Narrator Dan Woren’s deep middle-American voice won’t be mistaken for the reedier British tones of the late Oliver Sacks, and fans familiar with that voice may miss some of Sacks’s sprightliness. However, Woren’s reading is solid and easy to follow, and none of the wonder of Sacks’s thinking is lost—particularly, his ability to synergize theories and concepts across scientific disciplines in a deeply personal way. Sacks begins with plants and moves through insects, animals, and finally to human beings as he explores consciousness: What is it? Who or what has it? How have we understood or misunderstood it across time? This audio presentation allows one to leave one’s eyes free to gaze out on a world transformed by what one is hearing. K.W. © AudioFile 2017, Portland, Maine
The River of Consciousness
Narrated by Dan Woren, Kate Edgar
Oliver SacksUnabridged — 5 hours, 51 minutes
The River of Consciousness
Narrated by Dan Woren, Kate Edgar
Oliver SacksUnabridged — 5 hours, 51 minutes
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Overview
Oliver Sacks, a scientist and a storyteller, is beloved by readers for the extraordinary neurological case histories (Awakenings, An Anthropologist on Mars) in which he introduced and explored many now familiar disorders--autism, Tourette's syndrome, face blindness, savant syndrome. He was also a memoirist who wrote with honesty and humor about the remarkable and strange encounters and experiences that shaped him (Uncle Tungsten, On the Move, Gratitude). Sacks, an Oxford-educated polymath, had a deep familiarity not only with literature and medicine but with botany, animal anatomy, chemistry, the history of science, philosophy, and psychology. The River of Consciousness is one of two books Sacks was working on up to his death, and it reveals his ability to make unexpected connections, his sheer joy in knowledge, and his unceasing, timeless project to understand what makes us human.
Read by Dan Woren, with the Dedication and Foreword read by Kate Edgar
Editorial Reviews
Reading a book published after its author's death, especially if he is as prodigiously alive on every page as Oliver Sacks, as curious, avid and thrillingly fluent, brings both the joy of hearing from him again, and the regret of knowing it will likely be the last time…In [one] essay…Sacks…suggests that a long period of "forgetting," in which thought and experience become detached from their sources and sift down into the unconscious, is essential to originality…"What is at issue is not the fact of 'borrowing' or 'imitating'…but what one does with what is borrowed or invented or derived; how deeply one assimilates it, takes it into oneself, compounds it with one's own experiences and thoughts and feelings, places it in relation to oneself, and expresses it in a new way, one's own." To fill oneself with the consciousness of others, and then to forget deeply enough, and long enough, that the collective world can be welded to what is unique and original to oneself—this is as precise and moving a definition of creativity as I have come across. On page after page in this collection, drawing on the rich history of ideas he absorbed over a lifetime, Sacks illustrates how it is done.
★ 09/25/2017
Acclaimed neurologist Sacks (1933–2015) demonstrates the range of his knowledge of evolution, botany, chemistry, medicine, neuroscience, and the arts in this collection of 10 essays he was working on before his death in 2015. The book is a tribute to his appreciation of all that’s beautifully complex in humans. In “Darwin and the Meaning of Flowers,” Sacks examines Darwin’s late-career studies of plants and worms, writing of Darwin’s belief that natural beauty “always reflected function and adaptation at work.” In “Speed,” he lauds William James for his exploration of the perception of time and how it was altered “by the effects of certain drugs.” Sacks also lends his own perspective on the perception of time, gleaned from working with patients with “disorders of neural speed,” which he documented in 1973’s Awakenings. One of the most moving pieces, “The Fallibility of Memory,” argues that humans are “landed with memories which have fallibilities, frailties, and imperfections—but also great flexibility and creativity.” Sacks pays homage to Freud in “Mishearings,” asserting that Freudian slips are more than expressions of repressed feelings: “They reflect, to some extent, one’s own interests and experiences.” Sacks also writes about his own cancer in “A General Feeling of Disorder” and how a respite from sickness filled him with gratitude. Readers will feel a similar sense of gratitude for the extraordinary work that Sacks left behind. (Nov.)
