Narrator Susan Duerden returns to portray the feisty and rebellious former S.O.E. (Special Operations) agent Maggie Hope, who is working out her inner demons by dismantling bombs, heavily drinking, smoking, and recklessly racing her scooter. Duerden’s talent for accents allows her to effectively voice Maggie’s current love interest, Scottish Chief Inspector James Durgin, as well as a crew of male and female characters from Europe and America. Author MacNeal masterfully draws on all the senses to portray London in the midst of WWII. She introduces us to the challenges faced by Britalians (British-Italians) and conscientious objectors. While the plot builds on the characters, good and evil, from previous books in the series, new listeners are provided enough backstory to catch on. E.Q. © AudioFile 2020, Portland, Maine
The King's Justice (Maggie Hope Series #9)
Narrated by Susan Duerden
Susan Elia MacNealUnabridged — 10 hours, 51 minutes
The King's Justice (Maggie Hope Series #9)
Narrated by Susan Duerden
Susan Elia MacNealUnabridged — 10 hours, 51 minutes
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Overview
“A wartime mystery to sink your teeth into.”-Kate Quinn, New York Times bestselling author of The Huntress
Maggie Hope started out as Winston Churchill's secretary, but now she's a secret agent-and the only one who can figure out how the missing*violin ties into a series of horrifying murders.
London, December 1943. As the Russian army repels German forces from Stalingrad, Maggie Hope takes a much-needed break from spying to defuse bombs in London. But Maggie herself is an explosion waiting to happen. Traumatized by her past, she finds herself living dangerously-taking huge risks, smoking, drinking, and speeding through the city streets on a motorbike. The last thing she wants is to get entangled in another crime.
But when she's called upon to look into the theft of a Stradivarius, one of the finest violins ever made, Maggie can't resist. Meanwhile, there's a serial killer on the loose in London, targeting conscientious objectors. Little does Maggie know that investigating this dangerous predator will pit her against a new evil-and old enemies. Only Maggie can uncover the connection between the robbery, the murders, and a link to her own past.
Editorial Reviews
12/09/2019
Set in war-torn London, bestseller MacNeal’s tantalizing ninth Maggie Hope mystery (after 2018’s The Prisoner in the Castle) finds Maggie helping conscientious objectors diffuse unexploded bombs. In December 1942, Maggie attends the sentencing of the serial killer known as the Blackout Beast, who once held her captive. In March 1943, just days before the killer is due to be executed, a suitcase containing human bones and a white feather is found floating in the Thames. As more suitcases with bones are discovered, it’s obvious that another serial killer is at work. Maggie wants no part of the investigation, but the victims may well be her friends on the bomb squad. When the Blackout Beast presents her with a proposal—a pardon from the king in exchange for the new serial killer’s identity—Maggie sets out to catch the killer before she has to accept his offer. Vivid descriptions of devastated London and distinctive, emotionally flawed characters enhance a plot that builds to a wicked twist. This enjoyable effort will inspire those new to MacNeal to seek out earlier entries. Agent: Agent: Victoria Skurnick, Levine Greenberg Rosten Literary. (Feb.)
How far can a multitalented woman be pushed before she breaks? British-born, American-raised Maggie Hope has held an amazing series of jobs since moving to war-torn London. She's worked for Winston Churchill, traveled as a spy to Berlin and Paris, and escaped from a Scottish island where someone has been killing exiled Special Operations Executive agents. . . . And she's [now] faced with a new serial murder case when suitcases filled with bones turn up in the Thames. . . . A bit of code-breaking and some deeper insight into Reitter break open the case but put Maggie in the killer's crosshairs. Action-packed, intertwined mysteries featuring an introspective heroine and packed with little-known historical details.”—Kirkus Reviews
“Vivid descriptions of devastated London and distinctive, emotionally flawed characters enhance a plot that builds to a wicked twist. This enjoyable effort will inspire those new to MacNeal to seek out earlier entries.””—Publishers Weekly
“I have read and loved every single one of the Maggie Hope mysteries. In her ninth, The King’s Justice, Susan Elia MacNeal raises the bar. Maggie faces old enemies, new killers, and her personal demons—not to mention unexploded ordinance—with an extra helping of her own special brand of derring-do. Longtime readers will be richly rewarded and first-timers will be made instant fans by this taut, breathtaking, and authentic read.”—Pam Jenoff, New York Times bestselling author of The Lost Girls of Paris
