The Lost Queen

The Lost Queen

by Signe Pike

Narrated by Toni Frutin

Unabridged — 17 hours, 44 minutes

The Lost Queen

The Lost Queen

by Signe Pike

Narrated by Toni Frutin

Unabridged — 17 hours, 44 minutes

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Overview

Outlander meets Camelot” (Kirsty Logan, author of The Gracekeepers) in the first book of an exciting historical series that reveals the untold story of Languoreth-a powerful and, until now, tragically forgotten queen of 6th-century Scotland-twin sister of the man who inspired the legendary character of Merlin.

Intelligent, passionate, rebellious, and brave, Languoreth is the unforgettable heroine of The Lost Queen, a tale of conflicted loves and survival set against the cinematic backdrop of ancient Scotland, a magical land of myths and superstition inspired by the beauty of the natural world. One of the most powerful early medieval queens in British history, Languoreth ruled at a time of enormous disruption and bloodshed, when the burgeoning forces of Christianity threatened to obliterate the ancient pagan beliefs and change her way of life forever.

Together with her twin brother Lailoken, a warrior and druid known to history as Merlin, Languoreth is catapulted into a world of danger and violence. When a war brings the hero Emrys Pendragon, to their door, Languoreth collides with the handsome warrior Maelgwn. Their passionate connection is forged by enchantment, but Languoreth is promised in marriage to Rhydderch, son of the High King who is sympathetic to the followers of Christianity. As Rhydderch's wife, Languoreth must assume her duty to fight for the preservation of the Old Way, her kingdom, and all she holds dear.

“Moving, thrilling, and ultimately spellbinding” (BookPage), The Lost Queen brings this remarkable woman to life-rescuing her from obscurity, and reaffirming her place at the center of the most enduring legends of all time. “Moving, thrilling, and ultimately spellbinding, The Lost Queen is perfect for readers of historical fiction like The Clan of the Cave Bear and Wolf Hall, and for lovers of fantasy like Outlander and The Mists of Avalon” (BookPage).

Editorial Reviews

OCTOBER 2018 - AudioFile

Set in sixth-century Scotland, Pike’s debut novel is the first of a planned trilogy exploring the Arthurian legend. The story is told from the point-of-view of Languoreth, a historical figure and twin sister of Lailoken, the man who inspired the Merlin legend. Narrator Toni Frutin does equally well with female and male characters, imbuing them with the strength to survive the harsh and brutal times, but also showing the subtleties of character that make them multidimensional and memorable. Frutin creates an atmosphere of tension as the proponents of the new Christian God seek the demise of the Old Way and the Druids (the Wisdom Keepers). She sets a strong, steady pace that make the hours fly by. J.E.M. Winner of AudioFile Earphones Award © AudioFile 2018, Portland, Maine

Hazel Gaynor

"In her extraordinary debut, Signe Pike assuredly transports the reader to an ancient past, bringing it vividly to life through her beautiful writing. Languoreth is a bold and complex heroine readers will be rooting for until the last page. Mystical, epic and captivating, I couldn't put it down, and look forward to the next installment of this intriguing trilogy."

BookPage

THE LOST QUEEN, Signe Pike’s debut novel set in sixth-century Scotland, is the rare historical epic that manages to be truly sweeping and yet always intense and personal—at once a romance, a story of faith, a story of war and a story of family... By the end, you feel happily lost in this mist-shrouded place in history, and you only wish you could stay there longer. Moving, thrilling and ultimately spellbinding, THE LOST QUEEN is perfect for readers of historical fiction like Jean M. Auel’s The Clan of the Cave Bear and Wolf Hall by Hilary Mantel, and for lovers of fantasy like Outlander by Diana Gabaldon and The Mists of Avalon by Marion Zimmer Bradley.

FIRST for Women

Epic... This book [has] magic, romance and adventure.”

Charleston City Paper

"The first line in...author Signe Pike's first work of fiction, The Lost Queen, launches readers into a world they didn't know existed and one, most likely, they didn't know they needed. By the pool, in my bed, and most often, crunched in the front seat of my car, I consumed Pike's novel over a week this summer....Pike nails it....The Lost Queen rocks.

Booklist

An engrossing debut... Pike’s narrative blends court intrigue, romantic interludes, and gritty violence into a literary brew worth savoring to the dramatic finale. The elements of Celtic mysticism will appeal to fantasy fans looking for a Mists of Avalon–type experience, while the setting remains grounded in sixth-century Scotland’s political realities. Enthusiastically recommended for readers of female-centered historical sagas and those enamored of Arthurian tales.

Charleston Magazine

A gripping tale... you won’t regret losing yourself in this fast-moving story.

