The Last Lone Inventor: A Tale of Genius, Deceit, and the Birth of Television

by Evan I. Schwartz Narrated by Eric Jason Martin

Overview

In a story that is both of its time and timeless, Evan I. Schwartz tells a tale of genius versus greed, innocence versus deceit, and independent brilliance versus corporate arrogance. Many men have laid claim to the title "father of television," but Philo T. Farnsworth is the true genius behind what may be the most influential invention of our time.



Driven by his obsession to demonstrate his idea, by the age of twenty Farnsworth was operating his own laboratory above a garage in San Francisco and filing for patents. The resulting publicity caught the attention of RCA tycoon David Sarnoff, who became determined to control television in the same way he monopolized radio.



Based on original research, including interviews with Farnsworth family members, The Last Lone Inventor is the story of the epic struggle between two equally passionate adversaries whose clash symbolized a turning point in the culture of creativity.

Editorial Reviews

Kirkus Reviews

Hot on the heels of Daniel Stashower's The Boy Genius and the Mogul (p. 241), another account of the competition between inventor Philo Farnsworth and RCA head David Sarnoff to develop television and introduce it to the American consumer. Unlike mystery-writer Stashower, Schwartz comes at this story with a journalism background, as a former Business Week editor and author of Digital Darwinism (not reviewed), an analysis of the impact of technology on business. He casts the history as a struggle between Farnsworth, a romantic and independent young genius, and Sarnoff, a Russian immigrant determined to make his mark in America. Schwartz depicts Farnsworth as an Edison-like genius who, plowing his father's field at age 14, dreamed up a device that would magnetically manipulate electrons in a cathode ray tube. Sarnoff, on the other hand, imagined the impact that broadcasting moving pictures could have on the US as he climbed up the RCA corporate ladder and began hiring and funding teams of prominent scientists and engineers to pursue his vision. The narrative recounts the two men's courtroom and media struggle as Farnsworth futilely fended off Sarnoff's attempts to wrest control of television away from him. While he lost the legal battle over Farnsworth's patent, Sarnoff's ability to manipulate the media eventually enabled him to claim the title of "father of television" in the eyes of the American public. Farnsworth, the real inventor of TV, according to Schwartz, lapsed into relative obscurity until researchers revisited this dramatic story after his 1971 death. The author's decision to focus on the battles between Farnsworth and Sarnoff not only makes for compelling biography, but alsovividly captures America's 20th-century transformation from an independent, frontier culture to a modern, media-driven society. A natural for those interested specifically in inventors and business history-and Schwartz's strong, dramatic prose ensures that a more general audience will also appreciate it. (16 b&w photos)

From the Publisher

…Fascinating… A riveting American classic of independent brilliance versus corporate arrogance. I found it more fun than fiction.” — James Bradley, author of Flags of Our Fathers

“… The fascinating inside story of how this eccentric loner invented television and fought corporate America.” — Walter Isaacson, chariman, CNN

“…Compelling…Strong, dramatic prose…” — Kirkus Reviews

“…A lively and engaging account.” — Library Journal

“[A] gripping and eminently readable saga of the birth of television and the death of the Edisonian myth.” — Darwin magazine

Walter Isaacson

… The fascinating inside story of how this eccentric loner invented television and fought corporate America.

James Bradley

…Fascinating… A riveting American classic of independent brilliance versus corporate arrogance. I found it more fun than fiction.

Darwin magazine

[A] gripping and eminently readable saga of the birth of television and the death of the Edisonian myth.

Darwin Magazine

"[A] gripping and eminently readable saga of the birth of television and the death of the Edisonian myth."

Product Details

BN ID:	2940177400617
Publisher:	Tantor Audio
Publication date:	02/11/2020
Edition description:	Unabridged

Read an Excerpt

Chapter One

Fields of Vision

From clear across the potato field, Lewis Farnsworth could see that his son was in danger. It was an early spring morning in 1921, and fourteen-year-old Philo was in his usual trance during one of his many repetitive chores. The kid was sitting on top of a three-disk plow that engraved three parallel furrows in the soil at once. The apparatus was being pulled up and down the field by a team of three horses. Philo was supposed to be holding three sets of reins, but his mind was somewhere else. He grasped only two, inadvertently dropping the third. The sight of the stray leather strap dragging on the ground alarmed the elder Farnsworth.

