The House on the Lagoon
Finalist for the National Book Award: “A family saga in the manner of Gabriel García Márquez,” set in Puerto Rico, from an extraordinary storyteller (The New York Times Book Review).

This riveting, multigenerational epic tells the story of two families and the history of Puerto Rico through the eyes of Isabel Monfort and her husband, Quintín Mendizabal. Isabel attempts to immortalize their now-united families—and, by extension, their homeland—in a book. The tale that unfolds in her writing has layers upon layers, exploring the nature of love, marriage, family, and Puerto Rico itself.

Weaving the intimate with the expansive on a teeming stage, Ferré crafts a revealing self-portrait of a man and a woman, two fiercely independent people searching for meaning and identity. As Isabel declares: “Nothing is true, nothing is false, everything is the color of the glass you’re looking through.”

A book about freeing oneself from societal and cultural constraints, The House on the Lagoon also grapples with bigger issues of life, death, poverty, and racism. Mythological in its breadth and scope, this is a masterwork from an extraordinary storyteller.
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The House on the Lagoon
Finalist for the National Book Award: “A family saga in the manner of Gabriel García Márquez,” set in Puerto Rico, from an extraordinary storyteller (The New York Times Book Review).

This riveting, multigenerational epic tells the story of two families and the history of Puerto Rico through the eyes of Isabel Monfort and her husband, Quintín Mendizabal. Isabel attempts to immortalize their now-united families—and, by extension, their homeland—in a book. The tale that unfolds in her writing has layers upon layers, exploring the nature of love, marriage, family, and Puerto Rico itself.

Weaving the intimate with the expansive on a teeming stage, Ferré crafts a revealing self-portrait of a man and a woman, two fiercely independent people searching for meaning and identity. As Isabel declares: “Nothing is true, nothing is false, everything is the color of the glass you’re looking through.”

A book about freeing oneself from societal and cultural constraints, The House on the Lagoon also grapples with bigger issues of life, death, poverty, and racism. Mythological in its breadth and scope, this is a masterwork from an extraordinary storyteller.
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The House on the Lagoon

The House on the Lagoon

by Rosario Ferré
The House on the Lagoon

The House on the Lagoon

by Rosario Ferré

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Overview

Finalist for the National Book Award: “A family saga in the manner of Gabriel García Márquez,” set in Puerto Rico, from an extraordinary storyteller (The New York Times Book Review).

This riveting, multigenerational epic tells the story of two families and the history of Puerto Rico through the eyes of Isabel Monfort and her husband, Quintín Mendizabal. Isabel attempts to immortalize their now-united families—and, by extension, their homeland—in a book. The tale that unfolds in her writing has layers upon layers, exploring the nature of love, marriage, family, and Puerto Rico itself.

Weaving the intimate with the expansive on a teeming stage, Ferré crafts a revealing self-portrait of a man and a woman, two fiercely independent people searching for meaning and identity. As Isabel declares: “Nothing is true, nothing is false, everything is the color of the glass you’re looking through.”

A book about freeing oneself from societal and cultural constraints, The House on the Lagoon also grapples with bigger issues of life, death, poverty, and racism. Mythological in its breadth and scope, this is a masterwork from an extraordinary storyteller.

Product Details

ISBN-13: 9781480481749
Publisher: Open Road Media
Publication date: 04/29/2014
Sold by: Barnes & Noble
Format: eBook
Pages: 411
File size: 1 MB

About the Author

Rosario Ferré (1938–2016) was born in Puerto Rico, where her father served as governor. She earned a doctorate in Spanish from the University of Maryland and is best remembered for her novels and short stories. Her literary career began with the publication of the controversial literary journal Zona. Carga y Descarga in 1972, and her first short story collection, The Youngest Doll, was published in 1976. She served as a faculty member at the University of Puerto Rico, Rutgers University, and Johns Hopkins University. In 1992, Ferré was awarded the Liberatur Prix award at the Frankfurt Book Fair for the German translation of her novel Sweet Diamond Dust. She was a finalist for the National Book Award for her novel The House on the Lagoon in 1995. She was awarded an honorary doctorate from Brown University and received a Guggenheim Fellowship in creative arts. She was also the recipient of the prestigious Medal for Literature of the Institute of Puerto Rican Culture in 2009.
 

