The Return of Kid Cooper: A Novel

The Return of Kid Cooper: A Novel

by Brad Smith
The Return of Kid Cooper: A Novel

The Return of Kid Cooper: A Novel

by Brad Smith

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Overview

**WESTERN WRITERS OF AMERICA 2019 SPUR AWARDS WINNER!**

"[A] first-rate novel."
True West magazine

"Smith has written tight, fast-paced novels his entire career…and reading one is like riding a thoroughbred."--The Chronicle Herald

In the style of Cormac McCarthy, a gritty tale of justice and revenge in the Wild West.


The year is 1910.

Nate Cooper is an old-school cowboy. He sees the change brought by the turn of the century—horses giving way to motorcars, his girlfriend marrying his best friend, and his nemesis running for governor—and reckons none of it to be good. The west is being tamed, and with progress, some things are lost. But people? They tend to stay the same. Even after spending nearly thirty years in a Montana prison for a wrongful murder conviction, Nate's moral compass is true and unwavering: he does all the wrong things for all the right reasons.

So when he returns to his Northern Montana ranching town to find the Blackfoot Indians—the people he went to prison trying to defend—are still being cheated out of their territory by ranchers, Nate can’t rest on his laurels. With grit, determination, a quick trigger finger, and the help of the woman he used to love, Nate sets out to settle the score and force some justice in into the changing world. Before long, though, he’ll discover that justice doesn’t come cheap.

Product Details

ISBN-13: 9781628728729
Publisher: Arcade
Publication date: 02/27/2018
Sold by: SIMON & SCHUSTER
Format: eBook
Pages: 296
File size: 855 KB

About the Author

Brad Smith has worked as a farmer, signalman, insulator, truck driver, bartender, schoolteacher, maintenance mechanic, roofer, and carpenter. He is the author of nine novels, including One-Eyed Jacks, which was nominated for the Dashiell Hammett Prize, and All Hat, which became a 2007 major motion picture staring Keith Carradine. The Return of Kid Cooper is the recipient of the Western Writers of America 2019 SPUR Award for Best Traditional Novel. He lives in Dunnville, Ontario, near the north shore of Lake Erie.
Brad Smith was born and raised in southern Ontario. He has worked as a farmer, signalman, insulator, truck driver, bartender, schoolteacher, maintenance mechanic, roofer, and carpenter. His novels include All Hat (a 2007 major motion picture staring Keith Carradine), Big Man Coming Down the Road, Busted Flush, Crow’ s Landing, One-Eyed Jacks (nominated for the Dashiell Hammett Prize), Red Means Run, Rough Justice, and Shoot the Dog. He lives in Dunnville, Ontario, near the north shore of Lake Erie. http://www.bradsmithbooks.com/

Read an Excerpt

CHAPTER 1

A RECENT ISSUE OF THE Police Gazette had been circulating through the prison population for some time and on the Wednesday after the hostage incident, the magazine landed in Nate Cooper's hands. He took it back to his cell after a breakfast of mealy porridge and lukewarm coffee and lay down on his bunk to read. The front cover featured a photograph of the colored prizefighter Jack Johnson standing in a ring somewhere, the boxer stripped to the waist, his right fist cocked and ready and his left hand open and extended as if in defiant warning to anyone who dared come close. The palm was as big as a saddlebag. Inside the magazine was a story about Johnson, who was about to meet the former champion Jim Jeffries for the heavyweight title.

As Nate read, Bo came out from a narrow crack in the wall and approached the cot noiselessly across the stone floor. He jumped up onto the wool blanket and then scrambled onto Nate's pant leg, stopping just below the knee, where he sat on his haunches, whiskers twitching. Nate had pilfered a stale crust of bread from the breakfast table and now he produced it from his shirt pocket and offered a pinch to the mouse, which took it in its front paws and began to nibble away. Just as Nate was about to deliver a second helping he heard footsteps approaching along the corridor and then the key as it hit the lock in the door. Bo, his breakfast thus interrupted, was off the bed in a flash, his tail disappearing into the wall as the hinges creaked open.

The guard entered and walked to the center of the small cell, looking around suspiciously before turning to regard Nate, his legs spread and his thumbs hooked in his belt. He indicated the top bunk.

"Where's Bilanski?" he demanded.

"Working the laundry," Nate replied, continuing to read.

The guard's eyes fell on the periodical. "That black bastard's gonna get his yellow ass whupped by Jeffries," he said.

