eBookDigital Original (Digital Original)
Available on Compatible NOOK devices, the free NOOK App and in My Digital Library.
Related collections and offers
Overview
Anna Martin is ready to put the past—and her unsuccessful marriage—behind her and start over with Nicholas Yurovsky. A titled aristocrat from a distinguished family that dates back to czarist Russia, Nicholas never talks about his past. Then Anna gets a call from her ex-husband.
Left-wing journalist Paul Martin warns Anna about a plot spearheaded by Nicholas to avenge the murder of his father. But Nicholas isn’t the only one with a score to settle. He and other members of “the Return” have been quietly gathering their forces, preparing to strike out against the man who condemned hundreds of thousands of Russians to life—and death—in labor camps.
An elite member of the Supreme Soviet who could be Russia’s next president, Grigor Malenkov buried his past along with countless victims. At the invitation of the French president, he is coming to Paris, where the children of the dead wait for justice that has been a long time coming—with one innocent woman in the crossfire.
Product Details
| ISBN-13: | 9781504024242 |
|---|---|
| Publisher: | Open Road Media |
| Publication date: | 12/15/2015 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 270 |
| Sales rank: | 604,572 |
| File size: | 2 MB |
About the Author
Evelyn Anthony is the pen name of Evelyn Ward-Thomas (1926–2108), a female British author who began writing in 1949. She gained considerable success with her historical novels—two of which were selected for the American Literary Guild—before winning huge acclaim for her espionage thrillers. Her book, The Occupying Power, won the Yorkshire Post Fiction Prize, and her 1971 novel, The Tamarind Seed, was made into a film starring Julie Andrews and Omar Sharif. Anthony’s books have been translated into nineteen languages.
Read an Excerpt
The Return
By Evelyn Anthony
OPEN ROAD INTEGRATED MEDIA
Copyright © 1978 Evelyn AnthonyAll rights reserved.
ISBN: 978-1-5040-2424-2
CHAPTER 1
The traffic at six o'clock was dense and slow moving; it was the worst part of the rush hour which nightly frayed the nerves of anyone travelling through the centre of Paris in a car.
By Friday afternoon, the rush to the country for the weekend had begun; it was strange how avidly the conservative French had adopted the English custom, left over from a more gracious age, when the exit to green fields and fresh air was smooth and unhurried. Now the fugitive from the noise and pollution of the city arrived exhausted and unnerved. It was a long time since Anna Campbell Martin had spent a weekend in Paris. She had woken up that Friday morning with a feeling of disquiet which was quite untypical. She was not, and she had spent her life proving it, a temperamental person.
She hadn't quarrelled with Nicholas. He had taken her out to dinner and they had spent the night in her apartment as usual. He had bought her flowers, great bunches of sweet-smelling white narcissi; the scent was strong in the flat when they awoke.
He was a very affectionate lover, always touching her with tenderness, telling her how beautiful she was and how much she meant to him. It was as if he knew exactly how deeply her marriage had undermined her self-confidence. It had done more; it had left her without any faith in the fidelity of anyone who said they loved her. And this was the fourth time in six weeks that he had changed their plans without a really satisfactory explanation. He had told her the night before, after they had made love, and she noted this unhappily, that he couldn't go down to Rambouillet with her that afternoon. 'But why, darling? We always go down together ...'
She had tried to hide the disappointment from him. They had spent every weekend at the Auberge St-Julien since they met and became lovers. Twice he had cancelled going on Friday, making the excuse that he had business. This time she waited for the explanation. He had very blue eyes and they were clear and innocent of deceit when he answered.
'I have a very difficult author, darling. I promised to go through the typescript and let her have my suggestions by Monday. I can't possibly work if I'm with you. I shall spend Friday in the office and we can drive down on Saturday morning. Please, don't be angry with me. If you knew the lady and her books, you wouldn't think it was from choice!' He was difficult to argue with, difficult to blame when he smiled at her, and held her hand to his lips, kissing it gently. A very sensuous man, of whose passion she was still a little afraid. Sex hadn't brought her any happiness until she met Nicholas. Six months ago, at a publishing party where she had known very few people and everybody else appeared to know each other, he had come over to her, when she found herself alone for a few moments brought her a drink and quietly taken her by the arm as though she had always belonged to him. That was the beginning.