Read an Excerpt

The House on the Lagoon

A Novel


By Rosario Ferré

OPEN ROAD INTEGRATED MEDIA

Copyright © 1995 Rosario Ferré
All rights reserved.
ISBN: 978-1-4804-8174-9



CHAPTER 1

Buenaventura's Freshwater Spring


When Buenaventura Mendizabal, QUINTÃN'S father, arrived on the island, he built himself a wooden cottage on the far side of Alamares Lagoon, a forgotten stretch of land that had been only partially cleared of wild vines and thickets. There was a spring nearby which the residents of the area had once used. A stone fountain built around it had been maintained by a caretaker, since it was considered public property. In recent years, however, people had forgotten all about it. The caretaker, an arthritic old man who lived next to the spring, had stopped keeping it up, and soon the mangrove swamp had enveloped it completely.

Half a kilometer down the beach stood the beautiful houses of Alamares, one of the most exclusive suburbs of San Juan. Alamares stood on a strip of land crossed by a palm-crested avenue—Ponce de León Avenue—with water on either side: the Atlantic Ocean to the north, and Alamares Lagoon to the south. The more public side of the avenue looked out to the Atlantic, where the surf was always swelling and battering the sand dunes; and the more private one opened onto the quiet beach of the lagoon. This beach ended in a huge mangrove swamp, and only the tip of it was visible from Alamares. When he moved to the area, Buenaventura built a modest cottage precisely at this site, where the mangrove swamp met the private beach of the lagoon.

The swamp was a mysterious place, full of exotic wildlife and strange botanical specimens, with creatures both amphibious and terrestrial. The mangroves had bushy tops with all sorts of birds nesting in them. The white heron roosted there, and at sundown turned the branches of the trees a ghostly white, as if a snowstorm had just blown through. Albatross were often seen gliding over the swamp, looking for a safe place to spend the night, and from time to time one could even see a tiger-eyed guaraguao, the nearly extinct local eagle, perched on one of its branches. But the mangroves were also aquatic, and their roots spread an intricate maze over the water. Inside this labyrinth of knots and sinews a whole universe of mollusks, crustaceans, and fish proliferated freely, half immersed in the mud, half encrusted in the mossy cartilage of the wood.

It was a strange territory to navigate in, and although several wide channels crossed it from end to end, if one were to get lost in its tangle, there was only a slim chance of finding one's way out. Following the waterways, one came eventually to Morass Lagoon—thus named by the Spanish explorers and later renamed Molasses Lagoon by the slum's inhabitants—and after crossing it would finally end up in LucumÖ Beach. A sugar mill, the Central Oromiel, had been established on the lagoon's shores and emptied the foul-smelling sludge from its rum distillery into its quiet waters, turning the lagoon into a quagmire. The sugar mill had closed down at the beginning of the twentieth century, but the waters were still contaminated. Many of the city's sewers emptied into it; it was cheaper to get rid of raw sewage that way than pollute the white sand beaches, which tourists had begun to visit. On the shores of Morass Lagoon was one of the city's worst slums, Las Minas. Most of the servants who worked in the houses of the elegant suburb of Alamares lived there, and frequently crossed the intricate waterways of the mangrove swamp in their rowboats.

Ponce de LeÃn Avenue, the capital's longest boulevard, began in the Old City, cut straight across Puerta de Tierra, and converged into Alamares, before losing itself in the distance as it penetrated the country's interior. When Buenaventura moved into the area there were still a good number of old-fashioned horse-drawn carriages driving by, as well as fashionable Stutz Bear Cats, Packards, and Silver Clouds belonging to the affluent residents. Everyone knew everyone else in Alamares and waved cheerfully from their motor seats, dressed in white cotton jackets to keep off the dust from the road and wearing rubber-rimmed goggles that made them look like owls.

