Publishers Weekly
★ 03/22/2021
This profile of Jewish artist and activist Ben Shahn, who emigrated from Lithuania to America in 1906, highlights the threads of compassion and social justice that ran through his work. Shahn learned of injustice early in his life, witnessing his father’s banishment to Siberia for “demanding fair pay for working people,” and later experiencing anti-Semitism in America. Leaving school at age 14 to help support his family, Shahn attended art school at night while apprenticed to a lithographer. An unjust execution spurred Shahn’s social realism paintings, attention to which resulted in the U.S. government hiring him to take photographs across America that “revealed hard lives in troubled times.” Bold, richly layered multimedia illustrations by Turk feature abstracted characters in Shahn’s style, while Levinson’s smooth, well-researched narrative provides a comprehensive introduction to a justice-minded painter. Back matter includes an author’s note, an illustrator’s note, a timeline, and selected bibliography. Ages 4–8. (Apr.)
Bulletin of the Center for Children's Books
**STARRED REVIEW** "Levinson’s text moves in a smooth, accessible flow. Turk, a professed devotee of Shahn’s work, is quite possibly the ideal illustrator for this title. . . A marvelous spur to kids beginning to consider the way art can be political."
The Horn Book Magazine
**STARRED REVIEW** "Levinson skillfully shows the artist’s relatable qualities, such as when young Ben refuses to name names after a classroom prank. Her celebratory text is well-complemented by Turk’s strong and distinctively bold, colorful, mixed-media art... Excellent."
Booklist
**STARRED REVIEW** "Turk’s expressive paintings with exaggerated features evoke the spirit of Shahn and the artist’s depictions of the immigrant experience, working people, and protests. . . A thoughtful introduction to this social justice artist."
From the Publisher
**STARRED REVIEW** "Turk’s expressive paintings with exaggerated features evoke the spirit of Shahn and the artist’s depictions of the immigrant experience, working people, and protests. . . A thoughtful introduction to this social justice artist." —Booklist
**STARRED REVIEW** "Levinson’s text moves in a smooth, accessible flow. Turk, a professed devotee of Shahn’s work, is quite possibly the ideal illustrator for this title. . . A marvelous spur to kids beginning to consider the way art can be political."—Bulletin of the Center for Children's Books
**STARRED REVIEW** "Levinson skillfully shows the artist’s relatable qualities, such as when young Ben refuses to name names after a classroom prank. Her celebratory text is well-complemented by Turk’s strong and distinctively bold, colorful, mixed-media art... Excellent."—The Horn Book Magazine
**STARRED REVIEW** "Bold, richly layered multimedia illustrations by Turk feature abstracted characters in Shahn’s style, while Levinson’s smooth, well-researched narrative provides a comprehensive introduction to a justice-minded painter." —Publishers Weekly
**STARRED REVIEW** "Well-researched and-sourced, this is a valuable addition to the canon of artist biographies.This life of an artist with a social conscience makes itself heard." —Kirkus Reviews
Kirkus Reviews
★ 2021-03-02
Art and protest meld perfectly in the life of a 20th-century artist.
Born into a family of Jewish artisans in early-20th-century Lithuania, Ben Shahn wanted to draw, but there was no money for paper. Instead, he sketched in the margins of his book of Bible stories. After his father, a labor activist, was exiled to Siberia, the family eventually made their way to Williamsburg, Brooklyn. Shahn was teased in school because of his accent but won the bullies over with his drawings. His teachers encouraged his talent. Having to quit school to work, Shahn was able to apprentice to a lithographer and attend art school. There, his teachers told him that “pictures should be beautiful—not real life.” Shahn thought otherwise. He went on to paint 23 pictures of the Sacco-Vanzetti trial and worked for the FDR administration photographing the American “outsiders” who needed relief and painting murals for a new village for garment workers. Despite threats from the FBI during the McCarthy era, Shahn continued to paint protesters and peace lovers. Levinson’s strong narrative is supported by emotive, brilliantly vibrant paintings in gouache, acrylic, pencil, chalk, and linoleum block prints. One triptych offers powerful images of the Shahns immigrating to NYC; it’s followed by scenes of the neighborhood with its jumble of new streets and foods. Well-researched and -sourced, this is a valuable addition to the canon of artist biographies. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at 42.4% of actual size.)
This life of an artist with a social conscience makes itself heard. (Yiddish glossary, author's note, illustrator's note, timeline, select bibliography, source notes) (Picture book/biography. 7-10)