There was a curiously old-fashioned quality about his courtship; the word was the only apt description of the way their relationship developed. He was always gentle with her, as if he understood that she was vulnerable, even before she told him the dismal story of squalid adulteries and disillusion which characterized her marriage. He was very much a man of the present day, and yet there was a quality about him which did not quite belong. She supposed it was because he was a Russian. And then, at the beginning of the month, he had asked her to marry him. It had been a proposal quite unlike any other, and there had been other serious contenders for her, before the one when she finally said, 'Yes, yes, I'll marry you' – eight long years ago....
'I've wanted to ask you for a long time,' he had said, looking into her eyes in the intent way that he had. 'But I wanted to be sure you were ready. I wanted you to know I loved you. You do know that, don't you?' Anna had nodded, close to silly tears.
'I haven't any money,' he said. 'But I earn quite enough to keep you comfortably. I want you to belong to me, as completely as I shall belong to you. Will you trust me to make you happy?' She had clung to him and cried, and she had seen the blazing happiness on his face as he kissed her. But still the doubts niggled, the habit of insecurity was too ingrained to disappear. Why had he decided to work on the author's typescript that Friday; so throwing their weekend out of gear? Why not the day before – it was always a Friday when he changed their arrangements and the excuse was usually the same. Work on this or that manuscript. The mocking shade of her first husband grinned cynically at her from the subconscious. She hadn't been enough for him; why should Nicholas be satisfied ... of course he loved her but then wasn't she very, very rich ...?
They were murmurs, angrily suppressed, but strong enough to make her insist that they should meet at the Auberge St-Julien late on Friday night. There was no reason to wait till Saturday. She hated Paris at the weekend; it was such a joy to get out into the country, to take their long walks, to enjoy the homely comfort of the Auberge itself. She hadn't quarrelled or argued, but it had been made an issue, and she felt instinctively that she was in the wrong. He had agreed to drive down when his work were finished, and meet her there. She spent the morning restless and reproachful of herself, and then determined to go down early anyway, just to get away from the apartment.
When the telephone rang she thought it was Nicholas and she ran to pick it up. But it wasn't Nicholas. It was a voice she hadn't heard for a long time, and in spite of everything, the colour rushed into her face and then receded. She hadn't driven down to Rambouillet; she had stayed in Paris and it was now after six o'clock and she was on her way to keep an appointment that she had made in spite of herself, and only because Nicholas's name was mentioned.
She didn't take her car; she lived in a flat in the Avenue Gabriel. It was the most expensive and exclusive residential pocket in the city, a superb eighteenth-century hôtel particulier which had been beautifully converted. That was one of the very few advantages of being Sheila Campbell's daughter; money was not a problem. Anna walked down the Rue St-Honoré to the Ritz, pausing to look in the shop windows, not because she wanted to buy anything, but because subconsciously she was delaying her arrival. Several men turned to look after her; despite ten years spent in Paris, five of them married to a Frenchman, she looked a foreigner.
Too tall for a Parisienne, her blonde hair worn casually to her shoulders, with a swinging walk, she wore the casual clothes that did not date. No ethnic look, no fashion extravagances; just the cool, thrown-together effect that is only achieved by spending a fortune.
It was exactly six-thirty as she turned into the Place Vendôme and crossed over to the Ritz. He was waiting for her in the bar; she saw him sitting at a banquette, a glass of whisky in front of him, and a cigarette hanging from the side of his mouth. He was reading Le Figaro.
