The Letters of Shirley Jackson

The Letters of Shirley Jackson

Unabridged — 18 hours, 57 minutes

The Letters of Shirley Jackson

The Letters of Shirley Jackson

Unabridged — 18 hours, 57 minutes

Audiobook (Digital)

$27.50
FREE With a B&N Audiobooks Subscription | Cancel Anytime
$0.00

Free with a B&N Audiobooks Subscription | Cancel Anytime

START FREE TRIAL

Already Subscribed? 

Sign in to Your BN.com Account


Listen on the free Barnes & Noble NOOK app


Related collections and offers

FREE

with a B&N Audiobooks Subscription

Or Pay $27.50

Overview

A bewitchingly brilliant collection of never-before-published letters from the renowned author of “The Lottery” and The Haunting of Hill House

i must stop writing letters and get to writing a novel.

Shirley Jackson is one of the most important American authors of the last hundred years and among our greatest chroniclers of the female experience. This extraordinary compilation of personal correspondence has all the hallmarks of Jackson's beloved fiction: flashes of the uncanny in the domestic, sparks of horror in the quotidian, and the veins of humor that run through good times and bad.

i am having a fine time doing a novel with my left hand and a long story-with as many levels as grand central station-with my right hand, stirring chocolate pudding with a spoon held in my teeth, and tuning the television with both feet.

Written over the course of nearly three decades, from Jackson's college years to six days before her early death at the age of forty-eight, these letters become the autobiography Shirley Jackson never wrote. As well as being a bestselling author, Jackson spent much of her adult life as a mother of four in Vermont, and the landscape here is often the everyday: raucous holidays and trips to the dentist, overdue taxes and frayed lines of Christmas lights, new dogs and new babies. But in recounting these events to family, friends, and colleagues, she turns them into remarkable stories: entertaining, revealing, and wise. At the same time, many of these letters provide fresh insight into the genesis and progress of Jackson's writing over nearly three decades.

The novel is getting sadder. It's always such a strange feeling-I know something's going to happen, and those poor people in the book don't; they just go blithely on their ways.

Compiled and edited by her elder son, Laurence Jackson Hyman, in consultation with Jackson scholar Bernice M. Murphy, this intimate collection holds the beguiling prism of Shirley Jackson-writer and reader, mother and daughter, neighbor and wife-up to the light.

Editorial Reviews

AUGUST 2021 - AudioFile

Narrator Kirsten Potter portrays vibrant, funny, fierce Shirley Jackson in this collection of letters from her college years until the week before she died of a heart attack at age 48. Written with scant punctuation and no capital letters, the letters are a pell-mell experience, which Potter channels without seeming to rush. She times Jackson’s protean wit with skill and subtly deepens her voice to match the writer’s increasing age and illnesses. Jackson’s letters frequently served as practice drafts for the many comical articles on family life that she wrote for women’s magazines. The psychological darkness and pain that engendered such famous works as THE LOTTERY and THE HAUNTING OF HILL HOUSE only creeps out occasionally, and when it does, it’s ferocious. A.C.S. © AudioFile 2021, Portland, Maine

Publishers Weekly

★ 04/05/2021

The life of Shirley Jackson (1916–1965)—as a mother and a writer—emerges in vivid detail in this collection of correspondence, edited by her son Hyman (Let Me Tell You). The letters begin with Jackson at college writing to her future husband, Stanley Hyman. As the couple marries and starts a family, missives describe her burgeoning writing career and the comic escapades of being a mother. Primarily written to her agent and parents, the letters hit a high note in 1953, when the then-bestselling author and mother of four wrote to her parents that it was “the best year we’ve ever known.” But by 1955, Jackson’s downhill slide had begun: she got colitis and her health was failing, her marriage began to collapse, and her agoraphobia worsened. Two poignant letters were left unsent: one to Stanley, outlining the pain his womanizing, disregard, and mockery caused her—“indifference breeds indifference”—and another to her parents, reacting to their criticism of her appearance. Her cartoons, one of the most charming elements of the collection, also chronicle a marriage in decline. Full of wit and heartbreak, this volume shines, and Jackson’s singular prose never fails to entertain. Agent: Murray Weiss Agency, Catalyst Literary Management. (July)

From the Publisher

A can’t-miss literary artifact from one of America’s most important authors.”USA Today

“Shirley Jackson’s letters could make an errand more exciting than your entire life.”Los Angeles Times

