From the Publisher
Vlautin offers a stunning, heartbreaking study of one woman’s struggle against fate and circumstance in an America that’s left her behind… This gritty page-turner sings with pitch-perfect prose, and [protagonist] Lynette’s desperation is palpable. Vlautin has achieved a brilliant synthesis of Raymond Carver and Jim Thompson.” — Publishers Weekly (starred review)
“The trick to writing a great thriller is both simple and very, very difficult: make us care about the person whose life is in jeopardy. I can’t remember the last time I worried myself sick about a fictional character the way I did about Lynette in Willy Vlautin’s terrific, big-hearted new novel The Night Always Comes. You won’t soon forget either her or the fraught world she so courageously navigates.” — Richard Russo, Author of Empire Falls and Chances Are…
“If throwing down roots in a place can change a person for the better, The Night Always Comes asks what happens to people who never get the chance to do it. Vlautin doesn't offer answers, but he does end the book on an optimistic note, suggesting hope is out there somewhere—and, in the meantime, he paints a recognizable, sometimes harrowing portrait of a city in flux.” — Williamette Week
“Willy Vlautin’s The Night Always Comes is a tear-struck revelation—both epic and timely, intimate and clear-eyed. Only Vlautin could cross the harrowing emotional richness of A Woman Under the Influence with the breakneck desperation of the greatest of film noir. Lynette will have you from the first page and put you to the test a hundred times before the last. You’ll finish knowing you’ll never forget her.” — Megan Abbott, Author of Give Me Your Hand and You Will Know Me
"Remarkable, real, and tender, The Night Always Comes is a story of America, of the disenfranchised and the still hopeful, of a world littered with artifacts and so little opportunity. Willy Vlautin's characters blaze with honesty, fighting for their slim chance at the American dream, leaving us to wonder if it was all a charade. An amazing achievement." — Rene Denfeld, Author of The Butterfly Girl and The Child Finder
“I finished reading this novel dripping with admiration for Willy Vlautin and the tough wonder he has brought forth. The Night Always Comes hits the high-water mark; there is skillful and beautiful objectivity to the writing, characters so real that when they bleed you get a few drops on your sleeve, and a story of economic want and desperation and heart.” — Daniel Woodrell, Author of Winter’s Bone and The Maid’s Version
"The story resonates, with characters we come to feel we know and dialogue that is so natural we hear it, not just read it....This is literary art that will keep readers in their seats until the last page." — Library Journal (starred review)
"He is as far reaching as he is precise. He writes hard, delicate stories about things that are true. His characters cut me so close to the bone, I feel like they peel a layer of skin off me and I walk around after reading Willy Vlautin, more vulnerable, more open than I was before. And all the tougher for it." — Kae Tempest, Author of On Connection
"The Night Always Comes is a masterclass of scope and scale - a nail-biting thriller of everyday survival. Relatable, terrifying, impassioned, and compassionate, Vlautin's latest will elevate you on one page and tear your heart out on the next. A marvelous novel that bleeds real, cuts deep, and offers just the right dose of hope." — Ivy Pochoda, Author of These Girls and Visitation Street
“Emotionally wrenching.… 'You never give up and you've got a good heart, a damaged heart, but a good heart.’ We concur, of course, and race to the end to see if good hearts can maybe, just this once, make a difference. With Vlautin, you never know for sure.” — Booklist (starred review)
“[Vlautin’s] book plays out like a modern noir take on a Tennessee Williams play, its desperate characters harboring old resentments, its hard-luck heroine settling scores throughout a long, bloody night in her hometown of Portland, Oregon…. Vlautin has written a soulful thriller for the age of soulless gentrification.” — Kirkus Reviews (starred review)
“This is a fast and worthy read that you may end up devouring in a few sittings — it's that propulsive. " — AARP
“Willy Vlautin is not known for happy endings, but there’s something here that defies the downward pull. In the end, Lynette is pure life force: fierce and canny and blazing through a city that no longer has space for her, and it’s all Portland’s loss. Read it and weep.” — Portland Monthly Magazine
“[An] unflinching, humane noir." — Vanity Fair
“Anyone who’s scrambled within the confines of poverty may relate to Lynette’s quest for agency over her own fate. With “The Night Alway Comes,” Vlautin chronicles the downfall of a city. As Lynette’s story illustrates, it’s an undoing that is deeply personal, too.” — New York Times Book Review