A thin, slight man, with dark hair growing back from a wide forehead. Very dark eyes under heavy lids; a face usually described by women as sexy. She had been married to him for five years, and divorced from him for three. He looked up as she came towards him. He dropped the paper on the seat beside him, deposited the cigarette into an ashtray, and stood up. They shook hands; he wasn't the sort of Frenchman who kissed a woman's hand. An individualist, Paul Martin, a brilliant journalist with one of the big French left-wing political magazines, not by any stretch of the word a gentleman. A lover of good living, good conversation, and above all, of women. There had been so many women during Anna's marriage that she had lost count. Yet he had always insisted that he loved her.
'Anna – you're looking marvellous! Sit down. What will you drink, still Scotch?'
'No, thanks,' Anna said. 'Vodka. On the rocks.'
The dark eyes mocked her. 'A sign of the times, eh?'
She ignored the remark. He offered her a cigarette: she shook her head. 'Not for a moment, Paul. How are you?'
He shrugged. 'Busy, but otherwise the same. You know, it's a year or more since I've seen you – you look more attractive as you get older.'
'Thanks,' Anna said. 'I've still got my own teeth.' He burst out laughing.
'Darling,' he said. 'I never could say the right thing, could I – never mind. Here's your vodka. It was nice of you to come and meet me.'
'You made it sound so interesting I couldn't refuse,' Anna said. She looked at him. 'You said it was very important, Paul. I changed my arrangements for the weekend just to see you. What is it? And why all the secrecy – why did we have to come here instead of meeting at my flat?'
He leaned a little forward, his hands drooping between his knees; he was a man who moved loosely, and seemed totally relaxed when he was still. He had an animal quality about him, and she could see it quite dispassionately now. When they first met she had been blindly in love with him.
'Neutral ground,' he said slowly. 'If you're being followed. Nobody can listen to us here.'
Anna stared at him. 'What nonsense! What on earth would anyone want to follow me for – you can't be serious!'
'I'm perfectly serious,' he said. 'You have been living with Nicholas Yurovsky since January, haven't you – yes, well, if the KGB haven't got on to you, then you can be sure that the SDECE have. Perhaps the CIA. They're so clumsy you'd have noticed, so it's probably the other two. I know you don't like criticism of the Americans, darling, but they are the worst intelligence service in the world.'
'Would you stop calling me darling,' she said angrily. 'This isn't funny.'
'No, it isn't,' he said. He looked at her for a moment; she had changed colour. There was a flush under the tan.
'How much do you know about Yurovsky? I'm not playing the jealous ex-husband,' he said quietly. 'I'm really acting as your friend. Believe that.' He reached out and held her hand for a moment. Anna drew hers away.
'Nicholas has asked me to marry him and I've said I will. He works for Wedermans. We met at a party after Christmas.'
'I see,' Paul Martin said. 'Wedermans is a very good publisher, prestige books, high-class artwork – it's noted for its bright young men. Tell me, has he ever talked politics to you?'
'No,' Anna said. 'Never. He's not in the least interested. Paul, why can't you get to the point of all this? What are you trying to say –?'
He didn't answer; he signalled the waiter, and ordered them both another drink, ignoring Anna's protest that she didn't want one.
'Nicholas Yurovsky is exactly what you say,' he said at last. 'The son of a White Russian army officer, born in France, educated here. Very intelligent, with a lot of charm. One of the brightest editors at Wedermans. No political affiliations at all. Except one.' He paused, there was a serious look in the dark eyes, and the full mouth, usually twisted in a mocking smile, was set and grim.
'He's a leading anti-Soviet activist. There's a group of them. They didn't cause any trouble till he joined. There's a lot of money involved suddenly: the word is out, Anna, that the money is coming from you. Is it?'
She squared herself to face him. He had always found her money an embarrassment. It was one of the main causes of friction between them. He had never understood that she couldn't help being Sheila Campbell's daughter.
'I've never given Nicholas a centime. I've never heard anything so crazy in my life.'
He watched her for a moment. He lit another cigarette. 'They've always been a pain in the neck, these Russians. They got what was coming to them in 1917, and they were damned lucky to get out alive. They've made trouble ever since. During the war, plenty of trouble. You're probably being watched because you're mixed up with Yurovsky. You're a very rich woman and they think you're giving him money. You're getting into something very nasty; something dangerous.'