“A work of art in its own right . . . as vivid and subversive as her fiction.”Chicago Review of Books

“[These letters are] glorious additions to [Jackson’s] oeuvre. They are intimate, invigorating, essential.”Toronto Star

“Startlingly vivacious.”The New Republic

“Many writers feel that the self who writes exists in a partially unknowable state, separate from the self who goes about her worldly business, talking with friends and colleagues, cooking dinner, ferrying her children around. With Jackson, the division seems especially vivid. . . . [Here], the inner world that writes gives voice to the outer world that doesn’t.”The New York Times Book Review

“[Jackson’s] fiction, full of misanthropy, madness and murder, tends to be viewed through the lens of her personal torments and, more generally, of the misogyny of the age. What is striking about Jackson’s letters, however, is that while they testify to pretty outrageous domestic double standards . . . they show very little sign of unhappiness. The mood of the missives is buoyant, garrulous and eager to amuse, and while Jackson often seems stressed and exasperated, she’s rarely despairing. . . . The labors of domesticity and artistry are fused in these letters in a way that seems to me unique.”The Wall Street Journal

“This collection, edited by Jackson’s son, brings together one of Jackson’s other great literary loves apart from short stories: the letter. Written in a distinctive lowercase typewriter font on yellow paper, the correspondence offers another view of the wit that permeated Jackson’s fiction.”The New York Times

“The breadth of Shirley Jackson’s artistry is still being recognized. This intimate collection of her correspondence makes us feel the odds against which this working mother, daughter, and wife accomplished what she did, and at what costs. This book is surely as much a feminist document as a literary one.”—Jonathan Lethem

The Letters of Shirley Jackson offers so much more than a simple peek behind the curtain of one of the most important literary lives of the twentieth century. Her letters are full of warmth and insight while displaying her uncompromising wit and talent, as well as a melancholic, haunted vulnerability. . . . A book to be cherished and reread.”—Paul Tremblay

“This collection was invigorating and life-sustaining for me to read, coming to me exactly when I needed it, in a way that feels like a miracle (or like someone cast a spell). These letters are so warm and funny and thoughtful and wicked, revealing an unexpectedly rich way of looking at the world that makes space for both love and horror.”—Kristen Roupenian

Library Journal

06/01/2021

Twentieth-century neo-Gothic novelist and short story writer Jackson comes to life in this accessible and revealing collection of letters. Lovingly edited by her son, Laurence Jackson Hyman, this volume contains the author's correspondence from 1938 to just before her death in 1965. From her years at Syracuse University where she met her future husband Stanley Hyman, to her busy life as a mother and professional writer, Jackson chronicled her days with acerbic wit. In many ways, her letters are as cleverly crafted as her fiction; indeed, writes Laurence in his preface to the collection, "They are constructed like marvelous miniature magazines, full of news and gossip." Jackson lays herself bare on almost every page, whether she's confessing her budding love for Stanley ("i miss your funny hair. and your dimples"), or describing to her parents the endless chores of an author/housewife ("the dishes are still in the sink, stanley's pants are not sewn where he ripped them, the animals are still unfed and so, in my usual fashion, i sit down to write you a letter"). Several of Jackson's hand-drawn cartoons are included throughout, adding an extra layer of charm to this amusing and informative collection. VERDICT At turns hysterical and heartbreaking, this collection is an entertaining and intriguing read even for those who are just discovering Jackson's many literary gifts. Recommended.—Megan Duffy, Glen Ridge P.L., NJ

AUGUST 2021 - AudioFile

Narrator Kirsten Potter portrays vibrant, funny, fierce Shirley Jackson in this collection of letters from her college years until the week before she died of a heart attack at age 48. Written with scant punctuation and no capital letters, the letters are a pell-mell experience, which Potter channels without seeming to rush. She times Jackson’s protean wit with skill and subtly deepens her voice to match the writer’s increasing age and illnesses. Jackson’s letters frequently served as practice drafts for the many comical articles on family life that she wrote for women’s magazines. The psychological darkness and pain that engendered such famous works as THE LOTTERY and THE HAUNTING OF HILL HOUSE only creeps out occasionally, and when it does, it’s ferocious. A.C.S. © AudioFile 2021, Portland, Maine

Kirkus Reviews

★ 2021-04-03
Famed for such chillers as “The Lottery” and The Haunting of Hill House, Jackson reveals a warm, witty side in her voluminous correspondence.

