The Lowland
National Book Award Finalist
Shortlisted for the 2013 Man Booker Prize
From the Pulitzer Prize-winning, best-selling author of The Namesake comes an extraordinary new novel, set in both India and America, that expands the scope and range of one of our most dazzling storytellers: a tale of two brothers bound by tragedy, a fiercely brilliant woman haunted by her past, a country torn by revolution, and a love that lasts long past death.
*
Born just fifteen months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other in the Calcutta neighborhood where they grow up.* But they are also opposites, with gravely different futures ahead. It is the 1960s, and Udayan-charismatic and impulsive-finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty; he will give everything, risk all, for what he believes. Subhash, the dutiful son, does not share his brother's political passion; he leaves home to pursue a life of scientific research in a quiet, coastal corner of America.

But when Subhash learns what happened to his brother in the lowland outside their family's home, he goes back to India, hoping to pick up the pieces of a shattered family, and to heal the wounds Udayan left behind-including those seared in the heart of his brother's wife.

Masterly suspenseful, sweeping, piercingly intimate, The Lowland is a work of great beauty and complex emotion; an engrossing family saga and a story steeped in history that spans generations and geographies with seamless authenticity. It is Jhumpa Lahiri at the height of her considerable powers.
"1114194192"
The Lowland
National Book Award Finalist
Shortlisted for the 2013 Man Booker Prize
From the Pulitzer Prize-winning, best-selling author of The Namesake comes an extraordinary new novel, set in both India and America, that expands the scope and range of one of our most dazzling storytellers: a tale of two brothers bound by tragedy, a fiercely brilliant woman haunted by her past, a country torn by revolution, and a love that lasts long past death.
*
Born just fifteen months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other in the Calcutta neighborhood where they grow up.* But they are also opposites, with gravely different futures ahead. It is the 1960s, and Udayan-charismatic and impulsive-finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty; he will give everything, risk all, for what he believes. Subhash, the dutiful son, does not share his brother's political passion; he leaves home to pursue a life of scientific research in a quiet, coastal corner of America.

But when Subhash learns what happened to his brother in the lowland outside their family's home, he goes back to India, hoping to pick up the pieces of a shattered family, and to heal the wounds Udayan left behind-including those seared in the heart of his brother's wife.

Masterly suspenseful, sweeping, piercingly intimate, The Lowland is a work of great beauty and complex emotion; an engrossing family saga and a story steeped in history that spans generations and geographies with seamless authenticity. It is Jhumpa Lahiri at the height of her considerable powers.
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The Lowland

The Lowland

by Jhumpa Lahiri

Narrated by Sunil Malhotra

Unabridged — 13 hours, 4 minutes

The Lowland

The Lowland

by Jhumpa Lahiri

Narrated by Sunil Malhotra

Unabridged — 13 hours, 4 minutes

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Overview

Notes From Your Bookseller

A stunning multigenerational story of a family and the walls that divide them — time, distance, ideology, and death. Incorporating both the joys and pains of life, this is a sibling story rich in universalities and told with such sweeping prose that, even without the impactful story of family, it’s a pleasure to read for the writing alone.

National Book Award Finalist
Shortlisted for the 2013 Man Booker Prize
From the Pulitzer Prize-winning, best-selling author of The Namesake comes an extraordinary new novel, set in both India and America, that expands the scope and range of one of our most dazzling storytellers: a tale of two brothers bound by tragedy, a fiercely brilliant woman haunted by her past, a country torn by revolution, and a love that lasts long past death.
*
Born just fifteen months apart, Subhash and Udayan Mitra are inseparable brothers, one often mistaken for the other in the Calcutta neighborhood where they grow up.* But they are also opposites, with gravely different futures ahead. It is the 1960s, and Udayan-charismatic and impulsive-finds himself drawn to the Naxalite movement, a rebellion waged to eradicate inequity and poverty; he will give everything, risk all, for what he believes. Subhash, the dutiful son, does not share his brother's political passion; he leaves home to pursue a life of scientific research in a quiet, coastal corner of America.

But when Subhash learns what happened to his brother in the lowland outside their family's home, he goes back to India, hoping to pick up the pieces of a shattered family, and to heal the wounds Udayan left behind-including those seared in the heart of his brother's wife.

