The tragedy of the
Gun Club's third album,
The Las Vegas Story, is that it was largely ignored by both critics and fans due to the mixing and mastering disaster that marred its predecessor,
Miami -- an album that was full of great songs and performances but was so marred by poor sound that it sounded lifeless. Both records were issued by
Chris Stein's
Animal label.
The Las Vegas Story was produced by
Jeff Eyrich who was just coming off
T-Bone Burnett's
Proof Through the Night project and was about to enter the studio with both
the Plimsouls and
Thin White Rope. Its lineup features the return of original guitarist
Kid Congo Powers, as well as drummer
Terry Graham and new bassist
Patricia Morrison (aka
Pat Bag) from L.A.
punk outfit
the Bags. Late frontman /guitarist
Jeffrey Lee Pierce was writing feverish
rock & roll songs that took their inspiration from Southern
blues and West Texas
country music all framed by an angular, jagged
post-punk energy. The screaming rawness at the heart of the band's debut,
Fire of Love, had been replaced by a dry, moaning lonesome, percussion heavy desert sound, space and echo float through the mix like a ghost through
Pierce's slide guitar playing. Bass drum and tom-toms fuel the attack with a basic, primitive nocturnal energy. Topics ranged from personal disintegration in
"Walkin' with the Beast," and the
country-blues-drenched
"Eternally Is Here," and the shambolic, two-step
country confusion of
"My Dreams" that quotes directly from
Television's
"Marquee Moon" to the disappearance of the nation in
"Bad America"'s edgy guitar wrangle. There are a couple of covers on the set tossed right in the center of the album:
"The Master Plan," a spooky, brooding,
rock read of
Pharoah Sanders' and
Leon Thomas'
"The Creator Has a Master Plan," and a slovenly, funereal version of
"My Man's Gone Now," by
George and
Ira Gershwin from Porgy and Bess.
The Las Vegas Story is a provocative record that reveals
the Gun Club was pulled in many directions at once, and though the tension is in evidence on every track, it nonetheless holds together. After
Fire of Love,
The Las Vegas Story is their most satisfying album and is, perhaps, the band's most visionary offering. ~ Thom Jurek
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