“In The King’s Justice, Maggie Hope, a veteran of missions for the Special Operations Executive, is suffering from what we now call PTSD and doing it none too quietly. The mystery is riveting, but Maggie’s emotional journey is at the heart of this superb novel as she struggles to come to grips with the impact of the violence she has endured, as did so many. I devoured this story.”—James R. Benn, author of When Hell Struck Twelve and other Billy Boyle WWII mysteries
“Susan Elia MacNeal spins another rousing tale featuring gutsy Maggie Hope. Once again, MacNeal deftly weaves a fast-paced mystery with enticing historical detail, but this time gives us a fully realized exploration of a psychologically wounded but still determined survivor of the darkness of war. . . . A multilayered thriller that will keep you up all night reading!”—Melanie Benjamin, New York Times bestselling author of The Aviator's Wife and The Swans of Fifth Avenue
“The King’s Justice is gripping. It is reality, gritty and frightening. I feel the cold, the fear, and the courage. The very air of it exists on the edges of my own memory.”—Anne Perry, bestselling author of Death in Focus
“With any luck the adventures of red-haired super-sleuth Maggie Hope will go on forever. Maggie makes for an appealingly damaged heroine, struggling to overcome the emotional scars that espionage and murder have left on her soul, losing herself in cigarettes, scotch, and risk-taking—but the war won’t allow Maggie much in the way of rest, as a serial killer, a missing Stradivarius, and the sensational murder trial of her last antagonist collide in a new series of challenges. Taut, well-plotted, and suspenseful, this is a wartime mystery to sink your teeth into.”—Kate Quinn, New York Times bestselling author of The Huntress
“Inimitable, indefatigable, intrepid—there simply are not enough good adjectives to describe Maggie Hope. The latest installment of Susan Elia MacNeal’s masterful series brings us a wiser and wounded Maggie, one who defuses bombs and buzzes around London on her motorbike, drowning her demons in pink gin and pitting her wits against a serial killer determined to have the last laugh. I was riveted from the first page to the last, rooting for Maggie all the way. Reading her latest adventure is like walking a tightrope made of razor wire.”—Deanna Raybourn, New York Times bestselling author of A Murderous Relation
“Set in wartime London 1943, Susan Elia MacNeal’s latest Maggie Hope novel, The King’s Justice, is a powerfully emotional work that poses difficult questions for Maggie as she searches for justice. Or is it actually vengeance she wants? Perhaps redemption? A charismatic but severely damaged heroine, Maggie’s a ticking bomb, not unlike the dangerous, unexploded ordnance it’s her job to defuse daily. The King’s Justice is a poetically nuanced portrayal of London in war, twisted souls, and hard moral choices. But more than anything else—and best of all—it’s a brilliant novel featuring a very human Wonder Woman.”—James W. Ziskin
“A new Maggie Hope mystery is always cause for joy, and The King’s Justice proves once again that Susan Elia MacNeal sits at the top of her genre. Beautifully written and meticulously researched, this novel immerses readers in the threadbare vibrancy of wartime London and the moral complexity at the heart of justice, as Maggie battles her own despair to track down a murderer of extraordinary depravity. MacNeal spins yet another superb yarn that will leave you yearning for the next.” –Beatriz Williams
★ 02/01/2020
Taking her old boss Winston Churchill's advice that "a change is as good as a rest," former spy Maggie Hope leaves the Special Operations Executive and begins working for the "suicide squad," a ragtag group of volunteers who defuse the unexploded bombs left behind in London by the Luftwaffe during the Blitz. However, when a new sequential murderer begins targeting conscientious objectors, some of whom work alongside Maggie, and a Stradivarius violin is stolen, Maggie once again finds herself working with DCI James Durgin on two different investigations even as justice is being served in the Blackout Beast murder case, in which the two were formerly involved. With the ninth stellar entry in her "Maggie Hope" series (after The Prisoner in the Castle), MacNeal once again seamlessly fuses superbly rendered characters, an expertly evoked setting rich with fascinating period details, and a riveting plot to offer up a thoughtful meditation on the subject of good and evil in society. VERDICT Irresistibly readable and brilliantly crafted, this is a story both historical mystery and fiction fans will adore. [See Prepub Alert, 8/19/19.]—John Charles, formerly of Scottsdale P.L., AZ
2019-11-25
How far can a multitalented woman be pushed before she breaks?