Masterly suspenseful, sweeping, piercingly intimate, The Lowland is a work of great beauty and complex emotion; an engrossing family saga and a story steeped in history that spans generations and geographies with seamless authenticity. It is Jhumpa Lahiri at the height of her considerable powers.

Editorial Reviews

Publishers Weekly - Audio

01/27/2014
When Subhash’s closest friend and brother, Udayan, is killed because of his participation in a revolutionary movement in Calcutta in the 1960s, he attempts to do the responsible thing and take his brother’s pregnant wife, Gauri, with him to the United States, where he is pursuing education and a new life. Yet both Subhash and Gauri will be haunted by and need to confront the absence of Udayan as the years pass. The waves of emotion and duress that ripple through Lahiri’s narrative are well communicated in Malhotra’s narration. Intentionally or not, his voice at times can feel disconnected from the text, which ably captures moments in which the characters are attempting to distance themselves from each other. Malhotra is capable of teasing out the emotional depth of a given scene with emphasis and timing. He maintains consistent voices for his characters and balances the different accents that emerge during this intergenerational tale. A Knopf hardcover. (Sept.)

Publishers Weekly

Lahiri’s (The Namesake) haunting second novel crosses generations, oceans, and the chasms that despair creates within families. Subhash and Udayan are brothers, 15 months apart, born in Calcutta in the years just before Indian independence and the country’s partition. As children, they are inseparable: Subhash is the elder, and the careful and reserved one; Udayan is more willful and wild. When Subhash moves to the U.S. for graduate school in the late 1960s, he has a hard time keeping track of Udayan’s involvement in the increasingly violent Communist uprising taking place throughout West Bengal. The only person who will eventually be able to tell Subhash, if not quite explain, what happened to his brother is Gauri, Udayan’s love-match wife, of whom the brothers’ parents do not approve. Forced by circumstances, Gauri and Subhash form their own relationship, one both intimate and distant, which will determine much of the rest of their adult lives. Lahiri’s skill is reflected not only in her restrained and lyric prose, but also in her moving forward chronological time while simultaneously unfolding memory, which does not fade in spite of the years. A formidable and beautiful book. 350,000-copy announced first printing. Agent: Eric Simonoff, WME Entertainment. (Sept.)

From the Publisher

A New York Times Book Review Notable Book • A Time Top Fiction Book • An NPR "Great Read" • A Chicago Tribune Best Book • A USA Today Best Book • A People magazine Top 10 Book • A Barnes and Noble Best New Book • A Good Reads Best Book • A Kirkus Best Fiction Book • A Slate Favorite Book • A Christian Science Monitor Best Fiction Book • An Apple Top 10 Book

“Poised, haunting, exquisitely effective storytelling. . . . Lahiri is one of our most beautiful chroniclers of the aching disjunctions of emigration and family.”
San Francisco Chronicle

“Exquisite. . . . Lahiri explores here what she has always explored best: the fragile inner workings of her characters. . . . An American master.”
Philadelphia Inquirer

“[Lahiri’s] finest work so far. . . . At once unsettling and generous. . . . Shattering and satisfying in equal measure.”
The New York Review of Books

“Poignant. . . . There is an important truth here—that life often denies us understanding, and sometimes all there is to hold on to is our ability to endure.”
—NPR

“Intriguing. . . . Brim[s] with pain and love and all of life’s profound beauty.”
O, The Oprah Magazine

“Mesmerizing.”
The Washington Post Book World

“In The Lowland, we are all emigrants, not from one country to another but from the present to the future. . . . Tremendous.”
—Lev Grossman, Time 

“A masterful work that shines with brilliant language. . . . [Lahiri] has created a masterpiece.”
—Minneapolis Star Tribune

“Lahiri is an elegant stylist, effortlessly placing the perfect words in the perfect order time and again so we’re transported seamlessly into another place.”
Vanity Fair

“Divided consciousness has been Lahiri’s recurrent theme. . . . This time, Lahiri daringly redraws the map. . . . [Her] prose is blunter, less mellifluous: here worlds, new and old, contain terrors.”
The Atlantic

“A classic story of family and ideology at odds, love and risk closely twined. . . . An author, at the height of her artistry, spins the globe and comes full circle.”
Vogue

“A great American writer.”
Chicago Tribune

“Memorable, potent. . . . Lahiri has reached literary high ground with The Lowland.”
USA Today