In the afternoon, when nannies came out to take their charges for a walk, they always preferred to stroll down the sidewalk of Ponce de LeÃn Avenue, where the wind from the ocean playfully pulled at their starched aprons and coifs. There the Atlantic broke in long blue waves over the bathers, who had to swim energetically to keep their heads above the crests of the waves. The nannies felt secure and invigorated. But when they walked down the quiet beach path which bordered Alamares Lagoon, they insisted they could hear strange moans coming from the nearby swamp that reminded them, they said, of things dying or being born. Once the sun began to go down, mysterious lights sometimes glowed through the bushes; crabs and lizards crept through the undergrowth. For this reason no one walked in the direction of Buenaventura's half-hidden cottage at the end of the lagoon dusk.

One day the caretaker of the spring was found dead, lying by the rim of the fountain, from a mysterious blow to the head. A small item appeared in the morning papers, but nobody paid much attention, and the event was soon forgotten. The residents of Alamares didn't need water from the spring any longer, since they were connected to the city's aqueduct. Soon after that, Buenaventura moved to the caretaker's house and nobody seemed to mind. He cleared the spring of undergrowth and put it back in use. Afterward, Buenaventura married Rebecca Arrigoitia and took her to live with him on the shores of Alamares Lagoon.

The caretaker's fate was a stroke of good luck for Buenaventura. Since the outbreak of the First World War, San Juan Bay had been filled with merchant marine ships, as well as navy destroyers that would sail past the looming stone walls of San Felipe del Morro, the Old City's largest medieval fort, crowned with Spanish cast-iron cannons, to anchor not far from Alamares Lagoon. There were so many ships that the municipal aqueduct could not supply fresh water for all of them, and before long the captains of the Spanish merchant ships, like the Virgen de Purrúa and the Virgen de Altagracia, came knocking at Buenaventura's door to ask if he could provide them with fresh water from his spring. Buenaventura felt it his duty to oblige and he did all he could to accommodate them. There was no other well for twenty miles around, and Spanish ships were always left for last, since government officials in the city were understandably partial to serving those merchant ships which sailed under the American flag. Yet, despite the increasing American influence, there was always a lively market for Spanish foods on the island: most well-to-do people favored the paella valenciana, Segovian sobreasada, ensaimadas from Mallorca, and other such tasty dishes over American-style food. Trade with Spain was impossible to eliminate completely.

Buenaventura was, above all, a good Spaniard, and he never pressed his countrymen to pay cash for his services. He preferred to exchange his water casks for a few cases of the Riojas and Logroños which the Spanish captains brought him. In turn, he would sell them to his customers in the city at a favorable price. Soon after he arrived on the island, he proved so successful at this friendly bartering that he built a small warehouse next to his spring. There he stored his wines; the ruby-red hams he began to import from Valdeverdeja, his hometown; the ivory-white asparagus from Aranjuez; the honeyed nougats and marzipans from Jijona; and the exquisite Moorish olives from Seville. He brought most of his goods into the island illegally in flat, covered barges that navigated through the mangrove swamp. The barges would load their merchandise off the deserted coves of LucumÖ Beach, where the Spanish merchant ships arriving from Europe made discreet stops before going on to the port of San Juan.

CHAPTER 2

Buenaventura Arrives on the Island


When Buenaventura arrived on the island in the Virgen de Covadonga, he was twenty-three years old and without a cent to his name. An orphan since he had turned fifteen, he was raised in Spain by two maiden aunts, who set great store by his good looks. He was six feet tall, tan-skinned and dark-haired, and had eyes so blue they made you want to sail out to sea every time you looked at them. Quintín told me the story of his arrival when we were first engaged to be married, and many years later he repeated it from time to time for our two boys, Manuel and Willie, to remind them of who they were and where they came from.

