Table of Contents
Preface ix
1 A Field Guide to the Impossible 3
2 Primal Loss: Orpheus and Eurydice in Opera 23
A Guide to Four Hundred Years of Orphic Operas 27
The Impossible Moment: Claudio Monteverdi's L'Orfeo 37
Music as Consolation: Marc-Antoine Charpentier's La descente d'Orphée aux enfers 49
Supersaturation: Harrison Birtwistle's The Mask of Orpheus 56
3 The Firewood and the Fire: Words, Music, and Stravinsky's the Rake's Progress 73
4 Verdi's Shakespeare Operas: Macbeth, Otello, Falstaff 111
Verdi's Warmth 117
Raw Material: Macbeth 121
The Overreacher: The Singular Career of Arrigo Boito 133
Expansion and Contraction: Otello 142
A Last Step, A First Step: Falstaff 157
5 Walt Whitman's Impossible Optimism 165
6 Inner Rooms: Two Recent Impossibilities 201
Thomas Adès's The Exterminating Angel 205
Chaya Czernowin's Heart Chamber 224
7 Finding Eurydice 241
A Conversation with Sarah Ruhl 265
8 Music as Forgiveness: Mozart's le Nozze di Figaro 277
Works Referenced 287
Recommended Recordings 293
Acknowledgments 297