Like 2002's
Thought for Food,
The Lemon of Pink combines
experimental collage technique with an organic, folky mixture of banjo, guitar, violin, simple vocal melodies, and snippets of conversation. The collage technique snaps like that of
the United States of America, but is used to introduce glitches in the melodic elements, whereas
the U.S.A. attempted to subvert the tradition of the
pop form. The title track's straightforward, melancholic phrasing and subtle string accompaniment are not unlike
Cat Power's work with
the Dirty Three, mostly due to
Anne Doerner's lovely vocals, or the more ambitiously
pop elements of Chicago
post-rock. The song sprawls into a low-intensity instrumental collage where silence and elements of timbre cut through the melody to create glitches in an otherwise tranquil environment. The sample for sample's sake kitsch that has dragged down quite a few artists is not a problem here -- wonderfully wrought clips like the welcoming voice on
"Tokyo" make the rhythm of speaking into a fetish, toying with it, breaking it, and building it back. This is also used, less effectively, on tracks like
"Take Time," where a simple phrase becomes an unphased
minimalist backdrop for experimentation. It isn't often that one finds an American artist with such a mastery of collage technique and a desire to incorporate
traditional folk instruments and melodies. Like
the Notwist or
Badly Drawn Boy,
the Books open up territory for relaxed
electro-acoustic listening without compromising their creative process. A lovely recording sure to find its way onto many a Top Ten list for 2003. ~ Daphne Carr
