The Old Religion: A Novel
“Mamet’s intellectual rigor is evident on every page. There is not a wasted word” in this novel based on the wrongful murder conviction of a Jewish man (Time Out).
 
In 1913, a young woman was found murdered in the National Pencil Factory in Atlanta. The investigation focused on the Jewish manager of the factory, Leo Frank, who was subsequently forced to stand trial for the crime he didn’t commit and railroaded to a life sentence in prison. Shortly after being incarcerated, he was abducted from his cell and lynched in front of a gleeful mob.
 
In vividly re-imagining these horrifying events, Pulitzer Prize–winning author David Mamet inhabits the consciousness of the condemned man to create a novel whose every word seethes with anger over prejudice and injustice. The Old Religion is infused with the dynamic force and the remarkable ear that have made David Mamet one of the most acclaimed voices of our time. It stands beside To Kill a Mockingbird as a powerful exploration of justice, racism, and the “rush to judgment.”
 
“Mamet’s philosophical intensity, concision, and unpredictable narrative strategies are at their full power.” —The Washington Post
 
“In this historical novel, playwright, filmmaker, and novelist Mamet presents disturbing cameos of Jewish uncertainty in a Christian world.” —Library Journal
 
“The horror of the story is beautifully countered by the unusual grace of Mamet’s prose.” —The Irish Times
1003277790
The Old Religion: A Novel
“Mamet’s intellectual rigor is evident on every page. There is not a wasted word” in this novel based on the wrongful murder conviction of a Jewish man (Time Out).
 
In 1913, a young woman was found murdered in the National Pencil Factory in Atlanta. The investigation focused on the Jewish manager of the factory, Leo Frank, who was subsequently forced to stand trial for the crime he didn’t commit and railroaded to a life sentence in prison. Shortly after being incarcerated, he was abducted from his cell and lynched in front of a gleeful mob.
 
In vividly re-imagining these horrifying events, Pulitzer Prize–winning author David Mamet inhabits the consciousness of the condemned man to create a novel whose every word seethes with anger over prejudice and injustice. The Old Religion is infused with the dynamic force and the remarkable ear that have made David Mamet one of the most acclaimed voices of our time. It stands beside To Kill a Mockingbird as a powerful exploration of justice, racism, and the “rush to judgment.”
 
“Mamet’s philosophical intensity, concision, and unpredictable narrative strategies are at their full power.” —The Washington Post
 
“In this historical novel, playwright, filmmaker, and novelist Mamet presents disturbing cameos of Jewish uncertainty in a Christian world.” —Library Journal
 
“The horror of the story is beautifully countered by the unusual grace of Mamet’s prose.” —The Irish Times
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The Old Religion: A Novel

The Old Religion: A Novel

by David Mamet
The Old Religion: A Novel

The Old Religion: A Novel

by David Mamet

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Overview

“Mamet’s intellectual rigor is evident on every page. There is not a wasted word” in this novel based on the wrongful murder conviction of a Jewish man (Time Out).
 
In 1913, a young woman was found murdered in the National Pencil Factory in Atlanta. The investigation focused on the Jewish manager of the factory, Leo Frank, who was subsequently forced to stand trial for the crime he didn’t commit and railroaded to a life sentence in prison. Shortly after being incarcerated, he was abducted from his cell and lynched in front of a gleeful mob.
 
In vividly re-imagining these horrifying events, Pulitzer Prize–winning author David Mamet inhabits the consciousness of the condemned man to create a novel whose every word seethes with anger over prejudice and injustice. The Old Religion is infused with the dynamic force and the remarkable ear that have made David Mamet one of the most acclaimed voices of our time. It stands beside To Kill a Mockingbird as a powerful exploration of justice, racism, and the “rush to judgment.”
 
“Mamet’s philosophical intensity, concision, and unpredictable narrative strategies are at their full power.” —The Washington Post
 
“In this historical novel, playwright, filmmaker, and novelist Mamet presents disturbing cameos of Jewish uncertainty in a Christian world.” —Library Journal
 
“The horror of the story is beautifully countered by the unusual grace of Mamet’s prose.” —The Irish Times

Product Details

ISBN-13: 9781590209660
Publisher: ABRAMS, Inc.
Publication date: 05/15/2019
Sold by: Barnes & Noble
Format: eBook
Pages: 194
Sales rank: 802,503
File size: 702 KB
Age Range: 18 Years

About the Author

David Mamet's Glengarry Glen Ross won the Pulitzer Prize for drama in 1984. He is also the author of Writing in Restaurants and On Directing Film.