British-born, American-raised Maggie Hope has held an amazing series of jobs since moving to war-torn London. She's worked for Winston Churchill, traveled as a spy to Berlin and Paris, and escaped from a Scottish island where someone has been killing exiled Special Operations Executive agents (The Prisoner in the Castle, 2018, etc.). She's also found time to help the police apprehend Nicholas Reitter, a serial killer known as the Blackout Beast, who's been sentenced to death for his crimes. And she's developed a relationship with divorced, job-obsessed DCI James Durgin, who's faced with a new serial murder case when suitcases filled with bones turn up in the Thames. Fed up with the SOE and close to losing control, Maggie's taken on a dangerous job disarming unexploded ordnance for the bomb disposal unit. She works with conscientious objectors, many of whom are Italians in Britain—"Britalians"—whose relatives were interned as enemy aliens. After refusing Durgin's request for help in the new series of murders, she's dragged into the case when Reitter, now in the Tower of London, claims to know who the new killer is but will only talk to Maggie, who reluctantly agrees to visit him; he says he'll give her the killer's name if the king commutes his death sentence to life imprisonment. Durgin refuses to disclose to the public that each suitcase contained a white feather, suggesting that the killer may be targeting conscientious objectors. Maggie, angered by his caution, wonders if the killer might be connected to the Italian community. She ponders whether nature or nurture creates serial killers. Could she have inherited her own killer instincts from her mother, Nazi spy Clara Hess? A bit of code-breaking and some deeper insight into Reitter break open the case but put Maggie in the killer's crosshairs.
Action-packed, intertwined mysteries featuring an introspective heroine and packed with little-known historical details.
Product Details
| BN ID: | 2940177842349 |
|---|---|
| Publisher: | Penguin Random House |
| Publication date: | 02/25/2020 |
| Series: | Maggie Hope Series , #9 |
| Edition description: | Unabridged |
Read an Excerpt
Chapter One
Tuesday, December 8, 1942
Four months previous
“I thought Justice was supposed to be blind,” murmured Maggie Hope, looking up through the taxi window to the golden statue atop the dome of the Old Bailey. Above the gilded figure, the heavy gray clouds were swollen with threatened rain.
Maggie leaned forward, feeling the pulse tick in her neck, fighting off the beginnings of panic. As the bells of nearby St. Paul’s Cathedral tolled nine times, she gazed at the figure of the slim woman, standing tall against the sky. Lady Justice wore a spiked crown atop her head, her arms stretched wide, the sword of retribution in one hand and the scales of justice in the other. Her uncovered eyes gazed impassively over London.
As the black taxi drove on, Maggie remained transfixed by the figure, turning her head to stare until it dropped out of sight. “Doesn’t Justice need a blindfold? Or is that not done on this side of the pond?” Wrapped in a dark wool coat, her coppery hair pulled back in a tightly coiled bun and topped with a black velvet hat, she looked younger than her twenty-seven years.
Detective Chief Inspector James Durgin reached for her gloved hand; Maggie found his earnest, grave expression charming. There was something sagacious about his eyes, even though he was only seven years older. “I’ve heard it said with this particular statue, Justice’s ‘maidenly form’ is supposed to guarantee her impartiality,” he replied in his thick Glaswegian burr.
“Hmm.” She turned to face him and tried to smile as the cab sped by the courthouse and kept going—the Old Bailey had been bombed in 1941, and until it could be repaired all criminal trials had been moved to the Law Courts.
“You do look handsome, I’ll say that for today,” she said, inhaling his comforting scent of wool, peppermints, and tea. Durgin, whose long, lean frame folded into the cab’s backseat with difficulty, usually favored thick-soled shoes, dark suits, and a long trench coat, but today he sported the dark blue dress uniform of the Metropolitan Police. His thick brown hair was white at the temples, and the diagonals of his widow’s peak emphasized his sharp cheekbones.
“With or without a blindfold,” Durgin assured her, “Justice will prevail today. And then we can put this case behind us, once and for all.” He intertwined his fingers with hers. “And we can move on with our lives.”
But rage at Nicholas Reitter, and sorrow for all the lives he’d destroyed, coursed hot in her veins, raw and profane. Will I ever truly be able to put the Blackout Beast behind me? she wondered.
The taxi skidded on the icy road as it turned onto Fleet Street, and Maggie’s and Durgin’s clasped hands broke apart as they struggled to keep their balance. The vehicle nearly crashed into a newsstand. Just before they swerved, as if in slow motion, Maggie caught the morning’s headline: soviets cut nazi lines west of stalingrad.
“Dangerous driving today,” the driver offered by way of apology as he drove on. “ ‘Black ice,’ they call it—on top of the usual bomb damage.” He was a gray-haired man with a long, sloping nose, a checked wool cap, and a bumpy hand-knit muffler. As they passed a sign reading danger uxb, he snorted. “Bloody unexploded bombs.” He took their measure in the rearview mirror and his watery eyes sparked with recognition. “Wait a minute,” he said, his breath making white clouds in the cold air. “Are you—?”
