Kennet Reinhard
The publication of Alenka Zupancic's new book gives us reason to be consoled for the discussion of comedy that is missing from Aristotle's Poetics. Zupancic has written a book that presents a major new theory of comedy from a philosophical and psychoanalytic perspective: her ideas are both a contribution to the great tradition of comic discourse and a remarkably original intervention, with exceptionally powerful interpretive implications. This is the great theory of comedy that we have been waiting for, one that can make sense of Hegel and the Marx Brothers, Aristophanes and Borat. It is elegantly written, and spangled with extraordinary philosophical thinking and cultural insights.
Joan Copjec
Arguing that our current 'feel good' society has cheapened the value of comedy, Alenka Zupancic brilliantly restores the genre's subversive edgethat edge whose glint we glimpse in Brecht's insistence that 'If it's not funny, it's not true,' and in Lacan's statement, 'Communication makes you laugh.' Full of delightful surprises and profound observation, The Odd One In is itself odd in the best sense: unique, without peer.
Endorsement
The publication of Alenka Zupancic's new book gives us reason to be consoled for the discussion of comedy that is missing from Aristotle's Poetics. Zupancic has written a book that presents a major new theory of comedy from a philosophical and psychoanalytic perspective: her ideas are both a contribution to the great tradition of comic discourse and a remarkably original intervention, with exceptionally powerful interpretive implications. This is the great theory of comedy that we have been waiting for, one that can make sense of Hegel and the Marx Brothers, Aristophanes and Borat. It is elegantly written, and spangled with extraordinary philosophical thinking and cultural insights.
Kennet Reinhard, University of California, Los Angeles
From the Publisher
"Arguing that our current 'feel good' society has cheapened the value of comedy, Alenka Zupančič brilliantly restores the genre's subversive edge that edge whose glint we glimpse in Brecht's insistence that 'If it's not funny, it's not true,' and in Lacan's statement, 'Communication makes you laugh.' Full of delightful surprises and profound observation, The Odd One In is itself odd in the best sense: unique, without peer." Joan Copjec , author of Imagine There's No Woman
"The publication of Alenka Zupančič's new book gives us reason to be consoled for the discussion of comedy that is missing from Aristotle's Poetics. Zupančič has written a book that presents a major new theory of comedy from a philosophical and psychoanalytic perspective: her ideas are both a contribution to the great tradition of comic discourse and a remarkably original intervention, with exceptionally powerful interpretive implications. This is the great theory of comedy that we have been waiting for, one that can make sense of Hegel and the Marx Brothers, Aristophanes and Borat. It is elegantly written, and spangled with extraordinary philosophical thinking and cultural insights." Kenneth Reinhard , UCLA
Eric Santner
In The Gay Science, Nietzsche proclaims 'long live physics!' as the motto of his new, post-metaphysical thinking, suggesting that only the careful study of 'everything that is lawful and necessary in the world' allows for genuine creativity in the sphere of human values. It is only with Alenka Zupancic's new philosophical study of comedy, The Odd One In, that it finally becomes possible to understand Nietzsche's paradoxical claim. For as Zupancic compellingly and beautifully argues, the physics at issue here is precisely a comedic physics of the infinitethe true fröhliche Wissenschafta physics, that is, that attends to the strange carnality of human subjects who not so much fail at achieving transcendence as keep tripping over the hole in their own finitude. This shift of emphasis from the 'tragic' to the 'comic flaw' in human existence opens up a world of new possibilities for thinking about politics, religion, ethics, and everyday life.