Read an Excerpt

CHAPTER 1

Preparing for the trip to Morris's house

The newspaper lined a bandbox. He opened he bandbox to get a fresh shirt collar. He wondered, as he often did, at the appearance of the newspaper. It had been glued into he sides and bottom of the box, and the date showed April 10, 1868. But the newsprint had not yellowed. "Obviously the glue is a preservative," he thought.

"We might think what there is in the glue to preserve the clarity, and, so, arrive at a new process, or, at a new application of an existing operation to lengthen the life of newsprint." He smiled.

"But is not longevity in opposition to its very nature, which is temporareity? And if we had begun with newsprint which resisted time, would it not be an advancement if, by extraction of the preservative glue, the cost of difficulty of manufacture could decrease? If some man," he thought, "recognized one day it was Not necessary for the print to retain clarity beyond the one day, and, so doing, reformed the industry ...?

"Yes," he thought. "Yes. You could take it either the one way or the other. And either would be as astounding."

The newsprint advertised, along the fold where the box's sides and bottom met, a meeting to petition Isabella, the queen of Spain, for the release of Edgardo Mortara.

"Restore the Child to its Rightful Parents ...," the print read. It was a sheet of the Brooklyn Eagle, and had been glued into the box by someone in his wife's family, back in those days.

Edgardo Mortara was a Jewish child. He'd fallen ill and was believed near death.

One day, in his parents' absence, his Catholic nurse took him from the house and had him baptized, to save his soul. The child was kidnapped by the state — taken from his parents' home. No diplomatic or religious pressure was sufficient to induce the government of Spain or the Catholic church to give the child back.

Frank looked down at the clipping and thought of the discussions, the endless and not unenjoyable discussions, he and his fellow Jews had had about the outrage.

The bandbox held his collars and, in a soft morocco purse, his collar studs. He fitted the collar into his clean shirt and stepped to the mirror to tie his tie.

"Yes, you look nice," his wife said.

He nodded, and they continued to prepare for the ritual trip to Morris's house.

CHAPTER 2

Morris tells a story about Southern Jews

Morris spoke: "... you see, with the placards of the Klan and the announcements — do you see, they put it in the local paper: 'Jews and Catholics. You are not required. Leave now or be eliminated."

"Well, in Belton, Renston, that area, now, they're dragging people from their homes. Some priest ..." He coughed.

He leaned forward and took a sip of the cordial.

"D'you get these glasses from?" he said.

"Aunt Claire,' Frank said.

"Gave 'em to you ...?"

"Certainly did."

He admired the small, etched glass, and turned it to the light, and raised it to examine the base.

"Bavaria," he read. He sighed and leaned back into the davenport, resting his left arm out along its high wooden frame.

"... Bavaria," he said, softly, to himself, content that it meant nothing, content to be the head of the family, to be a man, happy with his friends, relaxed and full of a good dinner, and to be serious in the way people are when the subject is arguably more personal than gossip but devoid of any real threat — who are entertained by those best of entertainments, which go by the name of serious business.

"I don't begrudge him," Frank thought. "He is, upon balance, fair, and no more pompous than I would be in his situation — than I, in all probability, am now.

"If we prize substance, then he, as a substantial man, is worthy of admiration.

"And, by God, given time, and with a little help, I might accomplish as much as he."

"The Ku Klux Klan," Morris began again.

"... But, finally, who does he think he is?" Frank thought.

"The Ku Klux Klan. Which of us is immune?" Morris said.

"For all the world like bugbear stories around a campfire," Frank thought.

"And don't we sit here with our eyes wide like ten-year-old children — thrilled to be frightened?"

Mayra came back into the room, and behind her, Frank saw the colored maid, who, it was obvious, had just been receiving some timely instructions from her.

Mayra stood in the doorway and looked out on her husband as he continued. She looked down over her family, so still, listening to Morris go on.