“A master of dramatic turns, but not in the conventional sense. She lets tension build slowly until something snaps. What she twists is you. . . . Lahiri shows that a twist can be even more devastating when you’ve been afraid that it might happen all along. A”
Entertainment Weekly

“A must-read. . . . Delivers Lahiri’s trademark lyrical prose woven with a fast-paced narrative and indelible characters.”
Slate

“Lahiri returns confidently to the themes that have earned her critical praise, an eager audience and a Pulitzer Prize. . . . [Here] she adds a historical dimension that creates a vital, intriguing backdrop. . . . [The] story is unique, but it’s also universal, a reminder of the past’s pull on us all.”
The Miami Herald

“Expansive and intimate. . . . Lahiri’s writing is precise and restrained. . . . Loyalty and betrayal, lies and forgiveness, filial responsibility and abandonment, the choices and sacrifices we make to find our way in the world are beautifully wrought in this novel.”
The Oregonian

“Subtle but devastating. . . . The themes of this beautifully written novel may be grand—love, ­revolution, desertion—but it’s an intimate tale that offers no easy answers.”
Parade

“The kind of book that stays with you long after you finish it. . . . Full of sharp insights about marriage and parenthood, politics and commitment.”
Pittsburgh Post-Gazette

“Delicately harrowing. . . . Lahiri has a devastatingly keen ear for the tensions and  misunderstandings endemic in our closest relationships.”
Bloomberg News

SEPTEMBER 2013 - AudioFile

The combination of a prize-winning bestselling novelist and an experienced narrator does not necessarily make for a compelling audio title. Sunil Malhotra, who is often the narrator of choice when it comes to giving voice to the Indian subcontinent, fails to bring the vigor of young boys frolicking in childhood to the listener. Perhaps his understated delivery is intended to reflect the tragedy at the core of the story, but his muted, somber tone becomes monotonous over time. While there’s no technical fault in his precise, deliberate style, the overall effect of his steady pace leaves the listener wishing for any slight change in volume or pace. M.R. © AudioFile 2013, Portland, Maine

Kirkus Reviews

★ 2013-09-01
A tale of two continents in an era of political tumult, rendered with devastating depth and clarity by the Pulitzer Prize–winning author. The narrative proceeds from the simplicity of a fairy tale into a complex novel of moral ambiguity and aftershocks, with revelations that continue through decades and generations until the very last page. It is the story of two brothers in India who are exceptionally close to each other and yet completely different. Older by 15 months, Subhash is cautious and careful, not prone to taking any risks, unlike his impetuous brother Udayan, the younger but the leader in their various escapades. Inseparable in their Calcutta boyhoods, they eventually take very different paths, with Subhash moving to America to pursue his education and an academic career in scientific research, while Udayan becomes increasingly and clandestinely involved in Indian radical militancy. "The chief task of the new party was to organize the peasantry," writes the novelist (Unaccustomed Earth, 2008, etc.). "The tactic would be guerrilla warfare. The enemy was the Indian state." The book's straightforward, declarative sentences will ultimately force the characters and the reader to find meaning in the space between them. While Udayan characteristically defies his parents by returning home with a wife he has impulsively courted rather than submitting to an arranged marriage, Subhash waits for his own life to unfold: "He wondered what woman his parents would choose for him. He wondered when it would be. Getting married would mean returning to Calcutta. In that sense he was in no hurry." Yet crisis returns him to Calcutta, and when he resumes his life in America, he has a pregnant wife and, soon, a daughter. The rest of the novel spans more than four decades in the life of this family, shaped and shaken by the events that have brought them together and tear them apart--"a family of solitaries [that]...had collided and dispersed." Though Lahiri has previously earned greater renown for her short stories, this masterful novel deserves to attract an even wider readership.

Product Details

BN ID: 2940171937690
Publisher: Penguin Random House
Publication date: 09/24/2013
Edition description: Unabridged

Read an Excerpt

Normally she stayed on the balcony, reading, or kept to an adjacent room as her brother and Udayan studied and smoked and drank cups of tea. Manash had befriended him at Calcutta University, where they were both graduate students in the physics department. Much of the time their books on the behaviors of liquids and gases would sit ignored as they talked about the repercussions of Naxalbari, and commented on the day’s events.

The discussions strayed to the insurgencies in Indochina and in Latin American countries. In the case of Cuba it wasn’t even a mass movement, Udayan pointed out. Just a small group, attacking the right targets.

