Having focused on a well-born young heroine in her Newbery Honor debut novel, Catherine, Called Birdy, Cushman returns to a similar medieval English setting, this time to imagine how the other half lived. The strengths of this new, relatively brief novel match those of its predecessor: Cushman has an almost unrivaled ability to build atmosphere, and her evocation of a medieval village, if not scholarly in its authenticity, is supremely colorful and pungent. The protagonist here first appears asleep in a heap of dung; the ``rotting and moiling'' of the refuse give forth heat enough to compensate for the stench. Homeless and nameless, she can remember no time when she did not wander from village to village. She is rescued from the dung heap by a sharp-tongued local midwife, who feeds her in exchange for work. Gradually the girl forges an identity for herself and learns some timeless truths. Some of the characterizations lack consistency (particularly that of the midwife), the plot depends on a few too many conveniences and the development of the themes seems hurried-but no matter. The force of the ambience produces more than enough momentum to propel the reader from start to finish in a single happy sitting. Ages 12-up. (Mar.)
The Midwife's Apprentice
Narrated by Billie Fulford-Brown
Karen CushmanUnabridged — 2 hours, 34 minutes
The Midwife's Apprentice
Narrated by Billie Fulford-Brown
Karen CushmanUnabridged — 2 hours, 34 minutes
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Overview
A poor girl in medieval England gains a name, a purpose, and a future in this “delightful”* and beloved Newbery Medal-winning book. Now with a new cover!
* “A truly delightful introduction to a world seldom seen in children's literature.” -School Library Journal*, starred review
* “A fascinating view of a far distant time.” -Horn Book, starred review
* “Gripping.” -Kirkus, starred review
A girl known only as Brat has no family, no home, and no future until she meets Jane the Midwife and becomes her apprentice. As she helps the short-tempered Jane deliver babies, Brat-who renames herself Alyce-gains knowledge, confidence, and the courage to want something in life for the first time.*Introduction by Lois Lowry.
Editorial Reviews
Gr 6-9-With simplicity, wit, and humor, Cushman presents another tale of medieval England. Here readers follow the satisfying, literal and figurative journey of a homeless, nameless child called Brat, who might be 12 or 13-no one really knows. She wandered about in her early years, seeking food and any kind of refuge and, like many outsiders, gained a certain kind of wisdom about people and their ways. Still, life held little purpose beyond survival-until she meets the sharp-nosed, irritable local midwife, which is where this story begins. Jane takes her in, re-names her Beetle, and thinks of her as free labor and no competition. Always practical but initially timid, the girl expands in courage and self-awareness, acquiring a cat as a companion, naming herself Alyce, and gaining experience in the ways of midwifery. From the breathless delight of helping a boy to deliver twin calves, to the despair of failure during a difficult birth, to the triumph of a successful delivery, Alyce struggles to understand how she can allow herself to fail and yet have the determination to reach for her own place in the world. Alyce wins. Characters are sketched briefly but with telling, witty detail, and the very scents and sounds of the land and people's occupations fill each page as Alyce comes of age and heart. Earthy humor, the foibles of humans both high and low, and a fascinating mix of superstition and genuinely helpful herbal remedies attached to childbirth make this a truly delightful introduction to a world seldom seen in children's literature.-Sara Miller, Rye County Day School, NY
"With simplicity, wit, and humor, Cushman presents another tale of medieval England. Here readers follow the satisfying, literal and figurative journey of a homeless, nameless child called Brat. . . . Earthy humor, the foibles of humans both high and low, and a fascinating mix of superstition and genuinely helpful herbal remedies attached to childbirth make this a truly delightful introduction to a world seldom seen in children’s literature." — School Library Journal (starred review)
"This novel is about a strong, young woman in medieval England who finds her own way home. . . . Kids will be caught up in this short, fast-paced narrative about a hero who discovers that she’s not ugly or stupid or alone." — Booklist (starred review)
A gripping story about a time, place, and society that 20th-century readers can hardly fathom. — Kirkus Reviews (starred review)
"This novel is about a strong, young woman in medieval England who finds her own way home. . . . Kids will be caught up in this short, fast-paced narrative about a hero who discovers that she’s not ugly or stupid or alone."