She settled herself into the chair by the door. Slowly, in the rhythm of his speech, sinking down. Her husband, his eyes in a sweep of the assemblage, caught her eye and nodded, as if to a prized lieutenant.

"... and so Weiss ...," he said.

One of the children ran through the hall on some errand, and her mother reached out of the parlor and drew her in and whispered to her.

"... stayed at his home. Three days. And waited the ax blow."

One of the men nodded, and expelled the cigar smoke.

"... in all anxiety. His store. His home."

"His savings ...," one cousin said.

"Well, exactly," Morris said. "Exactly," granting the man's intrusion grandly.

"His wife and family. Afraid to venture to the store. The store shuttered. The help ... I don't know if the household help came in, those days. They did not say. I do know they were bound to the house. The family. And whomever was there.

"What fantasies," he said, as he took up the main theme again, "must not have formed in his mind? Of flight ... of opposition ... What was he to do? I don't believe he even had a shotgun in the house. In fact, I'm sure he didn't."

The men in the room nodded.

"Of flight, then? Abandoning everything? And how to flee? If the Klan ruled the roads? And could they go cross-country? Now. What did that leave?"

"The railroad," a young boy suggested.

The adults looked at him.

"No, No. That's right," Morris said. "That left the railroad. And they packed those few things they thought they could carry without attracting undue attention — as casual travelers might carry. And they planned to walk out, on Saturday evening, as if for a stroll, do you see, to the depot. Timing their walk to coincide with the departure — mind you, not the arrival, but the departure — of the nine-eighteen to Corinth.

"For they would not want to appear and to board the train, only to have the Klan board after them, and drag them from it. How terrible that would be — so close to freedom ..."

He looked down at the cordial glass on the table before him. He reached forward and pushed it gently, by the base, so gently forward three inches.

"They took a baby carriage," he said. "Scheming to save those few things it would hold. A wicker baby carriage filled with the silver, this photograph or that, I don't know, papers ...

"And, at the time they set off ...

"All over the town: posters. 'The Knights of the Ku Klux Klan vow death upon the Scourge of Mankind, the Catholic and the Jew. And will eliminate them from our Midst, and stand, like the fiery ever-turning Sword ...'"

"Well, I think that the State Militia should have come," a young cousin said. "And yes, and yes, 'Who is the State Militia,' but it seems to me ..."

"It seems to you what?" Morris said. "It seems to you what? What does it seem to you?" He smiled.

"What happened to them?" one of the women said, and the group rustled and settled themselves again toward Morris.

"Well, I'm going to tell you," he said. "They set out, walking down to the depot. Thinking at any moment to receive a bullet in the head, a rifle butt to the face, a shout which said, 'There are the Jews!'

"To be dragged into an alley; into the town square. And they walked on. Past the store. They glanced at it, 'Weiss's Dry Goods.'

"The store they had built from nothing: his father a peddler, a pack on his back.

"And now Weiss. A pillar of the town. Who has a cause? A donation required, a ..."

The men nodded. Businessmen.

"... a gift of ... a bolt of cloth. The uniforms ..."

"That's right," one of the cousins said.

"... for the ball teams. For the band. Community work, call it what you will. Who do they come to? A part of the town for the years, fifty years, that they had been there. 'Weiss. Dry Goods.' And here is the town. Risen against them, and one shout for blood, and their bodies swinging in the wind. As they walked past the store.

"And you can imagine his bitterness — to pass the store, knowing at any moment and inevitably it will be broken into, plundered. Burnt, no doubt. A shell. And what were two generations of his family's life?

"They heard the whistle of the train, come into the town. As they walked on now.

"They walked on. They crossed the square. There was the Klan, down the Main Street. There was a rally, and they'd thrown up a small platform, and there they were, in the Robes of the Inquisition were up there, haranguing the crowd. Thirty, fifty men now, in their white robes, and the crowd of the townspeople.

"Well. They are committed. And they proceed to the train. What was that out of the side of his eye? Does Weiss see one of the Klansmen turn and spy him? Yes. No. What?

"On they walk. Do you see the pathetic procession? Man and wife. And three children, and a baby carriage, in which is all they have salvaged of their life.