“The pressures of poverty give [Vlautin’s book] its vivid unpredictability… The Night Always Comes is a taut, action-packed production with a memorable protagonist who never abandons her sense of moral truth amid the Darwinian scramble for cash.” — Wall Street Journal
[Vlautin’s] best work yet…. The Night Always Comes is a rare example of art that matters… heartbreaking, but also a combative condemnation of American injustice, while also a love letter to the beleaguered working class, and still damn fun to read." — Crimereads.com
'Vlautin’s finest work to date, marrying his typical deep empathy for troubled characters with a robust and dynamic plot reminiscent of classic American noir crime fiction ... All of this is done with a prose style that sings with simple clarity, like an arrow straight at the reader’s heart. Extraordinary stuff.' — Big Issue
'[Vlautin] has particular eye for setpieces . . . his hardscrabble characters and their vanishing dreams have the tang of authenticity.' — Daily Mail (UK)
“[Vlautin] is one of the great chroniclers of working-class American life.” — The Herald Magazine (Scotland)
“The Night Always Comes is another fine entry in Willy Vlautin’s well-chiseled portraits of the working class—both men and women, sometimes youthful, sometimes hardened—and their real-life choices in search of hope. By Vlautin standards, the ending of The Night Always Comes is practically upbeat. But be forewarned, it will break your heart.” — New York Journal of Books
“The Night Always Comes is both intimately heartbreaking and cautiously hopeful, as Lynette quickly adapts to pursue a new dream, one that may or may not be as elusive as the rapidly fading American dream of homeownership.” — Bookreporter
“Vlautin’s sixth novel rewards fans of his slow, careful style in an intense story about gentrification in Portland, Ore.” — Washington Post
“At once a page-turning thriller and an insightful morality tale that examines the devastating consequences of gentrification on the working class, especially in Portland.” — The Oregonian
Williamette Week
If throwing down roots in a place can change a person for the better, The Night Always Comes asks what happens to people who never get the chance to do it. Vlautin doesn't offer answers, but he does end the book on an optimistic note, suggesting hope is out there somewhere—and, in the meantime, he paints a recognizable, sometimes harrowing portrait of a city in flux.
Megan Abbott
Willy Vlautin’s The Night Always Comes is a tear-struck revelation—both epic and timely, intimate and clear-eyed. Only Vlautin could cross the harrowing emotional richness of A Woman Under the Influence with the breakneck desperation of the greatest of film noir. Lynette will have you from the first page and put you to the test a hundred times before the last. You’ll finish knowing you’ll never forget her.
Richard Russo
The trick to writing a great thriller is both simple and very, very difficult: make us care about the person whose life is in jeopardy. I can’t remember the last time I worried myself sick about a fictional character the way I did about Lynette in Willy Vlautin’s terrific, big-hearted new novel The Night Always Comes. You won’t soon forget either her or the fraught world she so courageously navigates.
Daniel Woodrell
I finished reading this novel dripping with admiration for Willy Vlautin and the tough wonder he has brought forth. The Night Always Comes hits the high-water mark; there is skillful and beautiful objectivity to the writing, characters so real that when they bleed you get a few drops on your sleeve, and a story of economic want and desperation and heart.”
Booklist (starred review)
Emotionally wrenching.… 'You never give up and you've got a good heart, a damaged heart, but a good heart.’ We concur, of course, and race to the end to see if good hearts can maybe, just this once, make a difference. With Vlautin, you never know for sure.
Ivy Pochoda
"The Night Always Comes is a masterclass of scope and scale - a nail-biting thriller of everyday survival. Relatable, terrifying, impassioned, and compassionate, Vlautin's latest will elevate you on one page and tear your heart out on the next. A marvelous novel that bleeds real, cuts deep, and offers just the right dose of hope."
Kae Tempest
"He is as far reaching as he is precise. He writes hard, delicate stories about things that are true. His characters cut me so close to the bone, I feel like they peel a layer of skin off me and I walk around after reading Willy Vlautin, more vulnerable, more open than I was before. And all the tougher for it."
Rene Denfeld
"Remarkable, real, and tender, The Night Always Comes is a story of America, of the disenfranchised and the still hopeful, of a world littered with artifacts and so little opportunity. Willy Vlautin's characters blaze with honesty, fighting for their slim chance at the American dream, leaving us to wonder if it was all a charade. An amazing achievement."
