The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African American Theater 1900-1940
The Whitman Sisters were the highest paid act on the Negro Vaudeville Circuit, Theater Owner Booking Association (Toby), and one of the longest surviving touring companies (1899-1942). The group was considered the greatest incubator of dancing talent for Negro shows on or off Toby, and significantly contributed to American theater and dance history. In The Royalty of Negro Vaudeville , Nadine George-Graves provides an historical narrative of their achievements and uses black feminist theories, feminist theories of performance, and theories of class and popular culture to analyze the many layers of performance in which the Whitman Sisters participated, on and off the stage. She shows that these four black women manipulated their race, gender and class to resist hegemonic forces while achieving success. By maintaining a high-class image, they were able to challenge fictions of racial and gender identity.
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The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African American Theater 1900-1940
The Whitman Sisters were the highest paid act on the Negro Vaudeville Circuit, Theater Owner Booking Association (Toby), and one of the longest surviving touring companies (1899-1942). The group was considered the greatest incubator of dancing talent for Negro shows on or off Toby, and significantly contributed to American theater and dance history. In The Royalty of Negro Vaudeville , Nadine George-Graves provides an historical narrative of their achievements and uses black feminist theories, feminist theories of performance, and theories of class and popular culture to analyze the many layers of performance in which the Whitman Sisters participated, on and off the stage. She shows that these four black women manipulated their race, gender and class to resist hegemonic forces while achieving success. By maintaining a high-class image, they were able to challenge fictions of racial and gender identity.
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The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African American Theater 1900-1940

The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African American Theater 1900-1940

by N. George-Graves
The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African American Theater 1900-1940

The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African American Theater 1900-1940

by N. George-Graves

Hardcover(2003)

$139.99 
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Overview

The Whitman Sisters were the highest paid act on the Negro Vaudeville Circuit, Theater Owner Booking Association (Toby), and one of the longest surviving touring companies (1899-1942). The group was considered the greatest incubator of dancing talent for Negro shows on or off Toby, and significantly contributed to American theater and dance history. In The Royalty of Negro Vaudeville , Nadine George-Graves provides an historical narrative of their achievements and uses black feminist theories, feminist theories of performance, and theories of class and popular culture to analyze the many layers of performance in which the Whitman Sisters participated, on and off the stage. She shows that these four black women manipulated their race, gender and class to resist hegemonic forces while achieving success. By maintaining a high-class image, they were able to challenge fictions of racial and gender identity.

Product Details

ISBN-13: 9780312225629
Publisher: Palgrave Macmillan US
Publication date: 01/30/2003
Edition description: 2003
Pages: 183
Product dimensions: 5.51(w) x 8.50(h) x (d)

About the Author

Nadine George Graves is Assistant Professor of Theater Studies at Yale University.

Table of Contents

Preface: Surviving the Silence Introduction Setting the Stage: The Whitman Sisters' Beginnings, Influences and a Performance Reconstruction Race, Gender and Class: The Whitman Sisters and the Politics of Performance and Management Toby, the Depression and Beyond: The Whitman Sisters' Later Years Appendices Bibliography
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