"There is the depot. And there is the train. And people boarding. And there is the conductor, that's right, checking his watch. Looks up the line, looks back; and is about to wave the brakeman to pull out. As the family comes up, comes up to the train, hurrying now: 'Get on board.' Weiss has his family board — he will go last, taking the baby carriage, and can still hear, do you see, the speaker and the crowd but one street over. 'Cleanse our Land in Blood. ... Death to the vermin ... Death to those who bring death. ... Death to the Jews. ...'

"About to board the train. 'Praise God I have gotten my family away from this.'

"When there is a hand on his shoulder. And he turns to see three of the hooded men."

The colored girl was coming in with a new pot of coffee. Mayra, seated near the kitchen, put her hand out to stay her.

"... And Weiss turned to see the three men."

"'Where are you going?' the one says.

"Can he make his voice out? Does Weiss recognize him? Does he care? Does it matter at this point? Some townsman. A customer, certainly. At this point does it matter?

"'Where are you going?' And the second man, who held a torch, passed the torch to the third and motions up at the conductor, and points up at Weiss's family, who are aboard the train, and motions the conductor to remove them from the train. And he does.

"The train starts to leave. Starts to pull out. The conductor, looking back, shakes his head and mounts the train.

"Weiss and his family standing on the empty platform. The train pulling out.

"'Where did you think you're going?'

"'Sir,' Weiss says. 'Sir ... the signs said that the Jews ... the Jews were to leave the town. ...'

"The man came forward and stood inches from him. 'Lord, Mr. Weiss,' he said, 'not you. You're our Jew. ...'"

The room erupted in laughter. The one cousin barked. Frank's wife slapped her thighs and looked at her sister Mayra, who was already removing her handkerchief and screwing up her face for tears. Frank shook his head and chuckled. Morris looked at him.

"... our Jew," Morris said, and shook his head, and nodded to the girl in the kitchen to say, "Yes. Now." And she came forward with the Passover tray.

CHAPTER 3

The Seder plate

There was the fellow with the gun — an old matchlock, or wheel lock, misdrawn, for what would the Jews know about guns: nothing but to look away.

Nonetheless, there he was, pictured on the plate, around him, in Hebrew, the words Matzoh, Maror, Karpas, the ritual foods of the Passover seder, and, by each word, a small depression in the plate. And in the center, once again, the chap, as he thought of him, holding his rifle.

"What a medieval scene," he thought, "Wouldn't one expect a man in that attire to hold a crossbow ...?" For the chap wore a jerkin and what seemed to be a conical fur hat. He was caught in a resolute, misdrawn attempt to depict stealth, and there, beyond him, looking back, was the rabbit.

"Even I," Frank said to the man from New York, "even I, in my ignorance and sloth, know that it cannot be 'kosher' for a Jew to hunt."

He pronounced the word "kosher" gingerly, as if to say, I don't disclaim that I have heard it, but I do not wish to say it freely, as to arrogate it to myself on the mere precedent of blood.

I don't mean to disclaim it, but neither do I, for good or ill, wish to suggest a greater than accidental liaison between myself and that tradition.

"This is a very rare piece, I believe," the other man said, "and I'll explain it to you. You are most correct to state it is non-kosher — for we are enjoined against the shedding of blood other than quickly, painlessly, with respect, and by a man trained ritually and practically to ensure his competence, if I may. So, you are correct. That hunting is not kosher?"

"Nor the hare," Morris said.

"The hare, no," the man from New York said, "although the rabbit is."

"What is the difference," Frank said, "between the rabbit and the hare?"

The man from New York began his response, and Frank thought, "I hate myself. Who am I trying to impress, or what accomplish, by that 'Jewish' flight of interrogation? God forgive me. No. And what do I care ...?"

"... while the hare," the man continued, "is another species.

Beyond that I cannot say."

"Which brings up," Morris said, "the rationality of the proscription."

"Yes, it might," the other man said. "Yes. It might."

There was a pause.

"... the hare," Frank said.

"... and there was a discussion," the New York man said, "at one time, about various animals. The various animals. Why fish, for example, should be parve, or 'neutral,' if you will, while chickens should be classed as flesh."

"I find this ludicrous," Frank thought. "Why do I pretend?"

