When it opened in St Petersburg in 1896, The Seagull survived only five performances after a disastrous first night. Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre, with Stanislavsky as Trigorin, and was an immediate success, changing for ever the nature and possibilities of drama. Chekhov's description of the play was characteristically self-mocking: 'A comedy - three f., six m., four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love'.