Oliver Sacks knew how much his readers would miss him, and he outlined these ten essays before he left us. Indeed, blessed are we who mourn. His was a voice that could untangle even the most formidable knots of medical mystery—the bewildering maladies of the brain—and roll them out into smooth ribbons of human story. I read these essays in one night, spellbound as he described petals, cameras, bombs—and, of course, neurons—so enraptured with details that only later did I realize how he had also explained the weightiness of time, memory, and learning itself. The River of Consciousness is the precious voice of Oliver Sacks come back to us, to do what all great seers do: lead us to places that we could never have found on our own.” —Hope Jahren, author of Lab Girl
“Reading a book published after its authors death, especially if he is as prodigiously alive on every page as Oliver Sacks, as curious, avid and thrillingly fluent, brings both the joy of hearing from him again, and the regret of knowing it will likely be the last time…[The] combination of wonder, passion and gratitude never seemed to flag in Sacks’s life; everything he wrote was lit with it. But it was his openness to new ideas and experiences, and his vision of change as the most human of biological processes, that synthesized all of his work.” —Nicole Krauss, The New York Times Book Review
“Reveals Sacks as a gleeful polymath and an inveterate seeker of meaning in the mold of Darwin and his other scientific heroes Sigmund Freud and William James….As this volume reminds us, in losing Sacks we lost a gifted and generous storyteller.” —Wall Street Journal
“The reader is in thrall to Sacks’ ability to braid wide reading, research and experience with his neurology patients to reach original and subtle conclusions….Sacks is the expression of…mental agility, a mind at play in the world.” —Chicago Tribune
“The warm genius of Oliver Sacks comes alive as he tackles everything from memory to Freud’s little-known contributions to neurology and Darwin’s love of flowers to the nature of creativity….Sacks brings the friendly curiosity for which he is so beloved to this ultimate testing ground of character, emerging once more as the brilliant, lovable human he was.” —Maria Popova, Brainpickings
“Sacks’s intellectual trajectories are eloquent, witty and adherent to a sturdy internal logic. He troubles the frontiers of all creatures and things until the world feels more alive in its entirety. True to its title, the book is dictated by a flood of mental energy, thus it is more than mere sentimentality to say that, more than two years after his death, Sacks’s spirit still courses through us. Long may it flow.” —The Globe and Mail
“Charming and informative….What really unifies “The River of Consciousness” is the unique combination of intellectual rigor and childlike amazement, of bookishness and warmth, which characterizes all of Sacks’s writing. Which other writer who employs footnotes so liberally also so often inspires laughter and tears?” —The Boston Globe
“An immensely satisfying volume that can be read by newcomers as an introduction to the work of an author of unusual breadth of knowledge, and equally by aficionados as the final scintillation of one of the most invigorating and appealing writers of recent decades….A joy to read: a delicious supply of information and commentary organized by a gifted writer of a curious and humane intelligence.” —The Washington Times
“A collection that serves as a valedictory, as well as a useful introduction to [Sacks’s] restless intellect and elegant sentences and a tribute to his scientific and philosophical heroes: Darwin, Freud and William James.” —San Francisco Chronicle
“The author’s unconventional points of view are potentially the most informative part of the work. He examines well-known ideas from lesser-known angles—for instance, that Darwin was also a botanist and supported his theory with botanical experimentation. Throughout, Sacks displays his marvelous skill with words, rich knowledge of medicine and science and their histories, observational skills, curiosity, and humor, and it’s impossible not to feel the loss of this amazing thinker….Every reader should be able to find something to enjoy and appreciate here.” —Library Journal *starred review*
“Sacks engages and deepens our attention through the historic and personal particulars with which he argues his points about what, say, memory, or forgetting, or creativity, or ‘A General Feeling of Disorder,’ involves organismically. So doing, he has made permanent contributions to literature.” —Booklist
“The book is a tribute to [Sacks’s] appreciation of all that’s beautifully complex in humans….Readers will feel a similar sense of gratitude for the extraordinary work that Sacks left behind.” —Publishers Weekly
“Sacks’s enthusiasms are so finely and conversationally expressed as to be entirely seductive….Each essay contains a careful lifetime of observation and reading….A marvellous discrete series of meditations—and a profoundly moving one.” —The Observer
“The essays share a few common themes, the most prominent being the seemingly instinctive drive to understand ourselves and the world around us. Science, Sacks suggests, traces its origins directly to that impulse—a curiosity that encourages us to lean in and observe something closely….It’s an infectious state of mind, and readers will likely look at the world around them differently after finishing The River of Consciousness.” —Richmond Times-Dispatch
“Compelling….The experience of reading the essays that make up The River of Consciousness is very much like peering into an ever-changing stream. Pebbles shift as the water courses by, revealing unexpected facets below….By bringing these quirky, personal and curious essays together, Sacks invites readers into his mind where they can experience the world from his unusually insightful perspective.” —Science News Magazine
“An incisive and generous inquiry into human nature.” —Elle.com