The plow's rotating metal blades could shred a man to pieces in a few moments. Lewis Farnsworth had heard that it happened to a farmer back in their home state of Utah. A startled horse dragged the sharp edges of the disks into his back, and the man died of his wounds before any medical help could arrive. Without control of the harness, Philo might meet the same fate. He wouldn't be able to halt a rampaging horse, and Lewis Farnsworth knew this particular horse to be especially skittish.

He also knew that he couldn't shout across the field or surprise the horses in any way. With steady strides, he walked toward the end of the row that Philo was finishing. As he stooped to lift the rein, Philo leaped from his seat, shouting, "Papa! Papa! I've got it!"

The horse, irritated by the boy's sudden exclamation, let out a loud neigh. But Lewis Farnsworth was now clutching the thirdstrap, and he reined in the beast just in time.

What on Earth could this boy be yelling about?

"I got the idea that will win the prize money!" Philo exclaimed.

"Philo," he growled back, "You could have been killed!"

His father's anger snapped Philo out of his daze. When he became aware of what had just occurred, he apologized and promised never to let it happen again. Then he started to explain what was preoccupying his mind. He'd been working on an idea.

The Farnsworths lived on a ranch in Idaho's Snake River Valley, where granite-faced mountains peered over pine-green forests. True to its name, the river snaked through the valley, irrigating the fields of potatoes and sugar beets through a network of diversion dams and canals. Hundreds of rural acres separated the homesteads, but the nearby town of Rigby had its own schools and churches, plus a bustling Main Street with a savings and loan, a telegraph office, a newspaper publisher, a general store, a furniture shop, and a bar.

Philo was a good-looking but skinny boy with a serious gaze and a square jaw. He detested the drudgery of farmwork, and he was constantly searching for ideas that could enable the family to escape their dependence on the land. He desperately sought his father's approval of these ideas. He knew his father was upset over what had happened that morning, but he needed to explain himself. After dinner that night, he brought his dad a recent copy of Science and Invention magazine. There was something special inside, and he needed to show him.

The cover of the magazine featured a painting of a bright red monorail bullet train suspended above the bustling streets of Chicago. No train like it actually existed. This particular edition was important because the magazine was now renaming itself. It had previously been known as the Electrical Experimenter. Inside, the editor, Hugo Gernsback, explained that the original title had too narrow an appeal given the sudden rush of new technology into the mainstream of society. But he assured readers that the periodical would remain true to its roots as the monthly for experimenters and inventors, "that vast horde of intellectual Americans, in whom the physical progress of the country is centered." He said the goal was to build the circulation from the current 200,000 households up to 500,000.

The magazine was chock-full of ads for electrical training institutes: Earn Up to $175 a Week! Be a Certified Electrician! Be an Expert in 31/2 Months! Electricity Is the Biggest Force in the World Today! The Very Existence of the World Depends on the Electrician! Get into It as Quick as You Can! Choose Your Future Now!

What had caught Philo's eye was a monthly contest that the magazine was sponsoring, offering a twenty-five-dollar first prize, a fifteen-dollar second prize, and a ten-dollar third prize for the best invention to improve the automobile in any way. The Farnsworths did not own a car, but they knew people in town who did. From watching them sputter up hills and careen down roads, Philo could see that the popular Model-T Fords were rather crude affairs. They could certainly use all the help they could get. Any improvements, so far, seemed as primitive as the cars themselves. The second prize in the previous installment of the contest went to an idea for starting a car in damp weather: simply stuff a handkerchief into the air intake pipe. That idea fetched fifteen dollars.

First prize, meanwhile, went to the idea of attaching a horn beneath the rear fender. If the horn was not first switched off by the owner, a stranger stepping onto the running board would complete an electric circuit, setting off an obnoxious wail that would alert neighbors. It was said to be the first electric "thief alarm" for automobiles. And for that, the magazine revealed, a woman named Edna Purdy would collect twenty-five dollars.

Philo had an idea that would even top Edna Purdy's. Instead of an alarm, why not have a lock on the steering column? All the keys that started the Model-Ts were the same -- a piece of flat...

The Last Lone Inventor. Copyright © by Evan Schwartz. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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