The Philosophy of the Coen Brothers / Edition 2

by Mark T. Conard

Overview

Many critics agree that Joel and Ethan Coen are one of the most visionary and idiosyncratic filmmaking teams of the last three decades. Combining thoughtful eccentricity, wry humor, irony, and often brutal violence, the Coen brothers have crafted a style of filmmaking that pays tribute to classic American movie genres yet maintains a distinctly postmodern feel. Since arriving on the film scene, the Coens have amassed an impressive body of work that has garnered them critical acclaim and a devote

Product Details

ISBN-13:	9780813134451
Publisher:	University Press of Kentucky
Publication date:	03/30/2012
Series:	The Philosophy of Popular Culture
Edition description:	updated edition
Pages:	332
Product dimensions:	5.90(w) x 9.00(h) x 1.10(d)
Age Range:	18 Years

About the Author

Mark T. Conard is assistant professor of philosophy at Marymount College. He is the series editor of The Philosophy of Popular Culture series and the editor of numerous books, including The Philosophy of Film Noir, The Philosophy of Neo-Noir, and The Philosophy of Martin Scorsese. He lives in New York, New York.

Table of Contents

Acknowledgments vii

Introduction Mark T. Conard 1

Part 1 The Coen Brand of Comedy and Tragedy

Raising Arizona as an American Comedy Richard Gilmore 7

The Human Comedy Perpetuates Itself: Nihilism and Comedy in Coen Neo-Noir Thomas S. Hibbs 27

Philosophies of Comedy in O Brother, Where Art Thou? Douglas McFarland 41

No Country for Old Men: The Coens' Tragic Western Richard Gilmore 55

Deceit, Desire, and Dark Comedy: Postmodern Dead Ends in Blood Simple Alan Woolfolk 79

Part 2 Ethics: Shame, Justice, and Virtue

"And It's Such a Beautiful Day!" Shame and Fargo Rebecca Hanrahan David Stearns 93

Justice, Power, and Love: The Political Philosophy of Intolerable Cruelty Shai Biderman William J. Devlin 109

Ethics, Heart, and Violence in Miller's Crossing Bradley L. Herling 125

"Takin"er Easy for All Us Sinners": Laziness as a Virtue in The Big Lebowski Matthew K. Douglass Jerry L. Walls 147

No Country for Old Men as Moral Philosophy Douglas McFarland 163

Part 3 Postmodernity, Interpretation, and the Construction of History

Heidegger and the Problem of Interpretation in Barton Fink Mark T. Conard 179

The Past Is Now: History and The Hudsucker Proxy Paul Coughlin 195

"A Homespun Murder Story": Film Noir and the Problem of Modernity in Fargo Jerold J. Abrams 211

Part 4 Existentialism, Alienation, and Despair

"What Kind of Man Are You?" The Coen Brothers and Existentialist Role Playing Richard Gaughran 227

Being the Barber: Kierkegaardian Despair in The Man Who Wasn't There Karen D. Hoffman 243

Thinking beyond the Failed Community: Blood Simple and The Man Who Wasn't There R. Barton Palmer 267

Part 5 God, Man, and Nature

How Job Begat Larry: The Present Situation in A Serious Man K. L. Evans 289

"A Lead Ball of Justice": The Logic of Retribution and the Ethics of Instruction in True Grit David LaRocca 307

List of Contributors 333

Index 339

Editorial Reviews

Before collaborating on the writing and directing of over 13 films, Joel Coen studied film at New York University, while Ethan Coen studied philosophy at Princeton University. In this text, 14 scholars in both philosophy and film and media studies investigate the philosophical themes and underpinnings of their films. They explore such topics as the competing theories of justice that exist in Intolerable Cruelty, laziness as a virtue in The Big Lebowski, Ed Crane's various types of Kierkegaardian despair in The Man Who Wasn't There; Blood Simple's oscillation between classic noir and postmodern conventions, and the ethical landscape in No Country for Old Men. Edited by series editor Conard (philosophy, Marymount Manhattan Coll.), this volume is written for both fans of the Coen brothers and the philosophically curious, without the technical language. Footnotes are included at the end of each essay for deeper exploration. Both educational and entertaining, this philosophical compilation is recommended for public and academic libraries, particularly those with degree programs in philosophy and film.
—Joshua Finnell

Library Journal

"The Philosophy of the Coen Brothers offers a very smart, provocative, and stylishly written set of essays on the films of the Coen brothers. The volume makes a convincing case for reading their films within a wide array of philosophic contexts and persuasively demonstrates that the films of the Coen brothers often implicitly and sometimes explicitly engage with central issues in the history of western philosophy from Plato and Aristotle to Kierkegaard, Nietzsche, Heidegger, Sartre, Baudrillard, and MacIntyre." Michael Valdez Moses, author of The Novel and the Globalization of Culture

From the Publisher