A vivid picture of a city blown to pieces by years of violence. . . . From his shards of stories he reconstructs a vibrant, hopeful panorama.” — The Wall Street Journal
“A thoughtful and original book.” — New York Journal of Books
“The Scatter Here Is Too Great [offers] nuanced characters, rich textures of fragmented experiences, and a distinct writing style. . . . One hell of a good read.” — Washington Independent Review of Books
“Bilal Tanweer has written a modern love letter furious, passionate, playful, and longing to Pakistan. And in his brilliant hands it becomes the universal story of home.” — Ben Marcus, author of The Flame Alphabet
“A superb and genuinely exciting debut.... He assembles a story of Karachi through lovingly-collected fragments. By the end of this book he had made me see that certain things are more beautiful and valuable for having been broken.” — Nadeem Aslam, author of Maps for Lost Lovers
“A beautiful debut, and a blood-soaked love letter to Karachi.” — Mohammed Hanif, author of A Case of Exploding Mangoes
“Bilal Tanweer uses his many gifts as a writer to evoke a Karachi of humor, violence, frustration, love and breathtaking stories at every turn. A wonderful debut.” — Kamila Shamsie, author of Burnt Shadows
“A timely and unconventional debut. . . . Powerful. . . . Its beautiful fragments coalesce to form an elaborate, haunting portrait of urban Pakistan, one that is rich with acute sociological detail and subtle existential contemplation.” — The Guardian
“Edgy. . . . Stylish. . . . This poetic novel-in-stories is an invaluable portrait of modern-day Karachi.” — Publishers Weekly
“An eloquent, moving debut.” — Booklist
“In one slim volume of interconnected stories Bilal Tanweer creates characters so deftly alive they illuminate the world’s strangest and least-charted megacity in all its soiled and yes, hilarious, splendor.” — Lorraine Adams, author of Harbor
“This is a beautiful, deeply powerful novel. Tanweer is a talented writer who manages with simple, elegant phrases to draw a very touching, humane portrait with real characters that can almost breathe on paper.” — Alaa Al Aswany, author of The Yacoubian Building