Table of Contents
Acknowledgments
Notes on Translation
Introduction
- Overview of the Background Scene
- Outline of Approach, Key Concepts and Methodology
- Book Structure
Part One
Chapter 1, Forming Identity: An Interdisciplinary Approach
- Ethos and the Image of the Author
- Narrative and Identity Theories: Narrating the Self, an Ontological Dilemma
- Identity and Aesthetics
- Kant, Schiller, and Romantic Aesthetics
Chapter 2, The Making of Artistic Genius
- A philosophical Concept
- The Figure of Chatterton
- Coleridge’s Chatterton: A Life-long Companion
- Alfred de Vigny’s Chatterton: The Emblem of a Social Cause
Chapter 3, Goethe’s Prometheus, Rousseau’s Pygmalion, and their Progeny
- "Here sit I, forming mortals / After my image": The Promethean Artist
- Johann Wolfgang von Goethe, "Prometheus"
- Lord Byron, "Ode to Prometheus"
- Percy Bysshe Shelley, Prometheus Unbound
- Victor Hugo, "Genius," "The grieving poem weeps"
- Théophile Gautier, "On the Prometheus of Madrid"
- Pygmalion and the Ontological Status of the Work of Art
- Jean-Jacques Rousseau, Pygmalion
- Thomas Lovell Beddoes, "Pygmalion, or the Cyprian Statuary"
Part Two
Chapter 4, "Now, if I know myself, I should say, that I have no character at all"–Byron’s Mythmaking Strategies
- The Quest for a Personal Voice
- The Poet’s Physical Appearance
- The Poet as Pilgrim: Childe Harold’s Pilgrimage
- Poetic Ventriloquism: The Lament of Tasso and The Prophecy of Dante
- Byron’s Public Persona
Chapter 5, Percy Shelley and the Metaphysical Authenticity of the Poet
- Alastor
, or The Adventures of the Poetic Mind - From Aesthetic Experience to the Aesthetic Self
- Adonais
, or the Self from Without – Pivotal Moments of Self Awareness - From Poet to Poet: "To Wordsworth" and "Lines to __" ("Sonnet to Byron")
Chapter 6, Honoré de Balzac, the Napoleon of Letters
- "[L]a tête dans le ciel et les pieds sur cette terre" – Balzac’s Fictional Artists
- The Portrait of the Artist as an Old Man
- The Artist as Martyr
- Sympathetic Parody: Grotesque and Sublime Identities
Chapter 7, Théophile Gautier, Stylistic Identity and Poetic Time
- The Negation of the Self: Les Jeunes-France
- The Golden Fleece
: A Quest for Rubens’ Blonds, or How Art Spoils Reality - Autobiographic Sketches and the Poet as Shapeshifter
Conclusion, A Sociopoetical Approach to Genius
- Materialistic Representations of Genius
- The Poet’s Two Bodies
- Napoleon
- Artistic Identity as a Narrative Construct in a European Context
Works Cited and Consulted