There’s still an edge to the hilarious domestic vignettes she sends her parents, clearly the raw material for the now less famous magazine pieces collected in Life Among the Savages and Raising Demons: Tending to four rambunctious children while cranking out the magazine pieces and novels on which the family income depended was a perennial challenge. Husband Stanley Edgar Hyman, a professor at Bennington for most of his career, never made much money, and his urgings to Jackson to get back to work form a disquieting undercurrent to the generally cheerful letters. The earliest letters are her lovestruck missives to Hyman when both were students at Syracuse University, but an angry letter from 1938 reveals a darker side to their relationship, delineated in more explicit detail 22 years later. Her anguish over his unrepentant womanizing and habit of demeaning her in public while ignoring her in private makes a heartbreaking counterpoint to delightful portraits of family activities that also ring true but tell only part of the story. The dark side so evident in Jackson’s fiction is kept for her work, but we see its origins in a 1938 letter to Hyman declaring, “you know my rather passive misanthropic tendencies, and how i [sic] hate this whole human race as a collection of monsters.” Jackson’s avoidance of capital letters adds to her correspondence’s charmingly idiosyncratic flavor, though she adheres to more conventional punctuation in letters to her agents Bernice Baumgarten and Carol Brandt, which offer candid snapshots of a working writer’s life. Later letters chronicle without self-pity the years of declining physical and emotional health that preceded her untimely death at age 48 in 1965.

A vivid, engaging, and engrossing collection from one of American literature’s great letter writers.

Product Details

BN ID: 2940173092199
Publisher: Penguin Random House
Publication date: 07/13/2021
Edition description: Unabridged

Read an Excerpt

One

• • •

From Debutante to Bohemian: 1938–1944

I must stop writing letters and get to writing a novel. If you think of any good scenes for a novel covering about forty pages send them right along. I can use anything I get.

—To Stanley Edgar Hyman?, date?

Shirley Jackson was born in San Francisco, California, on December 14, 1916. Her father, Leslie, had immigrated from England at age twelve with his mother and two sisters and was a self-made successful business executive with the largest lithography company in the city. Her mother, Geraldine, was a proud descendant of a long line of famous San Francisco architects and could trace her ancestry back to before the Revolutionary War.

Shirley primarily grew up in Burlingame, an upper-middle-class suburb south of the city. But when she was sixteen, Leslie was promoted and transferred, and the family moved—luxuriously, by ship, through the Panama Canal—to Rochester, in upstate New York. The Jacksons quickly joined the Rochester Country Club and became well-established in the city’s active societyworld. The move was very hard on Shirley, who missed California and her friends there, especially her best friend, Dorothy Ayling. She finished high school in Rochester (where one of her classes was once interrupted for a few minutes so that Shirley could marvel at snow falling outside the window), then attended Rochester University for one difficult year, before deciding to spend the next year writing alone in her room at home, with the lofty goal of producing a thousand words a day. Little of what Shirley wrote during that period is believed to have survived.

She then enrolled at Syracuse University, where she enjoyed literature classes, and where the university’s journal, Threshold, published her story, “Janice,” a one-page conversation with a young woman who brags that she has that day attempted suicide. Another literature student, Stanley Edgar Hyman, from Brooklyn, New York, the brash, intellectual son of a Jewish second-generation wholesale paper merchant, read her story and vowed on the spot to find and marry its author.

Shirley and Stanley met on March 3, 1938, in the library listening room, and an intellectual connection quickly developed into a romantic one. These letters begin just three months after they met, when both Shirley and Stanley are on summer break, she at home in Rochester, and he at first at home in Brooklyn and then rooming with his friend Walter Bernstein at Dartmouth, then working at a paper mill in Erving, Massachussetts.

This is the earliest known surviving letter of Shirley’s. She is twenty-one, and he is about to turn nineteen.

