The Pedagogy of Adaptation
From All Quiet on the Western Front and Gone with the Wind to No Country for Old Men and Slumdog Millionaire, many of the most memorable films have been adapted from other sources. And while courses on film studies are taught throughout the world, The Pedagogy of Adaptation makes a strong case for treating adaptation studies as a separate discipline. What makes this book unique is its claim that adaptation is above all a creative process and not simply a slavish imitation or reproduction of an 'original.'

This collection of essays focuses on numerous contexts to emphasize why adaptations matter to students of literature. It is the first such volume devoted exclusively to teaching adaptations from a practical, teacher-centered angle. Many of the essays show how 'adaptation' as a discipline can be used to prompt reflection on cultural, historical, and political differences. Written by specialists in a variety of fields, ranging from film, radio, theater, and even language studies, the book adopts a pluralistic view of adaptation, showing how its processes vary across different contexts and in different disciplines.

Defining new horizons for the teaching of adaptation studies, these essays draw on such disparate sources as Frankenstein, Moby Dick, and South Park. This volume not only provides a resource-book of lesson plans but offers valuable pointers as to why teaching literature and film can help develop students' skills and improve their literacy.
1100312148
The Pedagogy of Adaptation
From All Quiet on the Western Front and Gone with the Wind to No Country for Old Men and Slumdog Millionaire, many of the most memorable films have been adapted from other sources. And while courses on film studies are taught throughout the world, The Pedagogy of Adaptation makes a strong case for treating adaptation studies as a separate discipline. What makes this book unique is its claim that adaptation is above all a creative process and not simply a slavish imitation or reproduction of an 'original.'

This collection of essays focuses on numerous contexts to emphasize why adaptations matter to students of literature. It is the first such volume devoted exclusively to teaching adaptations from a practical, teacher-centered angle. Many of the essays show how 'adaptation' as a discipline can be used to prompt reflection on cultural, historical, and political differences. Written by specialists in a variety of fields, ranging from film, radio, theater, and even language studies, the book adopts a pluralistic view of adaptation, showing how its processes vary across different contexts and in different disciplines.

Defining new horizons for the teaching of adaptation studies, these essays draw on such disparate sources as Frankenstein, Moby Dick, and South Park. This volume not only provides a resource-book of lesson plans but offers valuable pointers as to why teaching literature and film can help develop students' skills and improve their literacy.
76.0 In Stock

Paperback

$76.00 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

From All Quiet on the Western Front and Gone with the Wind to No Country for Old Men and Slumdog Millionaire, many of the most memorable films have been adapted from other sources. And while courses on film studies are taught throughout the world, The Pedagogy of Adaptation makes a strong case for treating adaptation studies as a separate discipline. What makes this book unique is its claim that adaptation is above all a creative process and not simply a slavish imitation or reproduction of an 'original.'

This collection of essays focuses on numerous contexts to emphasize why adaptations matter to students of literature. It is the first such volume devoted exclusively to teaching adaptations from a practical, teacher-centered angle. Many of the essays show how 'adaptation' as a discipline can be used to prompt reflection on cultural, historical, and political differences. Written by specialists in a variety of fields, ranging from film, radio, theater, and even language studies, the book adopts a pluralistic view of adaptation, showing how its processes vary across different contexts and in different disciplines.

Defining new horizons for the teaching of adaptation studies, these essays draw on such disparate sources as Frankenstein, Moby Dick, and South Park. This volume not only provides a resource-book of lesson plans but offers valuable pointers as to why teaching literature and film can help develop students' skills and improve their literacy.

Product Details

ISBN-13: 9780810872967
Publisher: Rowman & Littlefield Publishers, Inc.
Publication date: 02/23/2010
Pages: 204
Product dimensions: 5.90(w) x 8.90(h) x 0.70(d)
Age Range: 18 Years

About the Author

Dennis Cutchins is associate professor of English at Brigham Young University, where he teaches adaptation studies, as well as American and western literature.

Laurence Raw teaches at Baskent University. He is the author of Adapting Henry James to the Screen (2006), Adapting Nathaniel Hawthorne to the Screen (2008), and The Ridley Scott Encyclopedia (2009), all published by Scarecrow Press.

James M. Welsh is professor emeritus of English at Salisbury University. He is the coeditor of The Literature/Film Reader (2007) and No Country for Old Men: From Novel to Film (2009), both published by Scarecrow Press.

Table of Contents

Foreword John C. Tibbetts vii

Introduction Dennis Cutchins Laurence Raw James M. Welsh xi

1 How to Teach Film Adaptations, and Why Thomas Leitch 1

2 Frankenstein's Monstrous Influences: Investigating Film Adaptations in Secondary Schools Nathan Phillips 21

3 Adapting Composition, Arguing Adaptation: Using Adaptation in the Composition Classroom Natalie Jones Loper 35

4 A Monster Course and a Course of Monsters Anna Bennion 53

5 Oh My God, They Killed Socrates! Teaching Aristophanes via South Park Katrina Bondari 63

6 Sighting the Whale and "The Rights of Man": Teaching with Film Adaptations of the Novels of Herman Melville Robert McParland 75

7 Why Adaptations Matter to Your Literature Students Dennis Cutchins 87

8 Adaptability: Questioning and Teaching Fidelity James M. Welsh 97

9 Teaching Adaptation via Intertextuality: The Stepford Wives, Postfeminism, and Avant-Garde Cinema Walter Metz 109

10 Life without a Primary Text: The Hydra in Adaptation Studies Jennifer M. Jeffers 123

11 Teaching Adaptation, Adapting Teaching, and Ghosts of Fidelity Peter Clandfield 139

Filmography 157

Bibliography 161

Index 173

About the Editors and Contributors 181

From the B&N Reads Blog

Customer Reviews