Nate glanced up at the comment but had no inclination to argue with the man. He preferred to avoid imbeciles, whether they happened to be inmates or guards. He went back to the magazine.

"Warden wants to see you," the guard said.

The announcement was so unexpected that it naturally got Nate's attention. He almost asked the guard for the reason behind it but then checked himself. In all likelihood the man wouldn't know the answer and anyway Nate would find out for himself soon enough.

Warden Conley sat behind his desk, two-finger typing on a Remington machine, when Nate arrived on the heels of the guard, who interrupted his continued disparagement of the fighter Johnson to announce their arrival. Conley dismissed the man with a nod of the head before waving Nate into the office.

Nate took a couple of steps before stopping, glancing briefly toward the warden before giving the room the once over, his eyes shifting from the vaulted windows on the west wall to the high bookshelves opposite. Watching, it occurred to Conley that the prisoner had never been in the room before. Nate had removed his cloth cap and was holding it carelessly in his left hand. His hair was brown, with considerable gray in it, and he wore a mustache, also going to gray, that drooped past the corners of his mouth. His eyes were blue and sharp, taking in the room and its contents but also showing a glimmer of a question, the question being — why am I here?

Conley indicated a chair across from him. "Have a seat, Nate."

Nate walked across the room to the chair, pulled it back a few inches and sat. Conley noticed that the man, in spite of his many years at Deer Lodge, had never developed the prisoner's shuffle, that peculiar gait of men who had spent time in leg irons. And Conley knew that Cooper had worn the irons in his day. Still, he retained the bowlegged, rambling step of a cowpoke, like the throwbacks Conley often saw on Main Street on a Saturday; ranchers in town for supplies, or cowhands blowing off their wages. He saw them less and less though, he realized. Their numbers were dwindling.

"I always wanted to ask you a thing, Nate," Conley said to begin. "With regards to your vegetable garden behind the stables — where did you get your green thumb? Were you always good at cultivating or did you turn your hand to it here?"

"I never grew nothing bigger than a bunion before I come here," Nate said. "I was a cowboy and a cowboy ain't much for digging in the dirt. Most won't stoop to it. I demeaned myself here only in an effort to stave off boredom. Might have saved my sanity. If it has been saved, that is."

"You have a talent for it nonetheless," Conley said. "Wherever it came from."

Nate shrugged. "My ma always had a sizable vegetable garden. Nine kids, it was required."

"Where was this?"

Nate took a moment, watching warily across the broad desk. Apparently he'd been summoned to the warden's office, for the first time ever, to discuss the growing of greens. "Missouri, two days out of St. Louis."

"Have you ever grown trees?"

"No, sir," Nate said. "I have not. But I spent a good portion of my youth cutting them down, at my father's bidding. Heavy forest in that part of Missouri, and my father was a dirt farmer. Trees were in the way."

"That's a story very familiar to me," Conley said. "My lumberjack days were along the Chesapeake Bay. In the years before I was born, my grandfather outwitted the local Indians for a section of virgin hardwood forest. Grandpa wasn't much for physical labor and so the tree clearing was left to my father and me. Looking back, I'm not so sure the Indians weren't the ones doing the outwitting. They got the gold coin and without ever wielding an axe."

Nate nodded, thinking of something to add to the conversation. "It wasn't the cutting so much as the stumps that got to a man."

"You're preaching to the choir," Conley said. He got to his feet and walked to the window, where he looked down at his spindly oak saplings. "But now I find myself trying to grow them here. With very limited success."

"I've seen those trees of yours," Nate said. "I wouldn't call that any kind of success."

Looking yet at his project, Conley didn't smile. "You would be right. Watching you grow those tomatoes and pumpkins and corn over the years, I was hoping you might have some insight in growing eastern oak, something with a taproot. Or maybe a hard maple. I miss the syrup on those Sunday mornings when I can persuade the wife to cook up some flannel cakes."

Nate looked evenly at the warden's back. Waiting. Wondering if this little visit had any purpose, other than that of idle talk about trees and pumpkins and flannel cakes.

Now Conley turned. "Under different circumstances, perhaps you and I might tackle the problem together. But I'm getting discouraged to the point of surrender. And you won't be around anyway."

"How's that?"

Conley sat down and opened a desk drawer. He drew out a manila envelope and carefully extracted a document from within. He held it in his hands for a moment, as if admiring it, not reading it. He placed it on the desk, halfway between himself and Nate.

