth of dust covered their surfaces. The furniture was muffled in canvas sheets, looking more like some pale shrubbery sprouting in the corner than a chair or table fashioned for the use of men. Many rooms were bare of ornament save a few grotesque old paintings and the omnipresent covering of grime.
In the end, I rediscovered my narrow stair and went back up, took another turning, came upon a second little stair, and found the kitchen at last. A clean place it was, too, I was happy to see, with a big bare wooden table and a great roaring fire. Mrs. Sexton was settled before the glowing hearth on a bench, her mending basket beside her and a clay pipe clamped between her teeth. Not another creature was there to enjoy the glorious warmth except the poor plucked fowls who lay next to the stew pot.
She served me oatcakes and butter in silence, but her portions were generous, and my feelings towards her mellowed.
"Where is Miss Winter?" I asked as I ate.
"You mean the old maid, don't you," she muttered. "She's in bed. No telling if Her Majesty means to get up this fine day."
The kitchen was blessed with two large windows through which I could see a bit of vegetable garden, a rock wall, and some ragged bushes bowing low before the wind. Behind these rose a steep green slope, with shadow and sun sweeping across it as unseen clouds hurried by.
"Shall I take her a tray then?" I asked as I rose from the table.
"If the old maid wants food, she can come here for it, same as you," said Mrs. Sexton. "She's naught to you, and she's not your friend. Don't be doing her favors." And she turned away from my questions, leaving me more confused than before.
I found myself at liberty once my breakfast was done. Mrs. Sexton steadfastly refused to set me a task. At one of my old houses, the master's return would have meant a troop of twenty maids chattering and laughing and cleaning everything from top to bottom. Here I was the only maid, and yet it seemed I was no maid at all, only a nurse for visiting children. Not for as long as I could recall had I been without employment of some kind, and the prospect of a day of idleness rather daunted me. Not wishing Mrs. Sexton to think me stupid, however, I resolved to return to the bedchamber assigned to me and puzzle out what to do.
Back I went into the dim passageways, a tangle of turnings as twisted as a lover's knot. With my belly full and no employment to hurry me along, I rambled at my leisure. Room let onto room in inconvenient arrangements, and steps ran up or down in the most inexplicable fashion. Some chambers exhibited great extravagance in the form of elaborate stained glass or magnificently painted ceilings, but the entire place seemed to belong to a bygone age.
Here is the answer, I thought: the master has better houses and comes here but seldom. Probably he's close with his money and resists paying wages to maintain such a monstrous old castle. He'll stay locked in with his agents while he's here, turn a blind eye to the dust, and leave as soon as he can. And what will I do then? For surely he'll take his child with him.
Dismayed by these musings, I found myself liking the place less and less. There was little of cheer or comfort about it. Such decoration as I came upon breathed a predatory spirit, dominated by the steel relics of war. Pikes and halberds, chain mail, and crossed arrows adorned the walls. Upon one heavy sideboard clustered a trio of cannonballs in little hollows, and on a chest of drawers sat a cavalier's helmet. Everywhere were hunting trophies in the form of animal skins, or antlers, the weapons of the beast.
(Continues…)
Excerpted from "The House of Dead Maids"
by .
Copyright © 2010 Clare B. Dunkle.
Excerpted by permission of Henry Holt and Company.
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