The House of the Seven Gables

by Nathaniel Hawthorne, Katherine Howe (Introduction), Brenda Wineapple (Afterword)

Overview

This enduring novel of crime and retribution vividly reflects the social and moral values of New England in the 1840s. 

Nathaniel Hawthorne's gripping psychological drama concerns the Pyncheon family, a dynasty founded on pious theft, who live for generations under a dead man's curse until their house is finally exorcised by love. Hawthorne, by birth and education, was instilled with the Puritan belief in America's limitless promise. Yet - in part because of blemishes on his own family history - he also saw the darker side of the young nation. Like his twentieth-century heirs William Faulkner and F. Scott Fitzgerald, Hawthorne peered behind propriety's façade and exposed the true human condition.

Product Details

ISBN-13:	9780451531629
Publisher:	Penguin Publishing Group
Publication date:	10/05/2010
Series:	Signet Classics
Pages:	304
Sales rank:	373,631
Product dimensions:	4.10(w) x 6.70(h) x 1.00(d)
Lexile:	1320L (what's this?)
Age Range:	18 Years

About the Author

Nathaniel Hawthorne was born on July 4, 1804, in Salem, Massachusetts, the son and grandson of proud New England seafarers. He lived in genteel poverty with his widowed mother and two young sisters in a house filled with Puritan ideals and family pride in a prosperous past. His boyhood was, in most respects, pleasant and normal. In 1825 he was graduated from Bowdoin College, Brunswick, Maine, and he returned to Salem determined to become a writer of short stories. For the next twelve years he was plagued with unhappiness and self-doubts as he struggled to master his craft. He finally secured some small measure of success with the publication of his Twice-Told Tales (1837). His marriage to Sophia Peabody in 1842 was a happy one. The Scarlet Letter (1850), which brought him immediate recognition, was followed by The House of the Seven Gables (1851). After serving four years as the American Consul in Liverpool, England, he traveled in Italy; he returned home to Massachusetts in 1860. Depressed, weary of writing, and failing in health, he died on May 19, 1864, at Plymouth, New Hampshire.
Brenda Wineapple authored Sister Brother: Gertrude and Leo Stein and Genet: A Biography of Janet Flanner and is currently at work on a biography of Nathaniel Hawthorne.  She is Washington Irving Professor of Modern Literary and Historical Studies at Union College and has appeared on C-Span’s American Writers series.

Date of Birth:

July 4, 1804

Date of Death:

May 19, 1864

Place of Birth:

Salem, Massachusetts

Place of Death:

Plymouth, New Hampshire

Education:

Bowdoin College, Brunswick, Maine, 1824

Read an Excerpt

Half-way down a by-street of one of our New England towns, stands a rusty wooden house, with seven acutely peaked gables facing towards various points of the compass, and a huge, clustered chimney in the midst. The street is Pyncheon-street; the house is the old Pyncheon-house; and an elm-tree, of wide circumference, rooted before the door, is familiar to every town-born child by the title of the Pyncheon-elm. On my occasional visits to the town aforesaid, I seldom failed to turn down Pyncheon-street, for the sake of passing through the shadow of these two antiquities; the great elm-tree and the weather-beaten edifice.
(Continues…)

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Excerpted from "The House of the Seven Gables"
by .
Copyright © 2010 Nathaniel Hawthorne.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

	Introduction	vii
	Suggestions for Further Reading	xxxv
	A Note on the Text	xxxix
	The House of the Seven Gables	1
	Notes	321

Reading Group Guide

1. Hawthorne considered this novel to be a romance, which in literary terms refers to a narrative, allegorical treatment of heroic, fantastic, or supernatural events. Do you think this term accurately describes the book? Why or why not?

2. What do you make of the relationship between interior consciousness and external appearance in the novel? How does this conflict, as experienced by each of the central characters, inform the novel? And how does the house serve as a metaphor for this struggle?

3. Discuss the theme of class and social structure in the novel. What do you think Hawthorne intends in his depiction of Hepzibah's and Clifford's slow decline, and the curse on the Pyncheons' house? Are these related in any way? What about the role of the Maules?

4. Is the house a kingdom or a prison? Neither, or both? What is the curse that afflicts the Pyncheons? Discuss.

5. Discuss the role played by Holgrave in the novel. How does his nomadic, rootless existence stand in contrast to the Pyncheons? How does his marriage to Phoebe complicate this?

6. Discuss the scene in which Clifford attempts to join the procession. How does this illuminate the fundamental struggle of the Pyncheon family?

Editorial Reviews

"A large and generous production, pervaded with that vague hum, that indefinable echo, of the whole multitudinous life of man, which is the real sign of a great work of fiction."
—Henry James

From the Publisher

Gr 9 UpHawthorne's tale about the brooding hold of the past over the present is a complex one, twisting and turning its way back through many generations of a venerable New England family, one of whose members was accused of witchcraft in 17th century Salem. More than 200 years later, we meet the family in its decaying, gabled mansion, still haunted by the presence of dead ancestors: Hepzibah, an elderly gentlewoman fallen on had times; her ineffectual brother, Clifford; and young Phoebe, a country maiden who cheerfully takes it upon herself to care for her two doddering relations. There's also Holgrave, a free-spirited daguerreotypist, who makes a surprising transformation into conventional respectability at the story's end. These people seem to be symbols for Hawthorne's theme more than full-bodied characters in their own right. As such, it can only be difficult for today's young adults to identify with them, especially since they are so caught up in a past that is all but unknown to present day sensibilities. Talented Joan Allen, twice nominated for Academy Awards, reads the tale in a clear, luminous voice. Because she has chosen not to do voices, however, it is sometimes difficult to tell which character is speaking. Still, she is more than equal to the task of handling Hawthorne's stately prose in a presentation that will be a good curriculum support for students of Hawthorne or those seeking special insight into this work of fiction.Carol Katz, Harrison Library, NY

School Library Journal

Living in the cursed house of Matthew Maule and haunted by their family’s past, the Pyncheons slowly watch their fortune dwindle away. But with the arrival of a young family member, they come to believe that all might not be lost. Hawthorne's tale of ancestral retribution and an unsettled home comes to life with Anthony Heald's rendition. Heald’s emphasis and rhythm help listeners through the dense prose, which has been known to scare some readers away. With his crisp enunciation and slightly raspy timbre, Heald tackles the more interesting scenes with consistency and energy, improving one’s overall experience of this classic work. While there are several moments of inconsistency in Heald’s voicings, his overall superior performance makes these only slight distractions. L.E. © AudioFile 2008, Portland, Maine

OCT/NOV 08 - AudioFile