Redbook

"Did you know that King Arthur’s favorite wizard, Merlin – or more accurately, the real man he was based on – had an equally important twin sister? Get hooked on her story in Signe Pike’s The Lost Queen, the first book in what promises to be a thrilling trilogy."

From the Publisher

"Outlander meets Camelot – but with the focus firmly on the lives and loves of women. A sweeping, magical tale of a rarely-told part of Scotland's history."
—Kirsty Logan, author of The Grace Keepers

"The Mists of Avalon for a new generation. Pike vividly recreates both the magic and brutality of early medieval Britain, replete with betrayals and love affairs, battles and escapes, and an unforgettable heroine at the center of it all. A gripping historical novel."
—Linnea Hartsuyker, author of The Half-Drowned King

"Rich in detail and elegantly written, The Lost Queen is a boldly feminine heroic journey to a place and time of unbearable change. Hypnotic and sensual, Pike’s story reawakens us to something long ago lost between landscape and memory, where the Old Way still exists, and the bond between brother and sister cannot be broken. Mystical, beautiful, and destined to become a classic."
—Brunonia Barry, author of The Lace Reader and The Fifth Petal

Booklist

An engrossing debut... Pike’s narrative blends court intrigue, romantic interludes, and gritty violence into a literary brew worth savoring to the dramatic finale. The elements of Celtic mysticism will appeal to fantasy fans looking for a Mists of Avalon–type experience, while the setting remains grounded in sixth-century Scotland’s political realities. Enthusiastically recommended for readers of female-centered historical sagas and those enamored of Arthurian tales.

Kirsty Logan

"Outlander meets King Arthur – but with the focus firmly on the lives and loves of women. The Lost Queen is a sweeping, magical tale of a rarely-told part of Scotland's history."

Patti Callahan Henry

An extraordinary historical page-turner. Pike brings a creative eye, unique voice and immaculate research to the world of historical fiction - the people and lands of this novel will not leave me. The Lost Queen is more than a book; it is a profound experience. Languoreth has emerged from the mists of Scotland to assume her rightful place on the throne where she belongs.”

OCTOBER 2018 - AudioFile

Set in sixth-century Scotland, Pike’s debut novel is the first of a planned trilogy exploring the Arthurian legend. The story is told from the point-of-view of Languoreth, a historical figure and twin sister of Lailoken, the man who inspired the Merlin legend. Narrator Toni Frutin does equally well with female and male characters, imbuing them with the strength to survive the harsh and brutal times, but also showing the subtleties of character that make them multidimensional and memorable. Frutin creates an atmosphere of tension as the proponents of the new Christian God seek the demise of the Old Way and the Druids (the Wisdom Keepers). She sets a strong, steady pace that make the hours fly by. J.E.M. Winner of AudioFile Earphones Award © AudioFile 2018, Portland, Maine

Kirkus Reviews

2018-06-18
First in a trilogy set in sixth-century Celtic Britain, starring the sister of the man who will be Merlin.According to her author's note, Pike has set out to reconstruct the historical underpinnings of the Arthur legends, tracing their roots to what is today Scotland. In this first volume, we meet Languoreth and her twin brother, Lailoken, children of chieftan-king Morken, who have recently lost their mother. Since their father is often absent at the court of the high king and overlord, Tutgual, the children are raised by their loyal nurse, Crowan, their tutor, Cathan, a Wisdom Keeper—that is, a druidic priest—and Ariane, a rare female Wisdom Keeper who appears one day to help prepare Languoreth for womanhood. Lailoken is being groomed as a warrior—the kingdoms to the southeast are being preyed upon by invading Angles—but his main aspiration is to be a Wisdom Keeper. As the twins reach adolescence it is clear that although Lailoken will be free to follow his path, Languoreth's destiny is as a royal bargaining chip. One of the chief virtues here is Pike's demonstration of the destabilization posed by Christian evangelists. When, at first, it's limited to a few monks, Christianity integrates well with the prevailing druidism. Then, a crusading monk named Mungo desecrates a druidic shrine and worms his way into Tutgual's favor. Pike is sensitive to feudal politics: One of Christianity's chief attractions for royalty is, apparently, a priesthood which submits to the divine right of kings, as opposed to the Wisdom Keepers, who guard their independence and sovereignty. Although the Celts cling to the old beliefs and to feasts like Beltane and Lughnasa (lavishly depicted here), Mungo will stop at nothing, including murder and pillage, to topple the ancient gods. Once Languoreth is wed to Tutgual's heir, pregnant by her true love Maelgwn, and directly threatened by Mungo, the conflict never lets up. Despite a few clichés, the language does a fine job of evoking the period.An unusual take on Dark Ages drama which may well command a following.