All over the world students were gaining momentum, standing up to exploitative systems. It was another example of Newton’s second law of motion, he joked. Force equals mass times acceleration.

Manash was skeptical. What could they, urban students, claim to know about peasant life?

Nothing, Udayan said. We need to learn from them.

Through an open doorway she saw him. Tall but slight of build, twenty-three but looking a bit older. His clothing hung on him loosely. He wore kurtas but also European-style shirts, irreverently, the top portion unbuttoned, the bottom untucked, the sleeves rolled back past the elbow.

He sat in the room where they listened to the radio. On the bed that served as a sofa where, at night, Gauri slept. His arms were lean, his fingers too long for the small porcelain cups of tea her family served him, which he drained in just a few gulps. His hair was wavy, the brows thick, the eyes languid and dark.

His hands seemed an extension of his voice, always in motion, embellishing the things he said. Even as he argued he smiled easily. His upper teeth overlapped slightly, as if there were one too many of them. From the beginning, the attraction was there.

He never said anything to Gauri if she happened to brush by. Never glancing, never acknowledging that she was Manash’s younger sister, until the day the houseboy was out on an errand, and Manash asked Gauri if she minded making them some tea.

She could not find a tray to put the teacups on. She carried them in, nudging open the door to the room with her shoulder.
Looking up at her an instant longer than he needed to, Udayan took his cup from her hands.

The groove between his mouth and nose was deep. Clean-shaven. Still looking at her, he posed his first question.

Where do you study? he asked.

*
Because she went to Presidency, and Calcutta University was just next door, she searched for him on the quadrangle, and among the bookstalls, at the tables of the Coffee House if she went there with a group of friends. Something told her he did not go to his classes as regularly as she did. She began to watch for him from the generous balcony that wrapped around the two sides of her grandparents’ flat, overlooking the intersection where Cornwallis Street began. It became something for her to do.

Then one day she spotted him, amazed that she knew which of the hundreds of dark heads was his. He was standing on the opposite corner, buying a packet of cigarettes. Then he was crossing the street, a cotton book bag over his shoulder, glancing both ways, walking toward their flat.

She crouched below the filigree, under the clothes drying on the line, worried that he would look up and see her. Two minutes later she heard footsteps climbing the stairwell, and then the rattle of the iron knocker on the door of the flat. She heard the door being opened, the houseboy letting him in.

It was an afternoon everyone, including Manash, happened to be out, and she’d been reading, alone. She wondered if he’d turn back, given that Manash wasn’t there. Instead, a moment later, he stepped out onto the balcony.

No one else here? he asked.

She shook her head.

Will you talk to me, then?

The laundry was damp, some of her petticoats and blouses were clipped to the line. The material of the blouses was tailored to the shape of her upper torso, her breasts. He unclipped one of the blouses and put it further down the line to make room.

He did this slowly, a mild tremor in his fingers forcing him to focus more than another person might on the task. Standing beside him, she was aware of his height, the slight stoop in his shoulders, the angle at which he held his face. He struck a match against the side of a box and lit a cigarette, cupping his whole hand over his mouth when he drew the cigarette to his lips. The houseboy brought out biscuits and tea.

They overlooked the intersection, from four flights above. They stood beside one another, both of them leaning into the railing. Together they took in the stone buildings, with their decrepit grandeur, that lined the streets. Their tired columns, their crumbling cornices, their sullied shades.

Her face was supported by the discreet barrier of her hand. his arm hung over the edge, the burning cigarette was in his fingers. The sleeves of his Punjabi were rolled up, exposing the veins running from his wrist to the crook of the elbow. They were prominent, the blood in them greenish gray, like a pointed archway below the skin.

There was something elemental about so many human beings in motion at once: walking, sitting in buses and trams, pulling or being pulled along in rickshaws. One the other side of the street were a few gold and silver shops all in a row, with mirrored walls and ceilings. Always crowded with families, endlessly reflected, placing orders for wedding jewels. There was the press where they took clothes to be ironed. The store where Gauri bought her ink, her notebooks. Narrow sweet shops, where trays of confections were studded with flies.

The paanwallah sat cross-legged at one corner, under a bare bulb, spreading white lime paste on stacks of betel leaves. A traffic constable stood at the center, in his helmet, on his little box. Blowing a whistle and waving his arms. The clamor of so many motors, of so many scooters and lorries and busses and cars, filled their ears.

I like this view, he said.

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