The Pipe Organ: A Composer's Guide
The organ is one of the oldest instruments in Western music, and its sound has inspired many of the greatest composers from the past half a millennium from Bach through to Messiaen. The full possibilities of the instrument, however, have often been overlooked. Orchestration textbooks tend to mention the organ only in passing, with little practical advice for the composer to latch onto. Many organ books will explain technical jargon and how the organ is designed, but do not discuss what should actually be written in the score. This book, on the other hand, offers a practical guide for composers on how to write idiomatically for the instrument with the aim of helping them exploit the instrument's full timbral and technical potential. It provides in depth advice not only on notation but also the full resources of the modern organ, including dedicated chapters on registration, writing for manuals and pedals, and using the organ in ensembles, among others. Multiple musical examples are quoted from across the history of organ repertoire, with a particular focus on contemporary composers and music. There is advice tailored to non-classical musicians, such as guidance on virtual instruments. The online companion website to this book provides video demonstrations, chapter summaries, sample organ stop-lists and other useful further resources. In summary, the goal of this book is to show not just what organ music was, or what it is, but what it can be.
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The Pipe Organ: A Composer's Guide
The organ is one of the oldest instruments in Western music, and its sound has inspired many of the greatest composers from the past half a millennium from Bach through to Messiaen. The full possibilities of the instrument, however, have often been overlooked. Orchestration textbooks tend to mention the organ only in passing, with little practical advice for the composer to latch onto. Many organ books will explain technical jargon and how the organ is designed, but do not discuss what should actually be written in the score. This book, on the other hand, offers a practical guide for composers on how to write idiomatically for the instrument with the aim of helping them exploit the instrument's full timbral and technical potential. It provides in depth advice not only on notation but also the full resources of the modern organ, including dedicated chapters on registration, writing for manuals and pedals, and using the organ in ensembles, among others. Multiple musical examples are quoted from across the history of organ repertoire, with a particular focus on contemporary composers and music. There is advice tailored to non-classical musicians, such as guidance on virtual instruments. The online companion website to this book provides video demonstrations, chapter summaries, sample organ stop-lists and other useful further resources. In summary, the goal of this book is to show not just what organ music was, or what it is, but what it can be.
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The Pipe Organ: A Composer's Guide

The Pipe Organ: A Composer's Guide

by James Mitchell
The Pipe Organ: A Composer's Guide
The Pipe Organ: A Composer's Guide

The Pipe Organ: A Composer's Guide

by James Mitchell

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$39.95 
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Overview

The organ is one of the oldest instruments in Western music, and its sound has inspired many of the greatest composers from the past half a millennium from Bach through to Messiaen. The full possibilities of the instrument, however, have often been overlooked. Orchestration textbooks tend to mention the organ only in passing, with little practical advice for the composer to latch onto. Many organ books will explain technical jargon and how the organ is designed, but do not discuss what should actually be written in the score. This book, on the other hand, offers a practical guide for composers on how to write idiomatically for the instrument with the aim of helping them exploit the instrument's full timbral and technical potential. It provides in depth advice not only on notation but also the full resources of the modern organ, including dedicated chapters on registration, writing for manuals and pedals, and using the organ in ensembles, among others. Multiple musical examples are quoted from across the history of organ repertoire, with a particular focus on contemporary composers and music. There is advice tailored to non-classical musicians, such as guidance on virtual instruments. The online companion website to this book provides video demonstrations, chapter summaries, sample organ stop-lists and other useful further resources. In summary, the goal of this book is to show not just what organ music was, or what it is, but what it can be.

Product Details

ISBN-13: 9780197645291
Publisher: Oxford University Press
Publication date: 06/07/2023
Pages: 200
Sales rank: 219,790
Product dimensions: 10.96(w) x 8.53(h) x 0.53(d)

About the Author

About The Author
James Mitchell is the current Sub-Organist at Gloucester Cathedral. He graduated from Girton College, Cambridge with a Double First, subsequently completing an MPhil in Musicology at Emmanuel College, Cambridge. He is also an award-winning composer; his music has been published by the RSCM and has been performed at various UK cathedrals and churches, including at the 2021 London Festival of Contemporary Church Music.

Table of Contents

Introduction

Chapter 1: Introduction to the organ
Overview
Organ Building Trends
Historic Organs
Common Mistakes
Extended Techniques

Chapter 2: Registration
Overview
Main Stop Categories
Principals
Flutes
Strings
Reeds

Other Categories
Foundations
Mixtures
Mutations
Miscellaneous Stops

Couplers
Registration Aids
General Pistons
Divisional Pistons
Crescendo Pedal


Chapter 3: The Manuals
Overview
Idiomatic Writing
Non-Chordal Techniques
Chordal Techniques

Playing on Multiple Manuals

Chapter 4: The Pedals
Overview
Idiomatic Writing
Double/Multi-Pedalling
The Pedals in Context

Chapter 5: Other Types of Organ
Overview
Chamber Organ
Harmonium
Theatre Organ
Hammond Organ

Chapter 6: The Organ in Ensemble
Overview
Organ and Choir
Organ and Orchestra
Concertos
Organ and Chamber Ensembles
Organ and Electronics
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