Portland Monthly Magazine
Willy Vlautin is not known for happy endings, but there’s something here that defies the downward pull. In the end, Lynette is pure life force: fierce and canny and blazing through a city that no longer has space for her, and it’s all Portland’s loss. Read it and weep.
Crimereads.com
[Vlautin’s] best work yet…. The Night Always Comes is a rare example of art that matters… heartbreaking, but also a combative condemnation of American injustice, while also a love letter to the beleaguered working class, and still damn fun to read."
Bookreporter
The Night Always Comes is both intimately heartbreaking and cautiously hopeful, as Lynette quickly adapts to pursue a new dream, one that may or may not be as elusive as the rapidly fading American dream of homeownership.
Vanity Fair
[An] unflinching, humane noir."
New York Journal of Books
The Night Always Comes is another fine entry in Willy Vlautin’s well-chiseled portraits of the working class—both men and women, sometimes youthful, sometimes hardened—and their real-life choices in search of hope. By Vlautin standards, the ending of The Night Always Comes is practically upbeat. But be forewarned, it will break your heart.”
Big Issue
'Vlautin’s finest work to date, marrying his typical deep empathy for troubled characters with a robust and dynamic plot reminiscent of classic American noir crime fiction ... All of this is done with a prose style that sings with simple clarity, like an arrow straight at the reader’s heart. Extraordinary stuff.'
New York Times Book Review
Anyone who’s scrambled within the confines of poverty may relate to Lynette’s quest for agency over her own fate. With “The Night Alway Comes,” Vlautin chronicles the downfall of a city. As Lynette’s story illustrates, it’s an undoing that is deeply personal, too.
Washington Post
Vlautin’s sixth novel rewards fans of his slow, careful style in an intense story about gentrification in Portland, Ore.”
AARP
This is a fast and worthy read that you may end up devouring in a few sittings — it's that propulsive. "
Wall Street Journal
The pressures of poverty give [Vlautin’s book] its vivid unpredictability… The Night Always Comes is a taut, action-packed production with a memorable protagonist who never abandons her sense of moral truth amid the Darwinian scramble for cash.
Daily Mail (UK)
'[Vlautin] has particular eye for setpieces . . . his hardscrabble characters and their vanishing dreams have the tang of authenticity.'
The Herald Magazine (Scotland)
[Vlautin] is one of the great chroniclers of working-class American life.
Washington Post
Vlautin’s sixth novel rewards fans of his slow, careful style in an intense story about gentrification in Portland, Ore.”
Wall Street Journal
The pressures of poverty give [Vlautin’s book] its vivid unpredictability… The Night Always Comes is a taut, action-packed production with a memorable protagonist who never abandons her sense of moral truth amid the Darwinian scramble for cash.
Craig Johnson
Few contemporary western writers tell the truth with the unerring eye of Willy Vlautin, a literary realist whose emotionally charged characters achieve that rarest of goals in fiction—to tell a great story.
Cheryl Strayed
Willy Vlautin writes novels about people all alone in the wind. His prose is direct and complex in its simplicity, and his stories are sturdy and bighearted and full of lives so shattered they shimmer.
Barry Gifford
I love Willy Vlautin’s novels. Downbeat and plaintive as they are, the tenderness holds on like the everlasting arms…. Willy’s voice is pure and his stories universal. He never loses hope or heart and I believe every word he’s written.
Lidia Yuknavitch
No one anywhere writes as beautifully about people whose stories stay close to the dirt. Willy Vlautin is a secular—and thus real and profoundly useful—saint.
Ursula K. Le Guin on The Free
Willy Vlautin is one of the bravest novelists writing. . . . An unsentimental Steinbeck, a heartbroken Haruf, Willy Vlautin tells us who really lives now in our America, our city in ruins.
null Ursula K. Le Guin on The Free
Willy Vlautin is one of the bravest novelists writing. . . . An unsentimental Steinbeck, a heartbroken Haruf, Willy Vlautin tells us who really lives now in our America, our city in ruins.
Library Journal
11/01/2020
PEN/Faulkner finalist Vlautin, whose books sometimes end up as films (The Motel Life, Lean on Pete), introduces us to Lynette, who's working multiple jobs to earn enough for a down payment on the house she rents with her mother and developmentally disabled brother in increasingly expensive Portland, OR. She's about to sign the loan papers when her mother reneges on a promise to contribute, which sends Lynnette scrambling dangerously for the extra funds. With a 40,000-copy first printing.