"... and the Rabbis," the man said, "in the Talmud, discoursed on the goose, as there had been an observation, at one point, by travelers to some distant land, of geese, it was said, nesting in trees, and so they undertook to discuss if the goose could be classed as a fruit." The man smiled slightly.

"Distant from where?" Frank said.

"Distant from where ...?" The man sought to connect the question to the discussion. Then he nodded. "Babylon. Palestine, it would be, as it is in the Talmud, that the travelers would have been distant from. Which is in the present day Mesopotamia and in that day was Babylon, and in that year, where would they have traveled to," he mused, "to see a goose in trees?"

"I loathe this man," Frank thought.

"I hate the whole tradition. An amusement of slaves — calls itself philosophy. They might as well have chosen the advert on a pack of cigarettes and studied it four thousand years." He looked down.

"'Costliest and most rare of tobaccos. Custom blended, selected, and cured for your smoking delight — a cigarette of distinction.'

"How many times could we find the letter c in here?" he questioned himself. "And what might that reveal to us of the workings of the world?"

"This idiot country," he thought.

"Though, on the other hand, what might it mean that the letter c ..."

"... the rules of ... that land from which they came," the New York man droned on.

"... and how many times, in the course of the day, do we jerk, if I may, convulsively, and call it 'reason'?" Frank thought.

"But to give up hunting?" Morris said. "That is steep."

The other man shrugged.

"All right, then," Morris said. "Why is the fellow on the plate permitted?"

The other raised one finger. Frank was filled with disgust.

"Like a cartoon I saw," he thought. "Judge on the bench. Old Jew in the dock. Judge says, 'If you were so innocent, why did you not explain yourself to the arresting officer?' Old Jew shrugs. 'I was hendcufft.'"

"Yahknehaz," the visitor said. "An acronym, or mnemonic of the component parts of the Seder. 'Y.K.N.H.Z.' Letters, in Russian, each symbolizing one portion of the order — in Hebrew, the Seder — of the ritual meal.

"Yahknehaz. I put it to you, a German speaker, does it not resemble Jagd den Hase — the Hunting of the Hare? It does, I say. It does.

"And I say it is ingenious to translate the mnemonic not once but twice — don't you think? Who could forget it?" He turned to address the table.

"And I assure you," he said, "having heard it once, you will never forget it till the day you die." He raised his finger. "And that was the most excellent genius of the Rabbis."

CHAPTER 4

Discussion of the Mortara case

Life at the lake, of course, was easier.

It was, in its own particular way, more formal than the life in town. There was more of what he had come to think of as "social intercourse," which differed completely from the urban "visiting."

Most nights of the week the wives would sit out on one another's verandas, or gather at the hotel porch. And Saturday night — Sunday was "Family Night," sacrosanct to the reunion with the Husband up from Town — Saturday night and Sunday afternoons were given to the round of formal "Stoppings By," a round of dinners, breakfasts, parties, and teas offered and returned.

(Continues…)


Excerpted from "The Old Religion"
by .
Copyright © 1997 David Mamet.
Excerpted by permission of Abrams Books.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

by the same author,
Copyright,
Preparing for the trip to Morris's house,
Morris tells a story about Southern Jews,
The Seder plate,
Discussion of the Mortara case,
Thoughts about advertising. "Wells Fargo Never Forgets",
At the lake. Morris does card tricks,
The backyard at night,
The heavy woolen jacket,
The Confederate flag,
The new couch,
That Saturday,
The Coffee Corner,
The watch,
The factory,
The paper clip,
The power of advertising,
The end of the day,
The trial,
Memory,
Waiting for his attorney,
The prosecutor,
Jim,
The trial progresses,
Testimony,
His wife,
Photographs,
Examination,
The end of the trial,
Taken to prison,
The tea,
The work clothes,
The food,
His books,
The Rabbi,
A skill,
The Hebrew language,
Shalat,
A different religion,
Americus,
Visiting day,
Songs,
The dot,
Punishment,
Gematria,
Palestine,
His vision,
The library,
The hospital,
The scar,
The ride,
Acknowledgments,

What People are Saying About This

Alan Dershowitz

Only David Mamet could take us on this mesmerizing journey and inside the mind of a Southern Jew falsely accused of murder, and produce a masterpiece of imaginative philosophy, religion, and psychology. This is one journey that you will never forget.

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