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The Odyssey
Homer's epic poem of the Greek warrior Odysseus's long, troubled voyage home after the fall of Troy.
Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes theme discussions and study questions, which can be used both in the classroom and at home to further engage the reader in the story.
The Classics Illustrated comic book series began in 1941 with its first issue, Alexandre Dumas’s The Three Musketeers, and has since included over 200 classic tales released around the world. This new Paperback Replica edition is part of a continuing effort to make Classics Illustrated available to all, be they young readers just beginning their journeys into the great world of classic literature, or collectors who have fond memories of this much loved comic book series.
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The Odyssey
Homer's epic poem of the Greek warrior Odysseus's long, troubled voyage home after the fall of Troy.
Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes theme discussions and study questions, which can be used both in the classroom and at home to further engage the reader in the story.
The Classics Illustrated comic book series began in 1941 with its first issue, Alexandre Dumas’s The Three Musketeers, and has since included over 200 classic tales released around the world. This new Paperback Replica edition is part of a continuing effort to make Classics Illustrated available to all, be they young readers just beginning their journeys into the great world of classic literature, or collectors who have fond memories of this much loved comic book series.
Centuries old and still captivating readers, The Odyssey has become a genre in and of itself. Join Odysseus and Co. as they trick a cyclops, outsmart syrens and vie for survival against the ever-crafty creatures of Greek mythology. Told in beautiful verse, it’s time to grab an oar and help paddle this crew back home to Ithaca.
Homer's epic poem of the Greek warrior Odysseus's long, troubled voyage home after the fall of Troy.
Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes theme discussions and study questions, which can be used both in the classroom and at home to further engage the reader in the story.
The Classics Illustrated comic book series began in 1941 with its first issue, Alexandre Dumas’s The Three Musketeers, and has since included over 200 classic tales released around the world. This new Paperback Replica edition is part of a continuing effort to make Classics Illustrated available to all, be they young readers just beginning their journeys into the great world of classic literature, or collectors who have fond memories of this much loved comic book series.
"Homer" is the name given to the author or authors of the ancient Greek epic poems "Iliad" and "Odyssey", and could represent a single man who lived sometime between 800 and 900 B.C., or it could represent a group of poets who collaborated on these major works.
After his family moved from Hungary to the USA, ALEX BLUM studied at the National Academy of Design in New York. He eventually joined the Eisner-Iger shop, and in 1939, he started illustrating 'Samson' and 'Eagle' for Fox. In 1940 he illustrated 'Purple Trio', 'Neon' and 'Strange Twins' for Quality Comics. In the same year, Blum started contributing to Fiction House, illustrating 'Red Comet', 'Kaanga', 'Midnight' and 'Greasemonkey Griffin' among others. He was presumably also the artist behind the pseudonym Armand Budd, that also drew for Fiction House.Alex Blum was a top artist for the Classics Illustrated series from the early issues. He illustrated over 25 Classics and stood out for his use of theatrical dramatics, which is probably why he illustrated three of the five Shakespeare Classics. Alex Anthony Blum retired in 1961 and died in 1969.
Harley M. Griffiths was an American comic book artist during the 1940s and 50s. He was one of the earlier illustrators for Gilberton's Classics Illustrated series, and drew several titles for that line.
Tell me, Muse, the story of that resourceful man who was driven to wander far and wide after he had sacked the holy citadel of Troy. He saw the cities of many people and he learnt their ways. He suffered great anguish on the high seas in his struggles to preserve his life and bring his comrades home. But he failed to save those comrades, in spite of all his efforts. It was their own transgression that brought them to their doom, for in their folly they devoured the oxen of Hyperion the Sun-god and he saw to it that they would never return. Tell us this story, goddess daughter of Zeus, beginning at whatever point you will.
All the survivors of the war had reached their homes by now and so put the perils of battle and the sea behind them. Odysseus alone was prevented from returning to the home and wife he yearned for by that powerful goddess, the Nymph Calypso, who longed for him to marry her, and kept him in her vaulted cave. Not even when the rolling seasons brought in the year which the gods had chosen for his homecoming to Ithaca was he clear of his troubles and safe among his friends. Yet all the gods pitied him, except Poseidon, who pursued the heroic Odysseus with relentless malice till the day when he reached his own country.
Poseidon, however, was now gone on a visit to the distant Ethiopians, in the most remote part of the world, half of whom live where the Sun goes down, and half where he rises. He had gone to accept a sacrifice of bulls and rams, and there he sat and enjoyed the pleasures of the feast. Meanwhile the rest of the gods had assembled in the palace of Olympian Zeus, and the Father of men and gods opened a discussion among them. He had been thinking of the handsome Aegisthus, whom Agamemnon’s far-famed son Orestes killed; and it was with Aegisthus in his mind that Zeus now addressed the immortals:
‘What a lamentable thing it is that men should blame the gods and regard us as the source of their troubles, when it is their own transgressions which bring them suffering that was not their destiny. Consider Aegisthus: it was not his destiny to steal Agamemnon’s wife and murder her husband when he came home. He knew the result would be utter disaster, since we ourselves had sent Hermes, the keen-eyed Giant-slayer, to warn him neither to kill the man nor to court his wife. For Orestes, as Hermes told him, was bound to avenge Agamemnon as soon as he grew up and thought with longing of his home. Yet with all his friendly counsel Hermes failed to dissuade him. And now Aegisthus has paid the final price for all his sins.’
Edward McCrorie's translation of the Odyssey answers the demands of movement and accuracy in a rendition of the poem. His verse line is brisk and efficient, often captures the rhythm and the sound of the Greek, and functions well as an English equivalent of the Greek hexameter. Unlike most translators, he wishes to preserve at least some of the sound of the Greek, and his rendition of the formula glaukôpis Athene as glow-eyed Athene is inspired. He remains true to the formulae of Homeric verse, and several of his choices—such as rose-fingered daylight or words had a feathery swiftness—delight. Homer, Zeus-like, would have nodded his approval.
Keith Stanley
This is a fine, fast-moving version of the liveliest epic of classical antiquity. With a bracing economy, accuracy, and poetic control, Edward McCrorie conveys the freshness and challenge of the original in clear, sensitive, and direct language. Instead of the uncertain solemnity of some previous translations or the free re-creation of others, McCrorie has managed a version that will have immediate appeal to this generation of students and general readers alike.
From the Publisher
This is a fine, fast-moving version of the liveliest epic of classical antiquity. With a bracing economy, accuracy, and poetic control, Edward McCrorie conveys the freshness and challenge of the original in clear, sensitive, and direct language. Instead of the uncertain solemnity of some previous translations or the free re-creation of others, McCrorie has managed a version that will have immediate appeal to this generation of students and general readers alike. —Keith Stanley, Duke University, author of The Shield of Homer
Edward McCrorie's translation of the Odyssey answers the demands of movement and accuracy in a rendition of the poem. His verse line is brisk and efficient, often captures the rhythm and the sound of the Greek, and functions well as an English equivalent of the Greek hexameter. Unlike most translators, he wishes to preserve at least some of the sound of the Greek, and his rendition of the formula glaukôpis Athene as glow-eyed Athene is inspired. He remains true to the formulae of Homeric verse, and several of his choices—such as rose-fingered daylight or words had a feathery swiftness—delight. Homer, Zeus-like, would have nodded his approval. —William F. Wyatt, Jr., Brown University
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