“Yes,” Durgin said. “Thank you.”
But the driver’s enthusiasm was undeterred. “You’re DCI Durgin and Margaret ’Ope! You two must be on your way to the sentencing of—what’s ’is name?—the ‘Blackout Beast.’ ”
“Nicholas Reitter,” Durgin corrected. “The murderer’s name is Nicholas Reitter.” Maggie knew Durgin hated the press’s nickname for Reitter, but the “Blackout Beast” moniker had stuck. She and Durgin had tracked Reitter the previous spring, when he’d gone on a savage killing spree. He murdered five young women in the manner of Jack the Ripper before they apprehended him in a shootout that claimed six additional lives from the Metropolitan Police force.
“We don’t have to be there in person, you know,” Durgin said in a low voice to Maggie. “We can go home and listen for the sentence on the wireless. I’ll even make the tea.”
Despite her shallow breathing and prickling skin, Maggie smiled—Durgin did love his tea. “And miss seeing all those pale old men with powdery wigs and long silky gowns pontificate? Perish the thought.”
“I’m worried about you,” he said. “You’re . . . different since you returned from Scotland.”
She folded her hands and pressed them together, fingers laced tightly, so their shaking wouldn’t betray her. “I need to see this through. To the very end. Whatever it may be.”
The Royal Courts of Justice were better known as the Law Courts, a massive Gothic building on Fleet Street. The driver pulled the cab over to the curb, near a pile of dirty, melting snow, and stopped. As he touched one hand to his cap, Durgin searched his pockets for coins and Maggie pulled her hat’s black fishnet veil over her face like a mask.
The driver pocketed the fare. “Wait until I tell the missus I had you and the Detective Chief Inspector with me! She won’t believe it!”
Maggie gritted her teeth as she wrestled with the jammed door handle. “Please give her my best.” Finally, she forced the door open, the sight of the courthouse making her breath stop.
“I just wish you’d shot the Beast dead when you’d had the chance,” the driver continued. “Then we wouldn’t have had to go through this mess of a trial. War’s bad enough—but sequential murderers, too? Killing our own girls?”
Serial killers, Maggie thought. She had fought to change the name, but had been overruled. The term Serienmörder, or serial murderer, was in use by the Berlin police. But Durgin had been firm. “It was our job to bring him in,” Maggie replied as she stepped out, struggling to keep her hands from shaking. “Now it’s the court’s job to mete out justice. Good day, sir.” She closed the door, careful not to slam it.
The driver leaned out the window and spat into the gutter. “’E’s a cold-blooded killer is what ’e is,” he called out the window to both of them as he pulled away. “I ’ope ’e ’angs!”
He’s right, she thought. Anger swirled in Maggie’s chest, stark and combustible, before she managed to force it back down, compressing it, until she could almost convince herself it didn’t exist. Durgin caught up, and together they made their way over the slick, icy pavement to the courthouse, with its pointed arches, detailed finials, and long lancet windows hung with daggerlike icicles. When Maggie skidded on a slippery patch, Durgin reached out to steady her.
Recovering, she moved her lips in the outline of a smile. As they neared the courthouse, she squared her shoulders. Protesters holding signs swarmed the sidewalks. Some red-faced picketers chanted slogans, while others recited the prayer of St. Francis of Assisi.
Even though she’d been born and raised in the United States, Maggie knew the issue of the abolition of capital punishment had been brought before Parliament in 1938—and an experimental five-year suspension of the death penalty had been declared. However, when war broke out the following year, the bill had been postponed. In Great Britain, death was still legal punishment in cases of murder and treason, and a number of German spies and saboteurs had been prosecuted and executed under the Treachery Act, including the Nazi agent Jakob Meier.
For Maggie, the death penalty—in both theory and application—was all too personal. She had, only a year earlier, witnessed the case of a young man wrongly accused of murder and sentenced to death in Virginia. She had been to the execution chamber and had seen the electric chair firsthand. She knew innocent people could, and did, die in the hands of the court system.
But in this case, there was no doubt Reitter was a killer. There was no question of the wrong man being sentenced. Nicholas Reitter was guilty of horrific crimes. He was guilty and now there was only a decision: life imprisonment or execution. And about this inmate, Maggie had no feelings beyond blinding rage, which tasted like iron on her tongue. Jack the Ripper may never have been apprehended, tried, and sentenced, Maggie thought, but Nicholas Reitter will face justice.
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