Table of Contents
Acknowledgements
Introduction
Tijana Mamula(John Cabot University, Rome, Italy) and Lisa Patti (Hobart and William Smith Colleges, USA)
Part 1 Theories
1 Translating the Academe: Conceptualizing the Transnational in Film and Media
Masha Salazkina (Concordia University, Canada)
2 Seven Types of Multilingualism: Or, Wim Wenders Enfilms Pina Bausch
David Gramling (University of Arizona, USA)
3 Post-anthropocentric Multilingualism in Contemporary Artists' Moving Image: An Interview with T.J. Demos
Tijana Mamula (John Cabot University, Rome, Italy)
4 Cinephilia as Multilingualism in The Artist (2011) and Blancanieves (2012)
Mary Harrod (University of Warwick, UK)
Part 2 Aesthetics
5 The Gift of Languages: Notes on Multilingualism in Experimental Cinema
Érik Bullot (École nationale supérieure d'art and The European School of Visual Arts, France)
6 Exile and the “Languages” of Color: 1960s European Cinema, Multilingualism, and Ontological Hesitation
Paul Coates (University of Western Ontario, Canada)
7 The Word in Pasolini's Cinema
Gian Piero Brunetta (University of Padova, Italy)
8 West African Francophone Cinema and the Mysteries of Language: From Ideological Struggle to Aesthetic Shudder
James S. Williams (Royal Holloway, University of London, UK)
Part 3 Histories
9 Language in Motion: The Sign Talk Films of Hugh Lenox Scott and Richard Sanderville
Brian Hochman (Georgetown University, USA)
10 Poorly Timed Campaigns: Versions, Dubbing, Subtitles
Juan Piqueras (Film critic and theorist, Spain)
11 The Multilingual New Wave
Alison Smith (University of Liverpool, UK)
12 Language and National Identity in New Tunisian Cinema: Moufida Tlatli's The Silences of the Palace (1994) and Férid Boughedir's A Summer in La Goulette (1996)
Robert Lang (University of Hartford, USA)
13 Cinema of Reindividuation and Cultural Extraterritoriality: “Chinese” Dialect Cinemas and Regional Politics
Victor Fan (King's College London, UK)
Part 4 Politics
14 Empire, Language and Nationhood: Japanese Colonial Cinema in Korea and
Manchuria
Kate Taylor-Jones (Sheffield University, UK)
15 Star Talk: Anna May Wong's Scriptural Orientalism and Poly-phonic (Dis-)play
Yiman Wang (University of California, Santa Cruz, USA)
16 Out of Many, One: The Dual Monolingualism of Contemporary Flemish Cinema
Jaap Verheul (New York University, USA)
17 Multilingualism and Indigenous Cinema in Northeast India: The Case of Kokborok Language Films
Mara Matta (University of Rome “La Sapienza,” Italy)
18 Programming Latin American Cinema in the US: An Interview with Carlos A. Gutiérrez
Lisa Patti (Hobart and William Smith Colleges, USA)
Contributors
Index