'I see,' Anna said quietly. 'So "they", whoever they are, have sent you to talk me out of whatever I'm supposed to be doing – is that it? Frighten me away from Nicholas. Who are "they", Paul? Your left-wing friends, or just the thugs in the SDECE?'
'You're right,' he said. 'They are thugs. I should remember that. Anna, please listen to me. I hear a lot of things, and I have contacts. Nobody put me on to you – I decided to talk to you myself. For old times' sake, if you like. I loved you very much, though you wouldn't believe it. I don't want anything to happen to you.'
'And if I marry Nicholas something might?'
'Being the wife of a leading anti-Soviet political activist could be extremely dangerous,' he said and his voice was low. 'And not just from the Russians. Anna, I can't make you understand. The big boys are beginning to look at Yurovsky and that's bad news. All right, you love him. He hasn't told you the truth about himself. That ought to make you hesitate. That's all I'm suggesting. Hesitate. Don't rush into anything.'
'I don't know why I should believe you,' Anna said slowly.
'Because you know I never lied to you,' he said.
Anna stood up and they faced each other. There was something in his eyes she didn't want to see. Some depth reminding her of how he used to look at her, so many years ago. Before her family's attitude and his resentment of their social differences had started to turn their love to friction. His revenge had been terribly damaging; it had needed someone like Nicholas Yurovsky to restore the shattered self-confidence which was Paul Martin's legacy. The first affair began within a year of her marriage. He had needed to be unfaithful in order to keep his self-respect for having married an American socialite with a fortune, the daughter of a famous right-wing publisher Sheila Campbell, in defiance of his own background and political convictions. He had betrayed himself and his remedy was to betray her. She didn't hold out her hand. She felt the same old feeling of sick uncertainty, as if suddenly the clock hands had spun backwards, and she was still involved with him. Nicholas, Nicholas, her mind cried out the name – this is just a memory.
'I don't believe you,' she said. 'I shall tell Nicholas exactly what you've told me.'
'He'll deny it,' Paul Martin said. 'But it's true. He's bringing you into danger. Real danger, and he'll use you too.'
She turned and walked away. He spoke to her back. 'Goodbye, Anna. Take care of yourself.'
She didn't answer; she walked out into the foyer of the hotel, ignoring the reception clerk who smiled at her. She was well known there; her mother took a suite whenever she came to Paris. One of her former husbands had been a French duke.
She began to hurry back along the Rue St-Honoré, brushing against people in her haste. It was seven-thirty and the traffic was less concentrated. If she drove down immediately she would get to Rambouillet and the Auberge St-Julien around nine o'clock. Nicholas wasn't expecting her until late.
She went up to her first-floor apartment and hurried through to the bedroom. For a woman whose taste in clothes was casual, even austere, the decoration of the flat was surprisingly feminine. Soft pastel colours, a mixture of beautiful Louis Seize furniture and elegant modern sofas, Constable watercolours, and a glowing Van Ostade still life in the dining room. As a person, Anna had perfected an image which was in direct contrast to the ultra female represented by her mother. Crisp, almost boyish, the side of her personality which was deliberately thwarted was expressed in her bedroom. There was a Directoire bed, swathed in green silk, an Aubusson carpet, Boucher drawings of erotic subjects, extravagant flowering plants.
She had supervised every detail herself, just before her marriage to Paul Martin came to an end. It was almost a compensation for the endless infidelities to spend so much money on such a superbly sensual room. Paul had laughed at her; sitting on the bed, smoking as always, he had bounced gently up and down.
'It's hard, sweetheart and for two people it's not going to be very comfortable.' She hadn't intended to do what she did. It seemed to happen, as if everything in her life at that moment slotted into place.
'It isn't for two people,' she said. 'It's for one. I'm going to divorce you. Please get up; you're creasing the cover.'
(Continues...)
Excerpted from The Return by Evelyn Anthony. Copyright © 1978 Evelyn Anthony. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.