Product Details

BN ID: 2940171178383
Publisher: Simon & Schuster
Publication date: 09/04/2018
Series: The Lost Queen , #1
Edition description: Unabridged

Read an Excerpt

The Lost Queen
Cadzow Fortress, Strathclyde

Land of the Britons

Late Winter, AD 550

I was dreaming of the forest. This time no rustle of wind, no birdcall, no sliver of light penetrated the thick canopy of trees. Silence thundered in my ears like a band of warhorses. And then, through the gloom, I heard my mother call my name, her voice soft and hollow-throated as a dove’s.

Languoreth.

I woke with a start as my brother tugged back the covers and a rush of cold air met my feet. Lailoken’s sandy hair was unkempt. He watched impatiently as I rubbed the sleep from my eyes and reached for my dress, but as I tugged the wool over my head, my mind quickened and the memory came rushing back.

Mother was dead.

Nine days had passed since the sickness took her. Sleep—when it came—brought some relief, but each morning when I woke, my wound tore open anew.

“I dreamt of her.” I looked at my brother. “Mother was calling my name, I’m certain. If only I could have seen her . . .”

I waited a moment, hoping for a response, but Lailoken only frowned and handed me my cloak. The purple rings beneath his eyes told me he’d been up through the night again, seeking her spirit in the Summerlands. For a moment, Lail looked envious I’d dreamt of her. But if my brother did not sleep, how could he dream?

“Tonight you must rest,” I said. “There is sickness yet beyond Cadzow’s walls.”

Lail’s face only darkened.

“Lailoken.” I caught his sleeve. “Sooner or later you will have to speak.”

He ignored me, reaching instead for the door’s iron latch.

“You cannot force her to come to you,” I said. “After all, the Wisdom Keepers say—”

Lail turned on his heel, his narrowed eyes unmistakable.

Don’t be stupid—you’re going to wake Crowan.

I bit my tongue. I didn’t want to wake our nursemaid any more than he; Crowan would never allow us to go down to the river this time of morning. And though neither Lailoken nor I could explain it, we knew the beast waiting in the shallows waited for us alone. As though it were ours alone to see.

I followed Lailoken down the dark corridor, softening my footfalls as we crept past the entryway to the great room with its sleeping warriors and softly dying embers.

Yes, Mother was dead. Now our rambling timber hall felt like a husk without her.

I swallowed the stinging that rose in my throat and followed Lailoken out the heavy oaken door and into the milky morning light.

In the courtyard, mist swathed the late winter grasses. Past the fallow kitchen garden, Brant stood watch on the platform of the inner rampart, breath clouding beneath his hood. At the sound of our footsteps, his grip tightened on his spear before he caught sight of us and smiled.

“Ho, there, little cousins. And where do you suppose you’re off to?”

“We’re only going down to the river,” I said.

Brant looked at Lailoken. “Still no good morning from you, eh, Lailoken?”

“He isn’t speaking to anyone.” I shifted my weight, and Brant’s brown eyes softened.

“Right, then. Down to the river.” He gestured us through. “But you two had better mind each other. The cliff trail is slick as a snake’s belly.”

“We’ll be careful,” I swore, but as we hurried through the gate, I made certain Lailoken felt my eyes on the back of his head. It was hurtful and foolish, his vigil of silence.

“Do you imagine you miss her more than I do?” I said. “You are not the only one who lost her, Lailoken. Mother’s gone and we cannot bring her back.”

My brother stiffened as he ducked beneath a low-hanging bough, but at the sound of hurt in my voice he glanced back, reaching for my hand.

An offering, an apology.

I joined my fingers with his and we wound our way along the forest path to the place where the towering outer rampart ended. At the cliff’s edge, a deer trail stretched down hundreds of feet to the gorge below. A thick sponge of moss lined the narrow trail where the first tender shoots of fern budded from their peaty winter beds. We edged down the steep path toward the river, mud caking the leather lacing of our boots, and I breathed in the earthy smell that always brought relief. My mother had spent endless days in the forest with us, plucking mushrooms from fallen tree trunks, gathering blackberries and marshmallow and nettle, using the knife she kept at her belt to strip the bark from hazel and birch. Mother was the wife of a king. But she had also been a Wisdom Keeper, trained in the art of healing. It was the lady Idell our tenants visited for a tonic to ease their child’s cough, a salve to slather on their horse’s foot, or a remedy to ease the aches of old age. And it was by her side, in the woods, under our great roof of trees, that I felt most at home.

The river Avon glinted like liquid glass as we emerged at the cliff bottom. Stooping low, we moved softly through the underbrush until we neared the bank of the river and Lailoken squeezed my hand. We crouched at the water’s edge, just out of sight, as I struggled to quiet my breathing.

