The Lost Bird

by Margaret Coel

Overview

Father O'Malley and Arapaho lawyer Vicky Holden must uncover a baby-selling scheme at a clinic forty years ago.

"Suspenseful...Solid characters and a keen sense of place...keep this tale humming." --Publishers Weekly

Product Details

ISBN-13:	9781101663745
Publisher:	Penguin Publishing Group
Publication date:	08/01/2000
Series:	A Wind River Reservation Mystery , #5
Sold by:	Penguin Group
Format:	eBook
Pages:	304
Sales rank:	50,594
File size:	2 MB

About the Author

Margaret Coel is the New York Times bestselling, award-winning author of the acclaimed Wind River Mysteries featuring Father John O’Malley and Vicky Holden, as well as the Catherine McLeod Mysteries and several works of nonfiction. Originally a historian by trade, she is considered an expert on the Arapaho Indians. A native of Colorado, she resides in Boulder.

Editorial Reviews

Fr. John O'Malley and attorney Vicky Holden solve a mystery and wrestle with their mutual--and forbidden--attraction in another suspenseful outing (after The Story Teller, 1998). When his elderly assistant is killed on a back road on the Wind River Arapaho Reservation in Wyoming, Father John assumes that he himself was the target, since the dead man was driving his truck and had just stepped out of it when he was shot. Soon, however, he learns that the frail old priest, who once held Father John's current post as head of the St. Francis Mission, came back to the reservation to expose a long-buried crime against the Arapaho people. When Holden, an Arapaho lawyer, hears that a priest has been murdered, she fears the worst, since Sonny Red Wolf, an angry Indian separatist, has often vowed to drive Father John off the reservation. After Holden finds Father John alive, she embarks on her own investigation of the murder. Meanwhile, movie star Sharon David hires Holden to trace her true lineage; she is convinced she was born to Arapaho parents on the reservation and given away for adoption. Holden repeats the local legend--that many Arapaho babies died of a mysterious sickness around the time of Sharon David's birth, so no Arapaho would let a baby go. Probing, however, she uncovers a plot involving a clinic and a famous pediatrician, while Father John, converging on the same plot, confronts the killer. Like many mystery writers working on Native American ground, Coel knows that the gaps between cultures are fertile ground for suspense. She also develops solid characters and a keen sense of place that keep this tale humming. Author tour. (Nov.) Copyright 1999 Cahners Business Information.

Publishers Weekly - Publisher's Weekly

It's an awful moment for Arapaho lawyer Vicky Holden as the fifth in this Hillermanesque series (The Story Teller, 1998, etc.) gets underway. According to a radio bulletin, a priest from Wyoming's St. Francis Mission to the Wind River Indian Reservation has been shot to death. Vicky (nee Singing Bird) is certain the victim is Father John O'Malley, the mission pastor, with whom she's secretly but desperately in love. (He's secretly desperate, too.) Turns out, to her immense relief, that 70-ish Father Joseph, not hunkish Father John, was driving the mission pick-up. At first, Vicky—like everyone else, including Father John—assumes death by mistaken identity. He must have been the intended target, Father Joseph simply in the wrong place at the wrong time. After all, Father Joseph had been at the mission a bare three weeks. Who could have worked up enough murderous hate for him in that short a period? But when Vicky learns that 35 years ago Father Joseph did a previous mission stint, she's forced to rethink. Mysterious things happened then—an inexplicable rise in Native American infant mortality, a couple of suspicious suicides—that seem connected to the mysterious things happening now. Vicky and Father John conduct separate but equal investigations. In the end, of course, rampaging villainy is brought to justice, and rambunctious passion kept in check. Tune in next time. Father O'Malley and Vicky hold their own as characters, but the mystery itself lacks substance, and Coel really needs to polish her action scenes.

Kirkus Reviews