All during his trip across the Atlantic, Buenaventura had wondered what the island of Puerto Rico would be like. He had read something about the history of the Caribbean before setting sail from Cádiz, but he had also learned much of it firsthand. The Spanish-American War, which had ended nineteen years before, was still fresh in the mind of many Spaniards. He knew his country had fought tooth and nail to keep Cuba, the last jewel in the crown of the Spanish empire. After the Seven Years' War, in 1763, Spain had traded Florida for Cuba to the British. Later, thousands of Buenaventura's countrymen had died at Punta Brava, Dos Ríos, Camagüey, shot down in bloody combat by Cuban rebels during the Revolution. But when Spain lost the Spanish-American War, it simply let Puerto Rico go. Was the island too poor and not worth fighting for, Buenaventura asked himself. Or was Spain just too exhausted to go on fighting?

Buenaventura landed in the port of San Juan on July 4, 1917, the same day President Woodrow Wilson signed the Jones Act, which granted us American citizenship. Luis Muñoz Rivera, the bill's chief proponent and our Resident Commissioner, had died the year before and President Wilson, in deference to his memory, had signed the new bill with the Resident Commissioner's gold pen. Muñoz Rivera was a poet as well as a statesman, and like many of the island's politicians at the time, he juggled American interests with nationalist conceits, fighting for Puerto Rico's independence on the sly.

As Buenaventura's ship dropped anchor in the harbor, the festivities celebrating our brand-new American citizenship were going full blast. Now each of us would have the right to an American passport, a talisman so powerful it opened doors all over the world. For nineteen years, since the Americans had landed on the coast of Guánica in 1898, we had lived in a political limbo. Spain had given us our autonomy six months before the Americans arrived, but we were never granted Puerto Rican citizenship. We still traveled with a Spanish passport, and lost it at the end of the Spanish-American War. A new document had not been issued, and for a while we were citizens of nowhere at all.

Not to be citizens of any country, however insignificant, was uncomfortable enough. Then we were told we couldn't travel anywhere. The greater part of our island's bourgeoisie consisted of seafaring immigrants, people from the Canary Islands, the Balearics, and Corsica, as well as from mainland Spain and France. Some had come to the island from Venezuela, and others from neighboring Caribbean islands, fleeing the wars of independence, which inevitably brought ruin—if not death—to the well-to-do settlers. They were used to traveling freely to and from the Continent, migrating with the seasons. Travel was imperative to establishing stable commercial relations with business partners. Not having a passport meant growing poorer every year.

For this reason, our brand-new American citizenship was hailed as a godsend, and a first-class celebration was in order. We would now have a definite identification with the most powerful country in the world, and the golden eagle would be stamped on the cover of our passport. Henceforth, we would cherish it as our magic shield: we could travel anywhere, no matter how far or exotic our destination; we had the inalienable right to political asylum at the local American Embassy; and the American ambassador would be our civil servant.

Buenaventura disembarked from the Virgen de Covadonga and found lodging near the wharf where the ship had docked. Don Miguel Santiesteban, a longtime friend of his family who had immigrated from Extremadura some years before, owned a warehouse at La Puntilla, the harbor area where most of the merchants' depots were. Buenaventura dropped off his satchel, put on his black sombrero Cordobés, and walked up the street to where the festivities were in full swing.

The heat was stifling, as suicidal pelicans nosedived into the molten steel of the bay. Buenaventura walked along the harbor, admiring the Mississippi and the Virginia, steamships anchored at the dock, decorated with streamers flapping gaily in the wind. He passed the new Federal Post Office and admired the impressive pink Federal Customs House. A handsome new building, it had guava-colored pinnacles on the roof and garlands of ceramic grapefruits and pineapples decorating the windowsills. Near the Customs House was the National City Bank, which reminded him of a Corinthian temple. Several gaily painted pushcarts were parked under the huge laurel tree in the plaza, selling "hot dogs," a snack which was evidently very popular because the line of people went around the Post Office building. Buenaventura asked what "hot dog" meant and burst out laughing when he was told. He bought one and it didn't taste like dog meat at all; it reminded him, instead, of a cross between salami and a German wiener. Another vendor sold beer from a barrel, but it was warm and he couldn't swallow it. He would have given anything for a glass of red wine from Valdeverdeja. He settled for a glass of fresh sugarcane juice, which he found delicious.

