Publishers Weekly
07/24/2023
Historian Colby (Stratified Modernism) offers an inventive account of her grandmother’s harrowing survival in a Nazi forced labor camp. In 1942, 19-year-old Irina was taken from her family in Ukraine by Nazi soldiers, brought to Germany, and forced to work at the Leica camera factory in Wetzlar. Leica cameras, Colby explains, were used by Hitler’s personal photographer as well as Nazi propagandists documenting the “depraved conditions” of the Warsaw ghetto. The factory also produced optical equipment for the military, including bombsights for planes. But the factory’s owner, Ernst Leitz II, and his daughter Elsie Kühn-Leitz clandestinely helped many Jewish employees leave the country. Kühn-Leitz also often took young women, including Irina, out of the camp by hiring them to work as maids at the family estate. Loosely interweaving the women’s stories, Colby notes that Kühn-Leitz was arrested and spent three months in a Gestapo prison, while Irina and her husband (she fell in love with and married a fellow Ukrainian at the camp) were briefly held prisoner by the invading Russian army and escaped with the help of a British soldier. Throughout, Colby lays bare her own struggle as a writer in present-day Canada grappling with a distant past, describing how her frail but feisty grandmother is more focused on watching soap operas and preparing Ukrainian delicacies for a family reunion than sharing her story. As a result, Colby must scour the internet, quiz her mother, and use her imagination to “piece together a puzzle of second-hand memories.” In so doing, she breathes new life into well-trodden WWII tropes, building a vivid, novelistic narrative focused on memory and family. Readers of WWII fiction will savor this evocative work of history. (Sept.)
From the Publisher
[Colby] breathes new life into well-trodden WWII tropes, building a vivid, novelistic narrative focused on memory and family. Readers of WWII fiction will savor this evocative work of history.” — Publishers Weekly
“The shape that this story takes, from Ukraine to Germany to Belgium to Canada, is as full and capacious as a matryoshka doll; when we open it, taking it apart, we marvel that so much can be held inside. Sasha Colby is a beautiful writer. In her hands, Irina’s complicated life story and its living legacy is explored with rich and intelligent care.” — The British Columbia Review
“In a style reminiscent of John Steinbeck, whose writing painfully exposed the soul of America’s downtrodden, The Matryoshka Memoirs similarly carries readers into the inner thoughts and feelings of heroes and villains alike, often by deliberately leaving unsaid what words can never convey.” — Winnipeg Free Press
“In The Matryoshka Memoirs, Sasha Colby draws together treasures from oral history, meticulous research, and her own imagination to tell ‘A Story of Ukrainian Forced Labour, the Leica Camera Factory, and Nazi Resistance,’ but also of three, and eventually four, generations of women whose conversations and memories range from Eastern to Western Europe, from Eastern to Western Canada, and from past horrors to the intense, loving family dynamics of recent days. The writing is vivid and lyrical, the narratives are arresting, and the women are unforgettable.” — Craig Howes, Director, Center for Biographical Research, University of Hawai'i at Manoa
“From the moment I began reading The Matryoshka Memoirs, I was transported. Colby’s memoir moves seamlessly between time and place, fact, fiction, and memory bringing us along with her as we travel from safety one moment, to terrifying circumstances the next. Evocative, poetic and at times stark and direct, Colby invites us into the intimate circle of her family, where she weaves the ordinary and the unimaginable together to create a deeply affecting work that explores a hidden history and the depth of feeling within. Through this beautifully written memoir, we are able to touch and feel the experience of one woman, one family and the countless others who have stories such as these still waiting to be told.” — Dorothy Dittrich, 2022 Governor General’s Award winner for drama
“Colby skillfully weaves together the stories of women brought together by war and its remembering and forgetting. This is both a captivating family memoir of a granddaughter coaxing stories from her grandmother and Colby's recreation of the wartime meeting of a Ukrainian forced labourer and a wealthy German woman. I picked it up and couldn't put it down.” — Tim Cole, University of Bristol, Director of the Brigstow Institute, author of Holocaust Landscapes
“This exquisitely wrought book paints a compelling picture of one woman’s journey through the labour camps of Europe in the 1940s. Woven into her story are the stories of the women of her family, from her daughter to great-granddaughter. This is a delicate, poignant, and deeply humane exploration of generational inheritance, legacy, and female survival.” — Kate Kennedy, BBC broadcaster and Associate Director, Oxford Centre for Life-writing, University of Oxford
“The Matryoshka Memoirs documents and imagines the extraordinary stories of...two young women and underscores the importance of such narratives.” — Bookworm, no. 22 by Literary Review of Canada
“The book is as artfully and beautifully written as the intricate painting and designs on a matryoshka doll.” — What Next blog
“Sasha Colby’s The Matryoshka Memoirs is a vivid, unflinching, and intimate testament to the resilience and courage of women who triumphed over the unspeakable horrors of WWII.” — Portal Magazine