The red stag was magnificent—nine points on each of his antlers. We watched the river course round his black hooves as he drank in the shallows, the graceful muscle working in his throat. It was strange to spot deer this late in winter, and stranger still to find one so close to our fort; most had been hunted into the deepest glades beyond Cadzow by now. Surely such a beast was wise to the ways of men. And yet, each morning since our mother’s death, we had descended the steep banks of the gorge to find him standing in the current as if he, too, were keeping vigil.

Now the only sound was the soft gurgle of water over rock. Fog pillowed over the dark sheen of river and I opened my ears to the sounds of the stream, longing to hear the sweet strains of the melody my mother so often hummed while walking the woods.

Then, a movement flickered in the corner of my vision. I turned instinctually, looking upriver. At first I could make no sense of the shadowy form that appeared where nothing had stood a moment before. I blinked to clear my eyes. But there, in the water, rising out of the mist, stood a figure, her dark hair flowing over her simple green dress. If my fingers hadn’t been stinging with cold, I would have been certain I was still dreaming.

Mother.

Her skin was no longer flushed by fever or marred by the blisters that had come. Her face was smooth and her lips wore a smile, but her gaze was unsettling; her eyes were wild and dark in the river’s dim. I opened my mouth to cry out her name, but the stag bolted upright, nostrils flaring. I glanced back upriver, and my heart sank. My mother had vanished as quickly as she had come.

Or had she been there at all?

I balled my fists until my nails bit into the flesh of my palms. How could my eyes play such cruel tricks? There was nothing now but the soft wash of water. Only the great stag stood regarding us, his tawny pelt shimmering in the growing light of morning.

Of course I hadn’t seen her. We had scattered her ashes high in the hills. But next to me Lailoken let out a puff of breath.

“It was her, wasn’t it?” I turned to him. “You saw her, Lail, tell me! She was just there . . .”

Lailoken gave a tight nod. Because he was my twin, I could feel his tears before they began. I sank down onto the pebbled bank. My brother sank down beside me. And together we poured our grief into the slowly waking world.

We sat at the river’s edge until our bodies grew stiff from cold and our sobs gave way to the sound of birds in the forest behind us. All the while the stag moved softly in the shallows. Perhaps tomorrow the beast would come no more—after all, it had been nine days. Cathan the Wisdom Keeper said nine was the most magical of numbers.

I was wiping my face with the corner of my cloak when Lail stiffened.

“What is it?” I asked.

He lifted a finger and gestured to the edge of the nearby thicket, where a brown hare was hunched beyond the brambles, its head tilted as if it were listening. Lail watched as it shivered its whiskers and scampered into the forest, his gaze following its trail. Then he turned to me, eyes rimmed red, and spoke the first words he’d uttered in days.

“A rider is coming. He brings news from the east.”

A “Knowing,” or so the Wisdom Keepers called them. At night, and even in waking, Lail told me, he dreamt of such things: salmon circling the bottom of a forest pool, or the speckled eggs of a faraway falcon’s nest. It had been Lail who had woken from sleep that first morning after Mother died and heeded the call to the river. There he’d found the red stag standing in the shallows as if it were waiting. My brother had a gift for reading such signs from the Gods. We were only ten winters—Lailoken was young to have such skill. Yet Lail could not make sense of why the great deer had come. Even so, I could sense now that my brother’s gift was growing. Messengers came often to Cadzow with news for our father, but never before had Lailoken foreseen one.

I shifted on the stones, straining to hear the sound of hoofbeats I knew were not yet approaching. A rider was coming—it was only a matter of when—and soon our nursemaid Crowan would wake to find our beds empty. I knew we should hurry, yet I could not take my eyes from the water.

“Was that truly Mother we saw?” I asked. “Is that what it’s like when you see someone from Spirit?”

“Don’t know.” Lailoken squinted. “I’ve never seen a spirit before.”

“She looked just as real as anyone. Do you think if we stayed . . . we might see her again?”

Lail’s blue eyes trailed to the water almost hopefully. But then he shook his head and wiped his nose on the back of his hand. I felt the small stab as he shut me out again and looked to the cliff top, where a yolky sun was filtering through the forest. The spell of dawn had broken. In the current, the stag shifted and meandered toward the opposite bank. I wanted to rest my head on his smooth flanks, make my mother reappear so she could chase away the emptiness. But we moved instead to climb the trail, turning our backs on the water.

As we reached the little gully where our mother had so often sat by our side, I heard the echo of her voice rising up from the depths of my longing. She had called out my name in the darkness of my dream. But her voice had not been tender or full of love.

Her voice had been full of warning.

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