The most brilliant Austen-adjacent book on the market…Flynn’s style makes this a quick, fun read, and since the story is Jane-related there’s even a romantic subplot.” — Vulture
“Kathleen Flynn spins an entertaining story of time travel, complicated romantic connections and Austenalia in her debut novel, The Jane Austen Project...Witty, well-researched and thought-provoking, Flynn’s debut is a fun and unusual addition to the canon of Austen tributes and pastiche.” — Shelf Awareness
“Written in an engaging Austen style, full of witty dialogue, a secret engagement, and a delightful clan of loving siblings” — Booklist
“What lover of literature hasn’t dreamed of going back in time to meet Jane Austen? In her debut novel, Kathleen A. Flynn brings this dream to life, creating a vivid portrait of Regency England in all its glory and squalor. Flynn illuminates the stark contrasts between that era and our own, and movingly depicts the heartbreak of those who might try to travel between the two.” — Lauren Belfer, author of After the Fire and A Fierce Radiance
“The Jane Austen Project is clever, captivating, and original. I loved it and couldn’t put it down! It’s been a long time since I’ve been so engrossed in a novel, or lost so much sleep reading it. Who wouldn’t want to travel back in time and meet Jane Austen? Flynn’s depiction of Jane Austen is wonderful, exactly as I imagine she must have been. The ending is a shocker and one of the strengths of the novel. It presents a view of time travel—and history—you won’t soon forget. A keeper on my Austen shelf.” — Syrie James, author of Jane Austen's First Love
“I loved The Jane Austen Project. Brilliantly written and a must-read for any Jane Austen fan!” — Paula Byrne, author of The Real Jane Austen
The Jane Austen Project is clever, captivating, and original. I loved it and couldn’t put it down! It’s been a long time since I’ve been so engrossed in a novel, or lost so much sleep reading it. Who wouldn’t want to travel back in time and meet Jane Austen? Flynn’s depiction of Jane Austen is wonderful, exactly as I imagine she must have been. The ending is a shocker and one of the strengths of the novel. It presents a view of time travel—and history—you won’t soon forget. A keeper on my Austen shelf.
What lover of literature hasn’t dreamed of going back in time to meet Jane Austen? In her debut novel, Kathleen A. Flynn brings this dream to life, creating a vivid portrait of Regency England in all its glory and squalor. Flynn illuminates the stark contrasts between that era and our own, and movingly depicts the heartbreak of those who might try to travel between the two.
Written in an engaging Austen style, full of witty dialogue, a secret engagement, and a delightful clan of loving siblings
The most brilliant Austen-adjacent book on the market…Flynn’s style makes this a quick, fun read, and since the story is Jane-related there’s even a romantic subplot.”
I loved The Jane Austen Project. Brilliantly written and a must-read for any Jane Austen fan!
Kathleen Flynn spins an entertaining story of time travel, complicated romantic connections and Austenalia in her debut novel, The Jane Austen Project...Witty, well-researched and thought-provoking, Flynn’s debut is a fun and unusual addition to the canon of Austen tributes and pastiche.
Written in an engaging Austen style, full of witty dialogue, a secret engagement, and a delightful clan of loving siblings
★ 04/15/2017
Flynn's fiction debut brings readers into Jane Austen's intimate circle through the eyes of two time travelers on a seemingly impossible mission. Dr. Rachel Katzman and Liam Finucane are sent from our advanced future back to 1815 with three goals: 1) steal a copy of Austen's unfinished novel, 2) determine the cause of her death in 1817, and 3) leave no trace that will change history. They succeed—and fail. In the process, they alter not only the past but themselves, as their challenge forces them to live a lie, worming their way first into brother Henry's life, then into the life of the reclusive author herself. Liam poses as a wealthy doctor, while Rachel is forced to hide her modern assertiveness under the guise of a dependent spinster. Falling both into her part and in love with the Austen family, Rachel is captivated by the times she has come to investigate and the man who shares her secret. Flynn skillfully delves into the later years of Austen's life in a way that is sure to please admirers of the 19th-century novelist, as well as providing a fascinating dollop of plot invention and a heartbreaking romance between the two protagonists. VERDICT Highly recommended for fans of Jane Austen, Regency comedies of manners, and lovers of time-travel fiction.—Marlene Harris, Reading Reality, LLC, Duluth, GA
Rachel Katzman and Liam Finucane travel back in time to meet Jane Austen and her circle, purloin a rumored unpublished manuscript, and, maybe, keep the author alive and writing beyond her brief 42 years. Saskia Maarleveld masterfully crafts distinct voices for a huge cast of characters, male and female, though occasionally, as conversations among multiple characters take place, attributions are appreciated. Rachel herself, the narrator, is the weakest link; she speaks with a distracting forced low-register voice, which is out of character for a highly educated and well-traveled person. Also, there are some mispronunciations, and they are not of specialized nineteenth-century words. “Claret,” for example, is sometimes pronounced correctly, other times with the emphasis on the second syllable. Minor issues aside, Maarleveld succeeds in drawing the listener into an engaging time-travel yarn featuring an enduring writer. C.M.A. © AudioFile 2017, Portland, Maine
Rachel Katzman and Liam Finucane travel back in time to meet Jane Austen and her circle, purloin a rumored unpublished manuscript, and, maybe, keep the author alive and writing beyond her brief 42 years. Saskia Maarleveld masterfully crafts distinct voices for a huge cast of characters, male and female, though occasionally, as conversations among multiple characters take place, attributions are appreciated. Rachel herself, the narrator, is the weakest link; she speaks with a distracting forced low-register voice, which is out of character for a highly educated and well-traveled person. Also, there are some mispronunciations, and they are not of specialized nineteenth-century words. “Claret,” for example, is sometimes pronounced correctly, other times with the emphasis on the second syllable. Minor issues aside, Maarleveld succeeds in drawing the listener into an engaging time-travel yarn featuring an enduring writer. C.M.A. © AudioFile 2017, Portland, Maine