“Sacks’s sharp intellect and observations, and passion for knowledge, shine through.” —Buzzfeed
“Fans of the late neurologist have another chance to enjoy this erudite, compassionate storyteller, essayist, and memoirist in what may be his final work. This collection of 10 essays, some of which appeared previously in the New York Review of Books, was assembled by three colleagues from an outline provided by Sacks two weeks before his death in 2015….A collection of dissimilar pieces that reveal the scope of the author’s interests—sometimes challenging, always rewarding.” —Kirkus Reviews
“Sacks once again enthralls readers with tantalizing true tales on everything from evolution and time to creativity and experience. Thoughtful and captivating, this collection will make you miss the iconic scholar even more than you already do.” —bustle.com, “11 New Essays For Your Fireside Reading This Fall”
“Brilliant, beautiful, and funny….Sacks was one of the finest science writers—well read, scientifically exact and literary….This collection meets the standard of his previous work….Sacks's love of the natural world as well as the human one is contagious. The breadth of his interests encourages his readers to expand their own horizons….His curiosity and erudition, and his joy in both intellectual and physical life are in full bloom on these pages.” —Shelf Awareness
“Sacks continues in this latest collection to focus on questions over answers; the result is a work that leaves plenty of room for possibility beyond what might be immediately observed…. Intellectually, Sacks is, at heart, a philosopher. But he is a philosopher looking not for answers but for increasingly grander questions. He asked a multitude of them throughout his 82 years, but ‘what is a mind?’ might be his biggest.” —New York Magazine
★ 08/01/2017
One of two titles neurologist Sacks (The Man Who Mistook His Wife for a Hat; Hallucinations) was working on when he died in 2015, this volume is a collection of essays, some of which were published previously in The New York Review of Books. Sacks begins with Charles Darwin and continues with pieces on Sigmund Freud, memory, creativity, illness, and consciousness. He alludes to writers who greatly influenced him, such as William James; adds digressive but informative footnotes; and refers to his own books when they provide fuller explorations of a topic. The author's unconventional points of view are potentially the most informative part of the work. He examines well-known ideas from lesser-known angles—for instance, that Darwin was also a botanist and supported his theory with botanical experimentation. Throughout, Sacks displays his marvelous skill with words, rich knowledge of medicine and science and their histories, observational skills, curiosity, and humor, and it's impossible not to feel the loss of this amazing thinker. VERDICT This title gives readers plenty to think about, such as the nature of consciousness and the cultural limitations of science. Every reader should be able to find something to enjoy and appreciate here. [See Prepub Alert, 4/10/17.]—Nancy H. Fontaine, Norwich P.L., VT
Narrator Dan Woren’s deep middle-American voice won’t be mistaken for the reedier British tones of the late Oliver Sacks, and fans familiar with that voice may miss some of Sacks’s sprightliness. However, Woren’s reading is solid and easy to follow, and none of the wonder of Sacks’s thinking is lost—particularly, his ability to synergize theories and concepts across scientific disciplines in a deeply personal way. Sacks begins with plants and moves through insects, animals, and finally to human beings as he explores consciousness: What is it? Who or what has it? How have we understood or misunderstood it across time? This audio presentation allows one to leave one’s eyes free to gaze out on a world transformed by what one is hearing. K.W. © AudioFile 2017, Portland, Maine
2017-07-24
Fans of the late neurologist have another chance to enjoy this erudite, compassionate storyteller, essayist, and memoirist in what may be his final work.This collection of 10 essays, some of which appeared previously in the New York Review of Books, was assembled by three colleagues from an outline provided by Sacks (Gratitude, 2015, etc.) two weeks before his death in 2015. Here, the author explores evolution, time, memory and forgetting, experience, creativity, and consciousness. As his colleagues note, Sacks "interrogates the nature not only of human experience but of all life (including botanical life)." Readers will see how Darwin's botanical work provided the strongest evidence for evolution and natural selection, the different ways in which time is perceived and experienced, and the fallibility of memory (explored in a fascinating piece on cryptomnesia, or unconscious plagiarism). The essay on misheard words, a real problem for the aging Sacks, is the shortest entry and also the funniest. The most speculative is "Scotoma," a neurological term for a disconnect in perception, which Sacks uses to refer to the neglect or oversight of an idea proposed or a discovery made before its time. This gives the author the chance to explore how the history of science might have been different. The longest, densest, and most technically demanding is the title essay, "The River of Consciousness," in which Sacks examines what neuroscientists have begun to learn about the neural basis of consciousness, from relatively simple mechanisms such as perception to more complex issues such as memory, imagery, and reflection. Interestingly, the collection can be seen as a subtle reminder of this polymath's previous works, for references to a number of these appear throughout the text and in footnotes. A collection of dissimilar pieces that reveal the scope of the author's interests—sometimes challenging, always rewarding.
Product Details
| BN ID: | 2940172196881 |
|---|---|
| Publisher: | Penguin Random House |
| Publication date: | 10/24/2017 |
| Edition description: | Unabridged |
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