"I appreciate your help last week," he said. "With the Indian boy."

Nate shrugged. "I was helping him, if anybody. Hostage or no hostage, we both know what was gonna happen, if he'd of walked out that door."

"Yeah, we do," Conley said. "Nevertheless, this institution is not immune to the concept of gratitude."

"I once heard that the quality of mercy is not strained." Nate took a moment to search his memory. "I believe it was that old forger Baldwin said it, while speculating on them he'd swindled."

"That's from Shakespeare."

"I never said that Baldwin come up with it first."

Conley smiled and, with the flat of his hand, slid the document across to Nate. "We're releasing you, Nate. As of tomorrow morning."

Nate, his eyes on the sheet of yellow paper, said nothing for several moments. He hadn't been expecting a conversation about the cultivation of root vegetables or maple trees, and he sure as hell hadn't been expecting this. He gathered himself.

"Releasing me?" he said. "Hell, I just got here."

"You've been here twenty-eight years," Conley said.

Nate looked past the warden, to the high windows, where the morning sun was just now showing on the snowy slopes of Mount Powell.

"I know that, Warden. I know how long I been here."

The suit was of some brown worsted material, a step or two up from burlap. The jacket fit fair to middling, but the pants were short in the legs and pinched in the crotch area. The clothes came in a cardboard box, dropped off in his cell the night before. Also in the box were two pairs of shorts, two pairs of wool socks, and a boiled linen shirt. There was another box as well, and inside was a straw boater. The shoes they gave him were shiny patent leather. They had thin laces and were cut low on the sides, barely covering the feet.

Nate was wearing the new clothes, save the boater which he held in his hand, the next morning, as the warden escorted him to the front gate. It was a gray day, and cool for May, the north wind whipping through the stone walls of the prison. The warden extended his hand and Nate tucked the package containing his extra socks and underwear under his left arm before taking it.

"You have any notion where you're going?" Conley asked.

"None."

Conley pointed vaguely toward the center of Deer Lodge. "There's a boardinghouse with a passable reputation on Buckle Street, just off Main. Colored woman named McKee runs it. You might give that a try until you get your bearings. I trust you got your money from administration?"

"Yes, sir," Nate said. "One hundred and sixty-three dollars and fourteen cents. Should last me the rest of my life, so long as I don't live any more than a month or two."

"You should find work easy enough," Conley said. "You're good with horses and growing things. You have more common sense than most men I walk out these gates."

Nate was doubtful about the last statement but held his opinion.

"You intend to stay out of trouble, I assume?" Conley added.

"Staying out of trouble has always been my intention, Warden. I expect that's true of most everybody. Don't always work out that way. But yes, I would say that I should be able to manage it. I hold no ill feelings toward any man."

"Good." Conley hesitated. "You're going to find it's a different world out there than the one you knew. Telephones and electric lights. Automobiles are here and here to stay, I suspect. Might take some getting used to."

"It's a better world, is it?" Nate asked.

"I'll let you make up your own mind about that," Conley said. "But it's a better world than the one you just left."

Nate nodded, then held up the boater. "I only got one question. What am I supposed to do with this?"

"That's a hat," Conley said. "You wear it on your head."

Nate handed it to the warden. "Not my head. If a cowpuncher in my day showed up wearing a thing like that, we'd of trussed him up like a Christmas turkey and tossed him in the Republican River. I wish you luck with your tap roots, warden. I'll be seeing you. Or rather, I hope not to, if you understand my drift. No intention to offend."

"No offense taken. Good luck to you."

Conley watched as Nate Cooper walked through the gates and headed into the town of Deer Lodge. And he kept watching, thinking the old cowboy might turn for a last look at the place. He never did.

Wilson's Haberdashery & Quality Men's Wear was on Main Street, kitty-corner from the New Baltimore Hotel. Established in 1897 by Rufus Wilson, freshly arrived from Nashville, the store sold custom-made suits, work clothes, beaver hats, shoes and boots, belts and suspenders, and everything else a man might want or need by way of apparel.

When Nate walked through the front door, Rufus himself was behind the counter, a stubby fellow of fifty-six years, with a balding pate and skin as pink as a new born piglet. Looking up from the ledger in front of him, he removed his wire spectacles and his eyes went knowingly over Nate's rough serge suit.