[To Stanley Edgar Hyman]

tuesday [june 7, 1938]

portrait of the artist at work. seems i brought a collection of miscellaneous belongings home from school, among them a c and c hat which bewilders gaddamnthatword my little brother. he says if its a hat why doesn’t it have signatures all over it. mother seems to think i’m insane, and closes her eyes in a pained fashion when i call her chum. she also tells me that love or no love i have to eat and when i say eatschmeat she says what did you say and for a minute icy winds are blowing. there has been hell breaking loose ever since mother woke me this morning by telling me that that was a letter from dartmouth that the dog was eating.when she came in an hour later and found me reading the letter for the fifth time she began to be curious and asked me all sorts of questions about you. yes, she got it all. consequently there was a rather nice scene, me coming off decidedly the worse, since mother quite unfairly enlisted alta’s assistance and alta went and made a cake and i like cake. mother says, in effect: go on and be a damn fool but don’t tell your father. i had to cry rather loudly though. which means that you are going to meet a good deal more opposition than i had counted on. i think mother was mad because she took your long distance call the other day and the big shot was expecting an important business call and he was quite excited when the operator told him that the party at the other end of the line wasn’t going to pay. yes, and mother says to tell you that any more letters arriving with postage due and she will either steam the letters open since they belong to her since she practically bought them or she will start taking the postage out of my allowance.

however all in all she is being rather sweet, and more intelligent than i gave her credit for, since she absolutely refuses to forbid me to see you which means that now i have no reason to be romantically clandestine. disappointing when i’d already picked out a hollow oak tree. which brings me to the point: if you love me so damn much why don’t you come out and say so? looked all through your letter to find out if you loved me and you refuse to say. damn you anyway. i love you you dope.

notice if you haven’t already that i have borrowed your distinctive writing style with ideas of my own such as no punctuation which is a good idea since semi-colons annoy me anyway. and incidentally i read mother the poem at the top of the pages in your letter and she translated it for me, she knows french and i don’t but even then it wasn’t such a good idea. i also told father all about communism which was wrong, wasn’t it. he said re-ally in a whatthehelldoyouknowaboutlifeyoushelteredvictorianflower sort of voice.

also. y snarls deep down in her throat whenever i mention you which idoratheroftenchum. she thinks you’re a nice sweet child, only it’s too bad you had to fall into my clutches. i managed to get to talking before she did so now she knows all my troubles and i don’t know any of hers. ‘tanley . . . ​i think i’ll come to new york and get laid. oooooooooh yes. my mother mayhertribeincrease had been reading liberty that oracle of the masses and has discovered that eight out of ten college students are all for immorality. she has been asking me leading questions until i came out and said that if she meant had i preserved the fresh bloom of dewy innocence yes i had but it hurt me a damn sight more than it ever hurt liberty. mother is reassured but not too happy about the whole thing, having doubts.

i didn’t know y was an ardent communist but she is, but then she was a vegetarian once too. we’re going to drink beer, and i mean that we’re going to drink lots of beer. but quantities. we have sorrows to drown.

about our mutual friend Michael. he brought the scamp . . . ​boat . . . ​in fifth in saturday’s race and mother saw him that night and he was plenty drunk and getting drunker and the damnfool insulted mother in some way and now she’s mad and michael can’t come see me till mother is appeased and he’ll never remember that he said anything wrong till someone meaning me reminds him. are you happier than formerly?

s.edgar. it’s so silly to write this junk when all i want to say is i can’t stand it i won’t wait four months i love you. what am i going to do? it’s not going to be long, is it? it’ll be september soon, won’t it? like hell it will.

shan’t go on like that. i’m going to Be Brave. bloody, but unbowed. going to be a debutante. yeah. i’m going to count the days and minutes till september. think of me sometimes, won’t you, chum. hell. wish i could think of a good quotation to top that paragraph off with.

i shall go on writing revolutionary poetry as long as i damn well please. i just thought of a good line: capitalists unite you have a world to win and nothing to lose but your chains . . . ​

dearest, be a good boy, and do wear your rubbers, for mother’s sake, now won’t you?

darling!

p.s. s. edgar; goddamn your lying soul why did you have to go away and leave me? I love you so much.

s.

• • •

[To Stanley Edgar Hyman]

[june 8, 1938]

hawney!

every time i get a letter from you, which seems to be an event happening with astonishing frequency, i think of more things i want to say to you, most of them being i love you but that’s beside the point. so it has come to the position where i write you every day because you write me every day and i hope you like the idea. anyway i like to write letters in your style because i don’t have to hunt for the shiftkey and because it’s easier on ernest, who is typewriter, and makes him very happy because he is lazy too.

this is gibbering

and it looks like e e cummings, who y said my revolutionary poetry reminded her of and when i asked her what that meant she said she didn’t like e e cummings either.

i know that should be whom

stop correcting me

From the B&N Reads Blog

Customer Reviews