The Melodramatic Thread: Spectacle and Political Culture in Modern France

by James R. Lehning

Overview

In France, both political culture and theatrical performances have drawn upon melodrama. This "melodramatic thread" helped weave the country's political life as it moved from monarchy to democracy. By examining the relationship between public ceremonies and theatrical performance, James R. Lehning sheds light on democratization in modern France. He explores the extent to which the dramatic forms were present in the public performance of political power. By concentrating on the Republic and the Revolution and on theatrical performance, Lehning affirms the importance of examining the performative aspects of French political culture for understanding the political differences that have marked France in the years since 1789.

Product Details

ISBN-13:	9780253219107
Publisher:	Indiana University Press
Publication date:	07/09/2007
Series:	Interdisciplinary Studies in History
Pages:	192
Product dimensions:	6.12(w) x 9.25(h) x (d)
Age Range:	18 Years

About the Author

James R. Lehning is Professor of History at The University of Utah and author of To Be a Citizen: The Political Culture of the Early French Third Republic and Peasant and French: Cultural Contact in Rural France during the Nineteenth Century.

Table of Contents

Contents
Acknowledgments
1. Introduction
2. Varieties of Performance in Nineteenth-Century Paris
3. Boulevard Spectacles of the Third Republic
4. Spectacles of Light and Darkness between the World Wars
5. Commercial Spectacles in Postwar Paris
6. Conclusion
Selected Bibliography
Index

What People are Saying About This

"Lehning's application of the themes of melodrama to French political culture offers new insights into French history. His style is livelyclear, and highly readable."

Wellesley College Venita Datta

Lehning's application of the themes of melodrama to French political culture offers new insights into French history. His style is livelyclear, and highly readable.

Editorial Reviews

"The analyses in this book make a real contribution to debates about the ways in which art, particularly popular art, and politics interact; how politics itself is theatrical in the French case; and the role of ritual in politics and the function of politics as ritual and ceremony.Vol. 40 No.3 2010"—John Gaffney, Aston University

"In this thoroughly researched and persuasive book, Lehning (history, Univ. of Utah) provides a fascinating reading of public performances in modern France. . . . This is an important contribution to the study of French culture and the democratization process. . . . Essential."—Choice

"Short books on large subjects are often stimulating to read and critique, and Lehning's falls into that category. Vol. 81.3 Sept. 2009"—Sarah Maza, Northwestern University

"Lehning's application of the themes of melodrama to French political culture offers new insights into French history. His style is livelyclear, and highly readable."—Venita Datta, Wellesley College

From the Publisher

The analyses in this book make a real contribution to debates about the ways in which art, particularly popular art, and politics interact; how politics itself is theatrical in the French case; and the role of ritual in politics and the function of politics as ritual and ceremony.Vol. 40 No.3 2010

Aston University - John Gaffney

Short books on large subjects are often stimulating to read and critique, and Lehning's falls into that category. Vol. 81.3 Sept. 2009

Northwestern University - Sarah Maza

In this thoroughly researched and persuasive book, Lehning (history, Univ. of Utah) provides a fascinating reading of public performances in modern France. . . . This is an important contribution to the study of French culture and the democratization process. . . . Essential.

Choice

"The analyses in this book make a real contribution to debates about the ways in which art, particularly popular art, and politics interact; how politics itself is theatrical in the French case; and the role of ritual in politics and the function of politics as ritual and ceremony." —John Gaffney, Aston University, European History Quarterly, Vol. 40 No.3 2010

— John Gaffney, Aston University

European History Quarterly

"Short books on large subjects are often stimulating to read and critique, and Lehning's falls into that category." —Sarah Maza, Northwestern University, JOURNAL OF MODERN HISTORY, Vol. 81.3 Sept. 2009

— Sarah Maza, Northwestern University

Journal of Modern History

"Lehning’s application of the themes of melodrama to French political culture offers new insights into French history. His style is livelyclear, and highly readable." —Venita Datta, Wellesley College

Wellesley College Venita Datta