The Secret History of Costaguana

by Juan Gabriel Vásquez, Anne McLean (Translator)

Overview

"A potent mixture of history, fiction and literary gamesmanship." —Los Angeles Times
"A cunning tribute to a classic." —Wall Street Journal
"[A] post-modern literary revenge story.” —The New York Times

An ingenious novel of historical invention from the global literary star author of The Sound of Things Falling.

On the day of Joseph Conrad's death in 1924, the Colombian-born José Altamirano begins to write and cannot stop. Many years before, he confessed to Conrad his life's every delicious detail—from his country's heroic revolutions to his darkest solitary moments. Those intimate recollections became Nostromo, a novel that solidified Conrad’s fame and turned Altamirano’s reality into a work of fiction. Now Conrad is dead, but the slate is by no means clear—Nostromo will live on and Altamirano must write himself back into existence.

As the destinies of real empires collide with the murky realities of imagined ones, Vásquez takes us from a flourishing twentieth-century London to the lawless fury of a blooming Panama and back in a labyrinthine quest to reclaim the past—of both a country and a man.

Product Details

ISBN-13:	9781594485824
Publisher:	Penguin Publishing Group
Publication date:	08/07/2012
Edition description:	Reprint
Pages:	320
Product dimensions:	5.40(w) x 8.10(h) x 1.00(d)
Age Range:	18 Years

About the Author

Juan Gabriel Vásquez's previous books include the Dublin Literary Award winner and national bestseller, The Sound of Things Falling, as well as the International Booker finalist The Shape of the Ruins, the award-winning novels The Informers, The Secret History of Costaguana, and the story collections Songs for the Flames and Lovers on All Saints' Day. Vásquez's novels have been published in twenty-eight languages worldwide. After sixteen years in France, Belgium, and Spain, he now lives in Bogotá.

Anne McLean translates Latin American and Spanish novels, short stories, memoirs, and other writings. She has twice won both the Independent Foreign Fiction Prize and the Premio Valle Inclán, and received the Dublin Literary Award with Juan Gabriel Vásquez for his novel The Sound of Things Falling. She lives in Toronto.

What People are Saying About This

From the Publisher

Praise for The Secret History of Costaguana

“Audacious…a potent mixture of history, fiction and literary gamesmanship.” —Los Angeles Times

“An exceptional new novel.” —The Wall Street Journal

Praise for Juan Gabriel Vásquez

“One of the most original new voices of Latin American literature." — Mario Vargas Llosa, winner of the Nobel Prize for Literature

“Remarkable . . . Immensely entertaining . . . The best work of literary fiction to come my way since 2005.” — Jonathan Yardley, The Washington Post

“One hallmark of a gifted novelist is the ability to see the potential for compelling fiction in an incident, anecdote or scrap of history. . . . By that standard and several others, the career of Juan Gabriel Vásquez . . . is off to a notable start.” — Larry Rohter, The New York Times

Editorial Reviews

Praise for The Secret History of Costaguana
 
“An intricately detailed, audacious reframing of Nostromo, the classic 1904 Joseph Conrad tale of power, corruption, intrigue and revolution in a South American country he called Costaguana. The Secret History of Costaguana is a potent mixture of history, fiction and literary gamesmanship. Vásquez's themes are of the moment: powerful countries (the U.S. foremost among them) dabbling in Latin American politics, bribing politicians and journalists, trolling for profits; European writers appropriating history for their own tales. His particular triumph with this novel is to remind us, as Balzac put it, that novels can be ‘the private histories of nations.’” —Los Angeles Times

“[An] exceptional new novel…When Mr. Vásquez, like Conrad, focuses on the individuals trapped in these national tragicomedies, he displays a keen emotional and moral awareness. The Secret History of Costaguana is a cunning tribute to a classic, but it also stands on its own merits as a dense and involving story about men who are either manipulating history or finding themselves at the barrel-end of it.” —Wall Street Journal

[A] post-modern literary revenge story.” —The New York Times

From the Publisher