As he walked on, the Atlantic glimmered at the end of the street like a jewel. He felt as if he were still on deck; the road was paved with large polished blue bricks, and for a moment it seemed to be rocking gently under his feet. A huge crowd gathered on the sidewalk and he stood on a corner to watch the Fourth of July parade go by. A lady standing near him, wearing a starched white cap with a red cross sewn on it, gave him a small American flag. "You must wave it above your head when Governor Yager arrives," she said to him, "and call out 'God Bless America' as he rides by in his open convertible." He took the flag and thanked her, doffing his hat.

Nearby was the new capitol—still under construction—the dome of which was to be "an exact copy of the one Thomas Jefferson built at Monticello," as someone proudly told him on the street. He looked at the corner sign and noticed that the avenue was named after Juan Ponce de LeÃn, one of the Spanish Conquistadors, and his heart skipped a beat. Several floats went by, pulled by army mules and covered from top to bottom with American flags. From them waved a chorus of beautiful girls with red, white, and blue sashes draped across their chests—the names of the States of the Union written in glittering silver dust.

A mob of barefoot children stood cheering on the sidewalk; they were brought there from the public elementary school by the superintendent, who was dressed in black and carried a bowler hat in his hand. It was the first public school on the island, a passerby confided to Buenaventura, completely funded by the American government. Every time a float went by, the children cheered and waved their flags spiritedly, but they shouted the most when they saw Uncle Sam walk by on stilts, wearing long silk pants with red, white, and blue stripes on them, his top hat aglitter with silver stars. He threw handfuls of brand-new pennies at the crowd, and they gleamed on the ground like gold.


(Continues...)

Excerpted from The House on the Lagoon by Rosario Ferré. Copyright © 1995 Rosario Ferré. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Contents

Quintín and Isabel's Pledge,
Part I The Foundations,
1 Buenaventura's Freshwater Spring,
2 Buenaventura Arrives on the Island,
3 The Queen of the Antilles,
4 When Shadows Roamed the Island,
5 The Merchant Prince,
Part 2 The First House on the Lagoon,
6 The Wizard from Prague,
7 Rebecca's Kingdom,
8 Salomé's Dance,
Quintín,
Part 3 Family Roots,
9 Carmita Monfort's Promise,
10 Madeleine and Arístides's Marriage,
11 The Courage of Valentina Monfort,
Quintín,
Part 4 The Country House in Guaynabo,
12 Thanksgiving Day, 1936,
13 Chief Arrigoitia's Ordeal,
14 Tosca the Soothsayer,
15 Carmita and Carlos's Elopement,
Quintín,
Part 5 The House on Aurora Street,
16 The Kerenski Ballet School,
17 The Firebird,
18 Vassar College,
Quintín,
Part 6 The Second House on the Lagoon Isabel,
19 Abby's Wedding Shroud,
20 The Wedding Vow,
21 Rebecca's Book of Poems,
22 A Dirge for Esmeralda Márquez,
23 Petra's Kingdom,
Quintín,
24 The Viscounts from Madrid,
25 Buenaventura's Wake,
Part 7 The Third House on the Lagoon,
26 Rebecca's Revenge,
27 Quintín's Odyssey,
28 Ignacio's Martyrdom,
Quintín,
29 The Art Collector,
30 The Magic Birthmark,
Quintín,
31 The Forbidden Banquet,
32 The Love Child,
Quintín,
33 Willie and Manuel,
34 Fire Coral,
35 Manuel's Rebellion,
36 Quintín's Folly,
Quintín,
37 AK 47,
38 The Strike at Global Imports,
39 Petra's Threat,
Quintín,
Part 8 When the Shades Draw Near Isabel,
40 Petra's Voyage to the Underworld,
41 Quintín Offers to Make a Deal,
42 Willie's Clairvoyance,
43 Perla's Gift,
44 Perla's Funeral,
45 A Whirlpool of Shadows,
About the Author,

What People are Saying About This

Julia Alvarez

A novel packed with magic, blood, sweat, and tears…a saga of a family and a country…a delight.
—(Julia Alvarez, author of How the Garcia Girls Lost their Accents and In the Time of the Butterflies)

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