"Good day, sir," he said. "Something I can help you with?"

Nate nodded in the direction of a display of headwear along the wall. "I'll be needing a hat. And a pair of good boots, if you got them."

"We have shoes and work boots and western boots," Rufus told him. "Fresh out of the institution, are you?"

"I'm fresh out of prison, if that's what you're driving at," Nate said. "How'd you know that?"

"Your suit," Rufus said. "I supply the prison with clothes for the inmates. Those being released, that is."

"You made this suit?" Nate asked. "I suspect it was a gunny sack in a previous life."

"I don't make those," Rufus said. "They come in from California. The prison is not willing to pay much. I do make custom suits, if you're in the market."

"This one will do for now," Nate said. "If I don't bleed to death, getting cut from one of those bristles. You the man behind these shoes, too?"

"Well, yes. Is there a problem?"

"Not if you got a pair of good Frye boots you can sell me."

Fifteen minutes later, Nate walked out onto Main Street, twenty-eight dollars poorer, wearing a dun-colored Stetson on his head and brand new Frye boots on his feet, high in the heel and rounded in the toe, in the cowpuncher fashion. The boots were tight across the top of the foot, but Nate would rather have boots that would conform to his feet than a too-big pair that would never be anything but that. The hat had a wide brim and tall crown. It would require some creasing before it would show any personality, but Nate could accommodate that too. He had attempted to barter with Rufus Wilson, hoping to get something in trade for the new prison shoes, which had been worn a total of maybe an hour. Rufus wasn't budging, although he did offer to take them off Nate's hands for nothing.

"And you'll sell them back to the prison," Nate said. "You're like a story I once heard about Davy Crockett. Seems that old Davy traded a coon pelt for a jug of moonshine in a tavern. Every time the owner would put the pelt behind the bar, Davy would steal it back and trade it for another jug."

"I don't get the comparison," Rufus said.

"You might, if you was Davy Crockett," Nate said. He gave the shoes to a man sitting on a bench in the town square. The man was mainly toothless, wearing a moth-eaten wool coat. His own shoes were past worn out.

Nate found the boardinghouse Conley had mentioned. The owner was a large woman, three hundred pounds or more, and she said her name was Thelma McKee. The room she showed Nate was on the third floor, small and clean, with a single bed, a tall dresser and slat back chair. The rate was three dollars a night or seventeen for the week. Nate paid her for a week and left the package he'd been carrying on the dresser. Then he returned to Main Street, for another look at the world he was now a part of, whether he felt that way or not.

Walking into town earlier, he'd been passed in the street by a couple automobiles. Of course, Nate knew of them, from periodicals he'd read inside the prison. What the magazines never fully conveyed was how noisy the machines were, or the odor they emitted — a nasty noxious smell Nate had never before experienced. They constantly belched and farted and backfired, causing enough racket to frighten the horses and mules, which on the main street of Deer Lodge outnumbered the motorcars by ten to one.

Nate stopped at the town square, where he sat on a wrought iron bench and watched the traffic for a while — pedestrians on the move, men on horseback, mules pulling wagons, more of the rattling motorcars. The square was in the center of the town's business district. The sidewalks were of concrete and occupied by men and women, hurrying to and fro, on errands or business. The women were mainly dressed alike and seemed to favor high felt hats with feathers in the bands. Nobody paid much attention to Nate but then why would they have reason to?

There was a diner called Dimaggio's directly across from the square and as he watched, a man in a white apron came out and erected a placard on the sidewalk out front. The sign read:

Nate looked at the sky. It was an overcast day, the sun just a smudge behind the clouds, but he figured it to be nearly noon. He made his way across the street, stopping to allow a rig to pass by, the buggy occupied by a young red-haired girl and her swain. The boy held the reins carelessly in his right hand while twirling a long cheroot in his left. His eyes flicked over Nate without seeing him. As they passed, the girl laughed at something the boy said, her giggle high pitched and exaggerated.

Inside the diner Nate was the first customer of the day. He took a table by the front window and waited for the man in the apron to approach. When he did, he gave Nate's suit the same look as had the haberdasher earlier.

"The special then?" he asked, his voice flat.

"Does this place offer beefsteak?" Nate asked.

(Continues…)


Excerpted from "The Return of Kid Cooper"
by .
Copyright © 2018 Brad Smith.
Excerpted by permission of Skyhorse Publishing.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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