Jenny Sterlin’s narration of this Newbery Medal-winning story of life in the Middle Ages lacks luster and substance. Sterlin’s bland vocal expression, with limited inflection or nuance, adds little to the distinctions of meaning throughout the story. Alice’s feelings about being cold, hungry and alone, and the musings that lead to her discovery of confidence and courage, are treated much the same as the plot. R.M. ©AudioFile, Portland, Maine
Product Details
| BN ID: | 2940175933322 |
|---|---|
| Publisher: | HarperCollins |
| Publication date: | 04/04/2023 |
| Edition description: | Unabridged |
Read an Excerpt
When Animal droppings and garbage and spoiled straw are piled up in a great heap, the rotting and moiling give forth heat. Usually no one gets dose enough to notice because of the stench. But the girl noticed and, on that frosty night, burrowed deep into the warm, rotting muck, heedless of the smell. In any event, the dung heap probably smelled little worse than everything else in her life—the food scraps scavenged from kitchen yards, the stables and sties she slept in when she could, and her own unwashed, unnourished, unloved, and unlovely body.
How old she was was hard to say. She was small and pale, with the frightened air of an illused child, but her scrawny, underfed body did give off a hint of woman, so perhaps she was twelve or thirteen. No one knew for sure, least of all the girl herself, who knew no home and no mother and no name but Brat and never had. Someone, she assumed, must have borne her and cared for her lest she toddle into the pond and changed her diapers when they reeked, but as long as she could remember, Brat had lived on her own by what means she could—stealing an onion here or helping with the harvest there in exchange for a night on the stable floor. She took what she could from a village and moved on before the villagers, with their rakes and sticks, drove her away. Snug cottages and warm bread and mothers who hugged their babes were beyond her imagining, but dearly would she have loved to eat a turnip without the mud of the field still on it or sleep in a barn fragrant with new hay and not the rank smell of pigs who fart when they eat too much.
Tonight she settled for the warm rotting of adung heap, where she dreamed of nothing, for she hoped for nothing and expected nothing. It was as cold and dark inside her as out in the frosty night.
Morning brought rain to ease the cold, and the kick of a boot in Brat's belly. Hunger. Brat hated the hunger most. Or was it the cold? She knew only that hunger and cold cursed her life and kept her waking and walking and working for no other reason than to stop the pain.
"Dung beetle! Dung beetle! Smelly old dung beetle sleeping in the dung."
Boys. In every village there were boys, teasing, taunting, pinching, kicking. Always they were the scrawniest or the ugliest or the dirtiest or the stupidest boys, picked on by everyone else, with no one left uglier or stupider than they but her. And so they taunted and tormented her. In every village. Always. She closed her eyes.
"Hey, boys, have off. You're mucking up the path and my new Spanish leather shoes. Away!
"And you, girl. Are you alive or dead?"
Brat opened one eye. A woman was there, a woman neither old nor young but in between. Neither fat nor thin but in between. An important looking woman, with a sharp nose and a sharp glance and a wimple starched into sharp pleats.
"Good," said the woman. "You're not dead. No need to call the bailiff to cart you off. Now out of that heap and away."
The fierce pain in her stomach made Brat bold. "Please, may I have some'ut to eat first?"
"No beggars in this village. Away."
"Please, mistress, a little to eat?"
"Those who don't work don't eat."
Brat opened her other eye to show her eagerness and energy. "I will work, mistress. I am stronger and smarter than I seem."
"Smart enough to use the heat from the dung heap, I see. What can you do?"
"Anything, mistress. And I don't eat much."
The woman's sharp nose smelled hunger, which she could use to her own greedy purpose. "Get up, then, girl. You do put me in mind of a dung beetle burrowing in that heap. Get up, Beetle, and I may yet find something for you to do."
So Brat, newly christened Beetle, got up, and the sharp lady found some work for her to do and rewarded her with dry bread and half a mug of sour ale, which tasted so sweet to the girl that she slept in the dung heap another night, hoping for more work and more bread on the morrow. And there was more work, sweeping the lady's dirt floor and washing her linen in the stream and carrying her bundles to those cottages where a new baby was expected, for the sharp lady was a midwife. Beetle soon acquired a new name, the midwife's apprentice, and a place to sleep that smelled much better than the dung heap, though it was much less warm.
Beetle liked to watch the cat stretching in the sunshine, combing his belly with his tongue, chewing the burrs and stubble out from between his toes. She never dared get dose, for she was afraid, but even from a distance could tell that there was a gleaming patch of white in the dusty orange of his fur, right below his chin; that one ear had a great bite taken out of it; and that his whiskers were cockeyed, going up on one side and down on the other, giving him a frisky, cheerful look.
Sometimes she left bits of her bread or cheese near the fence post by the river where she first saw him, but not very often, for the midwife was generous only with the work she gave Beetle and stingy with rewards, and the girl was never overfed.
Once she found a nest of baby mice who had frozen in, the cold, and she left them by the fence post for the cat. But her heart ached when she thought of the tiny hairless bodies in those strong jaws, so she buried them deep in the dung heap and left the cat to do his own hunting.
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