Table of Contents
List of Contributors
Acknowledgements
Introduction
Luke Hockley
Theoretical Approaches – Section Editor: Catriona Miller
1) A Jungian textual terroir
Catriona Miller
2) Dionysus and textuality: Hockley’s somatic cinema for a transdisciplinary film studies
Susan Rowland
3) Stick to the image? No thanks!
Eric Greene
4) Archetypal possibilities: meta-representations, a critique of von Franz interpretation of fairy tale genre focusing on Jean Cocteau’s retelling of The Beauty and the Beast
Leslie Gardner
5) Human Beans and the flight from otherness: Jungian constructions of gender in film
Phil Goss
6) It’s alive: The evolving archetypal image and Mary Shelley’s Frankenstein
Elizabeth Nelson
7) Music in film: Its functions as image
Benjamin Nagari
8) Psychological images and multimodality in Boyhood and Birdman
Shara Knight
Applied Approaches – Section Editor: Helena Bassil-Morozow
9) Feminist film criticism: Towards a Jungian approach
Helena Bassil-Morozow
10) Teaching Jung in the academy: The representation of comic book heroes on the big screen
Kevin Lu
11) Horror and the sublime: Psychology, transcendence and the role of terror
Christopher Hauke
12) Hungry children and starving fathers: auteurist notions of father hunger in American Beauty
Toby Reynolds
13) Beyond the male hero myth in Clint Eastwood films
Steve Myers
14) True detective and Jung’s four steps of transformation
Stephen Anthony Farah
15) Film futuristics: A forecasting methodology
Michael Glock
Transnational Approaches – Section Editor: Terrie Waddell
16) The Australian lost child complex in adaptation: Kurzel’s Macbeth and Stone’s The daughter
Terrie Waddell
17) Numinous images of a new ethic: A Jungian eiew of Kieslowski’s The decalogue
Judith R. Cooper and August J. Cwik
18) The han cultural complex: Embodied experiences of trauma in New Korean Cinema
Amalya Layla Ashman
19) The outsider protagonist in American film
Glen Slater
20) Spirited Away and its depiction of Japanese traditional culture
Megumi Yama
21) Cold comforts: Psychical and cultural schisms in The Bridge and Fortitude
Alec Charles
22) Cultural hegemonies of forms and representations: Russian fairy tale women and Post-Jungian thought
Nadi Fadina
Clinical Approaches – Section Editor: Luke Hockley
23) Feeling film: Time, space and the third image
Luke Hockley
24) Getting your own pain: A personal account of healing dissociation with help from the film War Horse
Donald E. Kalsched
25) Healing the holes in time: Film and the art of trauma
Angela Connolly
26) Discovering the meaning of a film
John Beebe
27) Under the skin: Images as the language of the unconscious
Joanna Dovalis and John Izod
Approaches Post-Cinema – Section Editor: Greg Singh
28) Beyond the second screen: Enantiodromia and the running-together of connected viewing
Greg Singh
29) Anima ludus: Analytical psychology, phenomenology and digital gamesSteve Conway
30) Cinema without a cinema and film without film: the psychogeography of contemporary media consumption
Aaron Balick
31) Digital media as textual theory: Audiovisual, pictorial and data analyses of Alien and Aliens
Andrew McWhirter
32) A networked imagination: Myth-making in fan fic’s story and soul
Leigh Melander
33) The unlived lives of cinema: Post-cinematic doubling, imitation and supplementarity
Kelli Fuery