Table of Contents
Introduction, Lisa RodenskyBeginnings.The Early Nineteenth-Century English Novel, 1820-1836, Peter GarsideNew Histories of English Literature and the Rise of the Novel, 1835-1859, William McKelvyGenre, Criticism and the Early Victorian Novel, Rebecca Edwards NewmanPublishing, Reading, Reviewing, Quoting, Censoring.Publishing the Victorian Novel, Rachel Sagner BuurmaThe Victorian Novel and Its Readers, Debra GettelmanThe Victorian Novel and the Reviews, Solveig C. RobinsonThe Victorian Novel and the OED, Lynda MugglestoneThe Novel and Censorship in Late-Victorian England, BarbaraLeckieThe Victorian Novel Elsewhere.Victorian Novels in France, Marie-Francoise CachinVictorian Literature and Russian Culture: Translation, Reception, Influence, Affinity, Julie BucklerThe Victorian Novel and America, Amanda ClaybaughColonial India and Victorian Storytelling, Margery SabinTechnologies: Communication, Travel, VisualThe Victorian Novel and Communication Networks, Richard MenkeTechnologies of Travel and the Victorian Novel, Alison ByerlyVictorian Photography and the Novel, Jennifer Green-LewisThe Middle.Novels of the 1860s, Janice CarlisleCommerce, Work, Professions.Industrialism and the Victorian Novel, Evan HorwitzThe Protestant Ethic and the Spirit of Money: Max Weber, Silas Marner, and the Victorian Novel, George LevineThe Novel and the Professions, Jennifer RuthGentleman's Latin, Lady's Greek, Kenneth HaynesThe Novel and Other Disciplines.The Victorian Novel and Science, Jonathan SmithThe Victorian Novel and Medicine, Meegan KennedyNaturalizing the Mind in the Victorian Novel: Consciousness in Wilkie Collins's Poor Miss Finch and Thomas Hardy's Woodlanders Two Case Studies, Suzy AngerThe Victorian Novel and the Law, Jan-Melissa SchrammThe Novel and Religion: Catholicism and Victorian Women's Novels, Patrick R. O'MalleyThe Victorian Novel and Horticulture, Lynn VoskuilThe Victorian Novel and Theater, Emily AllenPoetry and Criticism.Verse Versus the Novel, James NajarianPoetic Allusion and the Novel, Philip HorneThe Novelist as Critic, Christopher RicksDistinguishing the Victorian Novel.The Moral Scope of the English Bildungsroman, Julia Prewitt BrownThree Matters of Style, Mark LambertEndings.The Novel, its Critics, and the University: A New Beginning?, Anna VaninskayaThe Victorian Novel and the New Woman, Talia SchafferThe Last Victorian NovelSlapstick Noir: The Secret Agent Works the Victorian Novel, Rosemarie BodenheimerThe Quest of the Silver Fleece, by W. E. B. Du Bois, Daniel Hack