The Inheritors

The Inheritors

The Inheritors

The Inheritors

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Overview

The Inheritors: An Extravagant Story (1901) is a quasi-science fiction novel on which Ford Madox Ford and Joseph Conrad collaborated. It looks at society's mental evolution and what is gained and lost in the process. Written before the first World War, its themes of corruption and the effect of the 20th Century on British aristocracy appeared to predict history. It was first published in London by William Heinemann and later the same year in New York by McClure, Phillips and Company.In the novel, the metaphor of the "fourth dimension" is used to explain a societal shift from a generation of people who have traditional values of interdependence, being overtaken by a modern generation who believe in expediency, callously using political power to bring down the old order. Its narrator is an aspiring writer who himself makes a similar transition at a personal level only to feel he has lost everything.

Product Details

ISBN-13: 9781545093269
Publisher: CreateSpace Publishing
Publication date: 04/02/2017
Pages: 240
Product dimensions: 6.00(w) x 9.00(h) x 0.51(d)

About the Author

About The Author - Polish-British author Joseph Conrad (1857-1924) settled in England and gained citizenship in 1886. Although he is considered one of the greatest English-language authors of his time, Conrad did not speak English fluently until he was in his twenties.

He joined the British merchant marine and was granted British nationality. His prose was masterful. He wrote stories and novels, many based on his nautical experience, depicting trials of the human spirit.

Conrad's work is considered early modernist with elements of 19th-century realism. His narrative style has influenced many authors including F. Scott Fitzgerald, William Faulkner, Ernest Hemingway, André Malraux, George Orwell, Graham Greene, Gabriel García Márquez, John le Carré, V. S. Naipaul, and Salman Rushdie. Many films have been adapted from, or inspired by, Conrad's works.

Conrad drew on his native Poland's national experiences and his experiences in the French and British merchant navies, to create novels that reflect aspects of a European-dominated world-including imperialism and colonialism.

Read an Excerpt


CHAPTER TWO HER figure faded into the darkness, as pale things waver down into deep water, and as soon as she disappeared my sense of humour returned. The episode appeared more clearly, as a flirtation with an enigmatic, but decidedly charming, chance travelling companion. The girl was a riddle, and a riddle once guessed is a very trivial thing. She, too, would be a very trivial thing when I had found a solution. It occurred to me that she wished me to regard her as a symbol, perhaps, of the future—as a type of those who are to inherit the earth, in fact. She had been playing the fool with me, in her insolent modernity. She had wished me to understand that I was old-fashioned; that the frame of mind of which I and my fellows were the inheritors was over and done with. We were to be compulsorily retired; to stand aside superannuated. It was obvious that she was better equipped for the swiftness of life. She had asomething—not only quickness of wit, not only ruthless determination, but a something quite different and quite indefinably more impressive. Perhaps it was only the confidence of the super- seder, the essential quality that makes for the empire of the Occidental. But I was not a negro —not even relatively a Hindoo. I was somebody, confound it, I was somebody. As an author, I had been so uniformly unsuccessful, so absolutely unrecognised, that I had got into the way of regarding myself as ahead of my time, as a worker for posterity. It was a habit of mind—the only revenge that I could take upon despiteful Fate. This girl came to confound me with the common herd—she declared herself to be that very posterity for which I worked. She was probably amember of some clique that called themselves Fourth Dimensionists — just as there had been pre-Raphaelites. It was a matte...

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